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Michelle LaCourse & Martin Amlin - James Grant: Chocolates - Music for Viola and Piano (2009)

Michelle LaCourse & Martin Amlin - James Grant: Chocolates - Music for Viola and Piano (2009)
  • Title: James Grant: Chocolates - Music for Viola and Piano
  • Year Of Release: 2009
  • Label: MSR Classics
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 1:00:47
  • Total Size: 253 MB
  • WebSite:
Tracklist:

01. Chocolates (Torch Songs for Viola and Piano): I. Valentine
02. Chocolates (Torch Songs for Viola and Piano): II. Bittersweet
03. Chocolates (Torch Songs for Viola and Piano): III. Triple Mocha Indulgence
04. Waltz for Betz: Waltz for Betz
05. Stuff: Stuff
06. High Autumn: High Autumn
07. Just a Thought: Just a Thought
08. Endorphins
09. Sultry and Eccentric: I. Sultry
10. Sultry and Eccentric: II. Eccentric
11. Truffles (More Torch Songs for Viola and Piano): I. Dark Chocolate (Sinful)
12. Truffles (More Torch Songs for Viola and Piano): II. Hazelnut (Delectable)

American James Grant has established a career as a composer outside the academic establishment, and the freedom that that independence has given him is amply evident in the music on this album, Chocolates. The title piece, in three movements, is subtitled "Torch Songs for Viola and Piano," and that's an adept description of the piece, as well as much of the rest of the CD. This is music with its feet planted firmly in the jazz tradition: sultry, languid, full of passion and deep feeling, but also easygoing and amiable. There's more than a little hint of a smoky cocktail lounge about most of these pieces, but for listeners open to that, there's much fun to be had. It certainly sounds like violist Michelle LaCourse and pianist Martin Amlin, both musicians with impeccable academic credentials, are having fun. There's an easy give and take between them and a nice rhythmic fluidity to the music. In the torch songs and bluesier pieces, LaCourse has an especially relaxed and earthy tone that ideally suits this material. She brings plenty of polish to the more "serious" pieces, but the raw emotion of her playing in the torch song idiom is especially compelling. The sound is clean and open, but at the same time, intimate. For fans of the viola and of jazz, it's hard to imagine it getting much better than this.


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