Jonatan Alvarado, Ariel Abramovich - The Huehuetenango Songbook - Music from 16th Century Guatemala (2024) [Hi-Res]
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BAND/ARTIST: Jonatan Alvarado, Ariel Abramovich
- Title: The Huehuetenango Songbook - Music from 16th Century Guatemala
- Year Of Release: 2024
- Label: Glossa
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 00:33:37
- Total Size: 150 / 626 mb
- WebSite: Album Preview
Tracklist
01. Anonymous Virgen Madre de Dios
02. Anonymous Introito ‘Salve Sancta Parens’
03. Anonymous Kyrie eleison
04. Anonymous Pleni sunt (de la ‘Misa sine nomine’)
05. Anonymous Antiphona ad Magnificat ‘Gloriose Virginis’
06. Anonymous Magnificat 8 toni
07. Anonymous Benedicamus Domino Deo Gratias
08. Sermisy Le content est riche Paratum cor meum
09. Anonymous Pater Noster
10. Anonymous Hic solus (dolores nostros)
11. Morales Missa La Caca Agnus Dei
12. Anchieta O bone Jesu
13. Escobar Clamabat autem mulier cananea Cananea
In three remote mountain villages that were once not even accessible by road, a collection of 18 small-format choir books has been preserved, which have been treasured by the communities for centuries Today, these valuable books are kept in American university libraries and bear the name of the department from which they originate- The Huehuetenango Manuscripts.
The collection shows how music was integrated into the daily and spiritual life of these indigenous communities and became a symbol of resistance and forced adaptation to Catholicism and other external infuences. It contains copies of numerous European pieces, but these European forms passed through the minds, hands and voices of the indigenous people and were transformed into original creations.
The tenor Jonatan Alvarado and the vihuelist Ariel Abramovich leaf through the folios of the Huehuetenango singing manual and have selected mass movements, motets, chansons and villancicos from the more than 350 works written down between 1582 and 1635. This selection provides an insight into the intercontinental exchange of music between Europe and the missions in Mesoamerica on the eve of the Baroque.
01. Anonymous Virgen Madre de Dios
02. Anonymous Introito ‘Salve Sancta Parens’
03. Anonymous Kyrie eleison
04. Anonymous Pleni sunt (de la ‘Misa sine nomine’)
05. Anonymous Antiphona ad Magnificat ‘Gloriose Virginis’
06. Anonymous Magnificat 8 toni
07. Anonymous Benedicamus Domino Deo Gratias
08. Sermisy Le content est riche Paratum cor meum
09. Anonymous Pater Noster
10. Anonymous Hic solus (dolores nostros)
11. Morales Missa La Caca Agnus Dei
12. Anchieta O bone Jesu
13. Escobar Clamabat autem mulier cananea Cananea
In three remote mountain villages that were once not even accessible by road, a collection of 18 small-format choir books has been preserved, which have been treasured by the communities for centuries Today, these valuable books are kept in American university libraries and bear the name of the department from which they originate- The Huehuetenango Manuscripts.
The collection shows how music was integrated into the daily and spiritual life of these indigenous communities and became a symbol of resistance and forced adaptation to Catholicism and other external infuences. It contains copies of numerous European pieces, but these European forms passed through the minds, hands and voices of the indigenous people and were transformed into original creations.
The tenor Jonatan Alvarado and the vihuelist Ariel Abramovich leaf through the folios of the Huehuetenango singing manual and have selected mass movements, motets, chansons and villancicos from the more than 350 works written down between 1582 and 1635. This selection provides an insight into the intercontinental exchange of music between Europe and the missions in Mesoamerica on the eve of the Baroque.
Year 2024 | Classical | FLAC / APE | HD & Vinyl
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