Emily Beynon, Andrew West - Project Paloma III - Second World War Masterpieces for flute & piano The Netherlands (2024) [Hi-Res]
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BAND/ARTIST: Emily Beynon, Andrew West
- Title: Project Paloma III - Second World War Masterpieces for flute & piano The Netherlands
- Year Of Release: 2024
- Label: Zefir
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 00:42:01
- Total Size: 147 / 647 mb
- WebSite: Album Preview
Tracklist
01. Flothuis Flothuis Sonata I Cadenza
02. Flothuis Flothuis Sonata II Sonatina
03. Flothuis Flothuis Sonata III Lamento
04. Flothuis Flothuis Sonata IV Rondo alla Francese
05. Andriessen Andriessen Praeludium
06. Flothuis Flothuis Aubade
07. Escher Escher Habanera
08. Smit Smit Sonata I Allegro
09. Smit Smit Sonata II Lento
10. Smit Smit Sonata III Allegro moderato
11. Osieck Varsovi Accuse
12. Kattenburg Kattenburg Piece pour flute et piano
The darkness of the Second World War affected composers in different ways; this collection of works from the Netherlands shows some confronting it head-on, and others choosing musical forms that appear to look aslant at its horror - though none remained untouched by it. Smit and Kattenburg both died in the camps, just two of the 102,000 Jewish, Sinti and Roma victims from the Netherlands who are known to have been killed.
Marius Flothuis wrote both his Sonata da Camera (1943) and Aubade (1944) in Nazi camps. Much of the Sonata retains a neo-Classical detachment, but the Lamento at its heart shows the composer’s pain, while the purity of the Aubade offers the hope of a new dawn.
Begun in 1939, the three movements of Leo Smit’s powerful Sonata reflect the increasing despair of his own experience; the tragic slow movement from February 1943, shortly before he was deported.
Hans Osieck’s mazurka, Varsovie accuse (1946), marked “slow, sorrowful and sinister”, is heavy with the misery of the Warsaw Ghetto; it casts the youthful exuberance of Dick Kattenburg’s Pièce (1939) in a terrible new light, for by the time Osieck wrote this work, the 24 year old Kattenburg had been murdered in Auschwitz. Even the lush Romanticism of Andriessen’s Praeludium (1942) is marked “with sadness”, and Escher’s haunting Habanera (1945) is but a ghostly flicker of how it might have sounded before the war.
01. Flothuis Flothuis Sonata I Cadenza
02. Flothuis Flothuis Sonata II Sonatina
03. Flothuis Flothuis Sonata III Lamento
04. Flothuis Flothuis Sonata IV Rondo alla Francese
05. Andriessen Andriessen Praeludium
06. Flothuis Flothuis Aubade
07. Escher Escher Habanera
08. Smit Smit Sonata I Allegro
09. Smit Smit Sonata II Lento
10. Smit Smit Sonata III Allegro moderato
11. Osieck Varsovi Accuse
12. Kattenburg Kattenburg Piece pour flute et piano
The darkness of the Second World War affected composers in different ways; this collection of works from the Netherlands shows some confronting it head-on, and others choosing musical forms that appear to look aslant at its horror - though none remained untouched by it. Smit and Kattenburg both died in the camps, just two of the 102,000 Jewish, Sinti and Roma victims from the Netherlands who are known to have been killed.
Marius Flothuis wrote both his Sonata da Camera (1943) and Aubade (1944) in Nazi camps. Much of the Sonata retains a neo-Classical detachment, but the Lamento at its heart shows the composer’s pain, while the purity of the Aubade offers the hope of a new dawn.
Begun in 1939, the three movements of Leo Smit’s powerful Sonata reflect the increasing despair of his own experience; the tragic slow movement from February 1943, shortly before he was deported.
Hans Osieck’s mazurka, Varsovie accuse (1946), marked “slow, sorrowful and sinister”, is heavy with the misery of the Warsaw Ghetto; it casts the youthful exuberance of Dick Kattenburg’s Pièce (1939) in a terrible new light, for by the time Osieck wrote this work, the 24 year old Kattenburg had been murdered in Auschwitz. Even the lush Romanticism of Andriessen’s Praeludium (1942) is marked “with sadness”, and Escher’s haunting Habanera (1945) is but a ghostly flicker of how it might have sounded before the war.
Year 2024 | Classical | FLAC / APE | HD & Vinyl
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