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The All-American Rejects - Move Along (Deluxe Edition) (2005)

The All-American Rejects - Move Along (Deluxe Edition) (2005)
Tracklist:

01. Dirty Little Secret (Album Version) - 00:03:13
02. Stab My Back (Album Version) - 00:03:08
03. Move Along (Album Version) - 00:03:58
04. It Ends Tonight (Album Version) - 00:04:04
05. Change Your Mind (Album Version) - 00:03:38
06. Night Drive (Album Version) - 00:03:23
07. 11:11 PM (Album Version) - 00:03:03
08. Dance Inside (Album Version) - 00:03:59
09. Top Of The World (Album Version) - 00:03:23
10. Straightjacket Feeling (Album Version) - 00:03:37
11. I'm Waiting (Album Version) - 00:03:33
12. Can't Take It (Album Version) - 00:02:51
13. Dirty Little Secret (Live From The Wiltern) - 00:03:08
14. Top Of The World (Live From The Wiltern) - 00:03:26
15. Night Drive (Live From The Wiltern) - 00:03:33
16. It Ends Tonight (Live From The Wiltern) - 00:03:59
17. Move Along (Live From The Wiltern) - 00:04:13

The All-American Rejects' effervescent 2003 hit "Swing Swing" sounded like a pop-punk adaptation of Better Than Ezra, and their sophomore effort makes this mix even more apparent. The earnest racket of an outfit like the Get Up Kids is also a component in Move Along's sound. But the Rejects blend and sculpt those influences with keyboards, choirs, pianos -- there's even a classical guitar on "Top of the World" -- and the result is superficial midrange pop with appeal for a general audience of casual listeners. (Fans of Wakefield, Something Corporate, Switchfoot, and American Hi-Fi should take note.) The Rejects rock out a little on "Night Drive," "Dirty Little Secret," and "I'm Waiting" -- the guitars crackle anxiously, and Tyson Ritter and Nick Wheeler's breathy harmonies soar like they mean it. There's also distortion somewhere in "Stab My Back," but it's buried under acoustic guitars, vocal overdubs, and mournful keyboards. Move Along has some memorable hooks, such as those on the title track or "Change Your Mind" -- and, living up to its title, it moves along efficiently, usually keeping the pace at a snappy midtempo. The songs are also impeccably arranged, even if they're relentlessly processed and some of the instrumentation seems like overkill. (A children's choir? Come on....) In other words, it's easy to like the All-American Rejects if you're looking for 21st century mainstream rock that takes very, very few chances but does offer solid melodies and easy to swallow take/break and night/flight rhyme schemes.




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  • mufty77
  •  wrote in 22:26
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Many thanks.