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TrioColores - En couleur (2024) [Hi-Res]

TrioColores - En couleur (2024) [Hi-Res]
  • Title: En couleur
  • Year Of Release: 2024
  • Label: Solo Musica
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
  • Total Time: 00:58:43
  • Total Size: 230 / 889 mb
  • WebSite:
Tracklist

01. Danse macabre, Op. 40, R. 171 (Arr. for Percussion Ensemble by Luca Staffelbach)
02. Le tombeau de Couperin, M. 68 (Arr. for Percussion Ensemble by Luca Staffelbach): I. Prélude
03. Le tombeau de Couperin, M. 68 (Arr. for Percussion Ensemble by Luca Staffelbach): II. Fugue
04. Le tombeau de Couperin, M. 68 (Arr. for Percussion Ensemble by Luca Staffelbach): III. Forlane
05. Le tombeau de Couperin, M. 68 (Arr. for Percussion Ensemble by Luca Staffelbach): IV. Rigaudon
06. Le tombeau de Couperin, M. 68 (Arr. for Percussion Ensemble by Luca Staffelbach): V. Menuet
07. Le tombeau de Couperin, M. 68 (Arr. for Percussion Ensemble by Luca Staffelbach): VI. Toccata
08. Toccata for 2 Pianos (Arr. for Percussion Ensemble by Luca Staffelbach)
09. Petite Suite, L. 65 (Arr. for Percussion Ensemble by Luca Staffelbach): I. En bateau
10. Petite Suite, L. 65 (Arr. for Percussion Ensemble by Luca Staffelbach): II. Cortège
11. Petite Suite, L. 65 (Arr. for Percussion Ensemble by Luca Staffelbach): III. Menuet
12. Petite Suite, L. 65 (Arr. for Percussion Ensemble by Luca Staffelbach): IV. Ballet
13. Scaramouche, Op. 165b (Arr. for Percussion Ensemble by Luca Staffelbach): I. Vif
14. Scaramouche, Op. 165b (Arr. for Percussion Ensemble by Luca Staffelbach): II. Modéré
15. Scaramouche, Op. 165b (Arr. for Percussion Ensemble by Luca Staffelbach): III. Brazileira

When Matthias Kessler (1997), Luca Staffelbach (1996), and Fabian Ziegler (1995) play the works of French composers, they use up to two marimbas, three vibraphones, and two glockenspiels, sometimes more, sometimes less. The three musicians, all of whom hail from Switzerland and Austria, have dedicated five years of development work to their debut CD. The ensemble's common denominator is a great desire to explore the infinite potential of percussion instruments. Their bachelor's degree courses at the University of the Arts in Zurich paved the way for the three young musicians to explore the entire spectrum of instrumental possibilities from the outset, and their mutual interest in their subject matter extended far beyond the huge variety of drums and other percussion instruments they had to hand, right up to the so-called "mallet instruments".


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  •  wrote in 02:33
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