Misi Boros - Times of The Day - Morning (2024) [Hi-Res]
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BAND/ARTIST: Misi Boros
- Title: Times of The Day - Morning
- Year Of Release: 2024
- Label: Hunnia Records
- Genre: Classical Piano
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz
- Total Time: 02:39:28
- Total Size: 614 mb / 2.76 gb
- WebSite: Album Preview
Tracklist
01. J.S. Bach Italian Concerto in F Major, BWV 971 I Allegro
02. J.S. Bach Italian Concerto in F Major, BWV 971 II. Andante
03. J.S. Bach Italian Concerto in F Major, BWV 971 III. Presto
04. Beethoven Sonata No. 21 in C Major, “Waldstein I. Allegro con brio
05. Beethoven Sonata No. 21 in C Major, “Waldstein II. Introduzione Adagio molto
06. Beethoven Sonata No. 21 in C Major, “Waldstein III. Rondo. Allegretto moderato — Prestissimo
07. Liszt Grandes etudes de Paganini, S. 141 No. 6 in A Minor
08. Liszt Grandes etudes de Paganini, S.141 No. 3 in G Sharp Minor “La Campanella”
09. Mozart Ave verum corpus, K. 618, Arr. for piano by Liszt
10. J.S. Bach French Suite No.5 in G Major, BWV 816 I. Allemande
11. J.S. Bach French Suite No.5 in G Major, BWV 816 II. Courante
12. J.S. Bach French Suite No.5 in G Major, BWV 816 III. Sarabande
13. J.S. Bach French Suite No.5 in G Major, BWV 816 IV. Gavotte
14. J.S. Bach French Suite No.5 in G Major, BWV 816 V. Bourree
15. J.S. Bach French Suite No.5 in G Major, BWV 816 VI. Loure
16. J.S. Bach French Suite No.5 in G Major, BWV 816 VII. Gigue
17. Mozart Piano Sonata No. 5 in G Major, K. 283 189h I. Allegro
18. Mozart Piano Sonata No. 5 in G Major, K. 283 189h II. Andante
19. Mozart Piano Sonata No. 5 in G Major, K. 283 189h III. Presto
20. Debussy Images, Livre I, L. 110, No. 1, Reflets dans l'eau
21. Debussy L'isle joyeuse, L. 106
22. J.S. Bach Chromatic Fantasy and Fugue, BWV 903
23. J.S. Bach Prelude and Fugue in C minor, BWV 871
24. Beethoven Piano Sonata No. 31 A-Flat Major Op. 110 I. Moderato cantabile molto espressivo
25. Beethoven Piano Sonata No. 31 A-Flat Major Op. 110 II. Allegro molto
26. Beethoven Piano Sonata No. 31 A-Flat Major Op. 110 III. Adagio ma non troppo – Allegro ma non troppo
27. Chopin Nocturne in F Minor Op. 55, No. 1
28. Chopin Fantaisie in F Minor, Op. 49
29. Mozart Piano Sonata No. 5 in G Major, K. 283 189h I. Allegro
30. Mozart Piano Sonata No. 5 in G Major, K. 283 189h II. Andante
31. Mozart Piano Sonata No. 5 in G Major, K. 283 189h III. Presto
32. J. S. Bach Sheep May Safely Graze, BWV 208 No. 9 - Arr. for piano by Egon Petri
The second volume of the Wolhtemperiertes Klavier was composed in 1744, more than twenty years after the first. The second piece in this series, the Prelude and Fugue in C Minor, numbered BWV 871, reveals the highest level of genius.
In addition to the richness of the harmonies, Bach composed the four-part fugue in the most ear-catching way, with its extremely complex and intricate textures. This will be followed by Ludwig van Beethoven’s Sonata in A Flat Major, written in 1821, the composer’s penultimate, or thirty-first, piece in the genre. Op. 110 is marked Moderato cantabile molto espressivo, con amabilità (sanft) which encourages the performer to sing the movement in the most expressive, loving and tender manner possible.
The second movement of the work is a fast pulsating Allegro molto, with German folk song quotations, which are humorous or even mocking in tone. The third movement of the work, Adagio ma non troppo – Allegro ma non troppo, also contains a Bach quotation from the St. John Passion, which Beethoven further reflects on and soars.
In the final movement there are two fugues, which the composer crowns with the most wonderful, triumphant sonority. The music of the evening and night is the nocturne, whose greatest composer is Frédéric Chopin. The F Minor Op. 55 No. 1, written between 1842 and 1844, presents the faces of the night with its deep and sometimes rumbling tone.
The final piece of the evening and of the three-concert series is Chopin’s F Minor Fantasy Op. 49. The work, which lasts nearly a quarter of an hour, reveals the infinite scope of human imagination with virtuosity and profound thought. Written in 1841, it takes the performer on a wonderful journey alongside with the audience.
First encore of Wolfgang Amadeus Mozart’s Sonata in G major K. 283. Characteristic, seriously playful, lively and philosophical music. Its lightness is captivating and charming. The work, which was also performed in the evening concert, was already performed in the afternoon. Its musicality and vitality, through its power and effectiveness, made it “wished” for the end of the three concerts. The second encore, Johann Sebastian Bach’s “Sheep may safely graze” BWV 208 No. 9 (arr. E. Petri), is the most soothing and contemplative music, conveying as its conclusion the infinite reassuring and safe depth of music.
01. J.S. Bach Italian Concerto in F Major, BWV 971 I Allegro
02. J.S. Bach Italian Concerto in F Major, BWV 971 II. Andante
03. J.S. Bach Italian Concerto in F Major, BWV 971 III. Presto
04. Beethoven Sonata No. 21 in C Major, “Waldstein I. Allegro con brio
05. Beethoven Sonata No. 21 in C Major, “Waldstein II. Introduzione Adagio molto
06. Beethoven Sonata No. 21 in C Major, “Waldstein III. Rondo. Allegretto moderato — Prestissimo
07. Liszt Grandes etudes de Paganini, S. 141 No. 6 in A Minor
08. Liszt Grandes etudes de Paganini, S.141 No. 3 in G Sharp Minor “La Campanella”
09. Mozart Ave verum corpus, K. 618, Arr. for piano by Liszt
10. J.S. Bach French Suite No.5 in G Major, BWV 816 I. Allemande
11. J.S. Bach French Suite No.5 in G Major, BWV 816 II. Courante
12. J.S. Bach French Suite No.5 in G Major, BWV 816 III. Sarabande
13. J.S. Bach French Suite No.5 in G Major, BWV 816 IV. Gavotte
14. J.S. Bach French Suite No.5 in G Major, BWV 816 V. Bourree
15. J.S. Bach French Suite No.5 in G Major, BWV 816 VI. Loure
16. J.S. Bach French Suite No.5 in G Major, BWV 816 VII. Gigue
17. Mozart Piano Sonata No. 5 in G Major, K. 283 189h I. Allegro
18. Mozart Piano Sonata No. 5 in G Major, K. 283 189h II. Andante
19. Mozart Piano Sonata No. 5 in G Major, K. 283 189h III. Presto
20. Debussy Images, Livre I, L. 110, No. 1, Reflets dans l'eau
21. Debussy L'isle joyeuse, L. 106
22. J.S. Bach Chromatic Fantasy and Fugue, BWV 903
23. J.S. Bach Prelude and Fugue in C minor, BWV 871
24. Beethoven Piano Sonata No. 31 A-Flat Major Op. 110 I. Moderato cantabile molto espressivo
25. Beethoven Piano Sonata No. 31 A-Flat Major Op. 110 II. Allegro molto
26. Beethoven Piano Sonata No. 31 A-Flat Major Op. 110 III. Adagio ma non troppo – Allegro ma non troppo
27. Chopin Nocturne in F Minor Op. 55, No. 1
28. Chopin Fantaisie in F Minor, Op. 49
29. Mozart Piano Sonata No. 5 in G Major, K. 283 189h I. Allegro
30. Mozart Piano Sonata No. 5 in G Major, K. 283 189h II. Andante
31. Mozart Piano Sonata No. 5 in G Major, K. 283 189h III. Presto
32. J. S. Bach Sheep May Safely Graze, BWV 208 No. 9 - Arr. for piano by Egon Petri
The second volume of the Wolhtemperiertes Klavier was composed in 1744, more than twenty years after the first. The second piece in this series, the Prelude and Fugue in C Minor, numbered BWV 871, reveals the highest level of genius.
In addition to the richness of the harmonies, Bach composed the four-part fugue in the most ear-catching way, with its extremely complex and intricate textures. This will be followed by Ludwig van Beethoven’s Sonata in A Flat Major, written in 1821, the composer’s penultimate, or thirty-first, piece in the genre. Op. 110 is marked Moderato cantabile molto espressivo, con amabilità (sanft) which encourages the performer to sing the movement in the most expressive, loving and tender manner possible.
The second movement of the work is a fast pulsating Allegro molto, with German folk song quotations, which are humorous or even mocking in tone. The third movement of the work, Adagio ma non troppo – Allegro ma non troppo, also contains a Bach quotation from the St. John Passion, which Beethoven further reflects on and soars.
In the final movement there are two fugues, which the composer crowns with the most wonderful, triumphant sonority. The music of the evening and night is the nocturne, whose greatest composer is Frédéric Chopin. The F Minor Op. 55 No. 1, written between 1842 and 1844, presents the faces of the night with its deep and sometimes rumbling tone.
The final piece of the evening and of the three-concert series is Chopin’s F Minor Fantasy Op. 49. The work, which lasts nearly a quarter of an hour, reveals the infinite scope of human imagination with virtuosity and profound thought. Written in 1841, it takes the performer on a wonderful journey alongside with the audience.
First encore of Wolfgang Amadeus Mozart’s Sonata in G major K. 283. Characteristic, seriously playful, lively and philosophical music. Its lightness is captivating and charming. The work, which was also performed in the evening concert, was already performed in the afternoon. Its musicality and vitality, through its power and effectiveness, made it “wished” for the end of the three concerts. The second encore, Johann Sebastian Bach’s “Sheep may safely graze” BWV 208 No. 9 (arr. E. Petri), is the most soothing and contemplative music, conveying as its conclusion the infinite reassuring and safe depth of music.
Year 2024 | Classical | FLAC / APE | HD & Vinyl
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