Singer Pur - Pilger auf Erden. Vokale Pfade durchs 19. Jahrhundert (2024) [Hi-Res]
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BAND/ARTIST: Singer Pur
- Title: Pilger auf Erden. Vokale Pfade durchs 19. Jahrhundert
- Year Of Release: 2024
- Label: Oehms Classics
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 44.1kHz / flac 24bits - 48.0kHz +booklet
- Total Time: 01:01:53
- Total Size: 286 / 579 / 651 mb
- WebSite: Album Preview
Tracklist
01. 3 Geistliche Gesänge, Op. 69: No. 3, Abendlied
02. 5 Motetten, Op. 40: No. 2, Warum toben die Heiden
03. Liturgische Gesänge, Op. 59: No. 1, Nach dir, Herr, verlanget mich
04. Liturgische Gesänge, Op. 81, Pt. 1 "Zur Adventszeit": No. 4, Mache dich auf
05. Trauerchöre, Op. 9: No. 4, Grablied
06. 6 Geistliche Lieder nach Gedichten: No. 3, Resignation (Arr. for Vocal Ensemble by Christian Meister)
07. Die Kapelle am Strande
08. Schaffe in mir, Gott, ein reines Herze
09. Locus Iste, WAB 23
10. 4 Motetten, Op. 133: No. 2, Meditabor in mandatis tuis
11. 8 Geistliche Gesänge, Op. 138: No. 6, Das Agnus Dei
12. 9 Lieder, Op. 60: No. 9, Palmsonntagmorgen
13. 12 Deutsche geistliche Gesänge, WoO VI/13: No. 7, Die Sieben Worte Jesu
14. Ave verum corpus, S. 44
15. Motettum in Resurrectione Domini, Op. 2: No. 3, Surrexit pastor bonus
16. Vater unser, Op. 61 (Arr. for Vocal Ensemble by Christian Meister)
17. 2 Geistliche Chöre, Op. 115: No. 1, Beati mortui
18. 3 Motets, Op. 69: No. 1, Herr, nun lässest du
19. Gebet
Music developed relentlessly in the tense environment of the 19th century. Many composers broke away from firmly established conventions, taking ever greater liberties and forming a counterpart to the industrial and technical revolutions taking place at the same time. Singer Pur traces that arc of tension in this programme, in which the individual composers no doubt differed widely in their attitudes to faith and spirituality. Anton Bruckner, known for his almost childishly blind faith, probably struggled far less with his attitude towards God than composers such as Franz Liszt or Max Reger.
01. 3 Geistliche Gesänge, Op. 69: No. 3, Abendlied
02. 5 Motetten, Op. 40: No. 2, Warum toben die Heiden
03. Liturgische Gesänge, Op. 59: No. 1, Nach dir, Herr, verlanget mich
04. Liturgische Gesänge, Op. 81, Pt. 1 "Zur Adventszeit": No. 4, Mache dich auf
05. Trauerchöre, Op. 9: No. 4, Grablied
06. 6 Geistliche Lieder nach Gedichten: No. 3, Resignation (Arr. for Vocal Ensemble by Christian Meister)
07. Die Kapelle am Strande
08. Schaffe in mir, Gott, ein reines Herze
09. Locus Iste, WAB 23
10. 4 Motetten, Op. 133: No. 2, Meditabor in mandatis tuis
11. 8 Geistliche Gesänge, Op. 138: No. 6, Das Agnus Dei
12. 9 Lieder, Op. 60: No. 9, Palmsonntagmorgen
13. 12 Deutsche geistliche Gesänge, WoO VI/13: No. 7, Die Sieben Worte Jesu
14. Ave verum corpus, S. 44
15. Motettum in Resurrectione Domini, Op. 2: No. 3, Surrexit pastor bonus
16. Vater unser, Op. 61 (Arr. for Vocal Ensemble by Christian Meister)
17. 2 Geistliche Chöre, Op. 115: No. 1, Beati mortui
18. 3 Motets, Op. 69: No. 1, Herr, nun lässest du
19. Gebet
Music developed relentlessly in the tense environment of the 19th century. Many composers broke away from firmly established conventions, taking ever greater liberties and forming a counterpart to the industrial and technical revolutions taking place at the same time. Singer Pur traces that arc of tension in this programme, in which the individual composers no doubt differed widely in their attitudes to faith and spirituality. Anton Bruckner, known for his almost childishly blind faith, probably struggled far less with his attitude towards God than composers such as Franz Liszt or Max Reger.
Classical | FLAC / APE | HD & Vinyl
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