Bruno Verner - Film Tapes 1991-1995 (2018)
BAND/ARTIST: Bruno Verner
- Title: Film Tapes 1991-1995
- Year Of Release: 2018
- Label: Slum Dunk
- Genre: Electronic, Ambient, Experimental, Modern Classical
- Quality: FLAC (tracks)
- Total Time: 40:40 min
- Total Size: 222 MB
- WebSite: Album Preview
Tracklist:
01. The Opening Night 10:24
02. Chronically Unfeasible 5:39
03. Concrete Jungle (Casamento II) 5:54
04. Ferro’s Bar 7:29
05. Istanbul Luz 0:39
06. Tupi Machined (For Flute) 3:26
07. Ibirapuera Park 4:09
08. Saint Patrick Song 3:01
01. The Opening Night 10:24
02. Chronically Unfeasible 5:39
03. Concrete Jungle (Casamento II) 5:54
04. Ferro’s Bar 7:29
05. Istanbul Luz 0:39
06. Tupi Machined (For Flute) 3:26
07. Ibirapuera Park 4:09
08. Saint Patrick Song 3:01
“Film Tapes [1991-1995] is a collection of eight experimental pieces composed for film and video works. Written by Bruno Verner of Brazilian duo Tetine as he lived in São Paulo in the early 1990, these pieces were produced in an old four-channel Tascan tape-recorder in an improvised home studio, set in the living room of flat-share in downtown São Paulo.
Extracted from cassete tapes, these tracks were inspired by the humid climate and the concrete dystopian architecture of São Paulo's city centre. They are mostly tense, discordant and melodic (ambient) soundscapes, developed around rhythm & repetition structures and building orchestral and epic sonorities in conjunction with impressionistic, chromatic and atonal motives.
These pieces were also autobiographical impressions of the city's social architecture and its space (and time). In other words, an attempt to sonically 'translate' its viaducts and overpasses, street vendors, register offices, sex saunas, bars and clubs, bus terminals, modernist buildings, parks and old departments stores. This is made by a combination of electronics, cello, trumpets, saxophones, piano, flute and organ.”
Extracted from cassete tapes, these tracks were inspired by the humid climate and the concrete dystopian architecture of São Paulo's city centre. They are mostly tense, discordant and melodic (ambient) soundscapes, developed around rhythm & repetition structures and building orchestral and epic sonorities in conjunction with impressionistic, chromatic and atonal motives.
These pieces were also autobiographical impressions of the city's social architecture and its space (and time). In other words, an attempt to sonically 'translate' its viaducts and overpasses, street vendors, register offices, sex saunas, bars and clubs, bus terminals, modernist buildings, parks and old departments stores. This is made by a combination of electronics, cello, trumpets, saxophones, piano, flute and organ.”
Year 2018 | Classical | Electronic | Ambient | FLAC / APE
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