Dmitry Paperno - Beethoven: Piano Sonata No. 7 / Brahms: Fantasies, Op. 116 (1991)
BAND/ARTIST: Dmitry Paperno
- Title: Beethoven: Piano Sonata No. 7 / Brahms: Fantasies, Op. 116
- Year Of Release: 1991
- Label: Cedille
- Genre: Classical Piano
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:13:21
- Total Size: 214 mb
- WebSite: Album Preview
Tracklist
01. Violin Partita No. 2 in D Minor, BWV 1004: V. Chaconne (trans. F. Busoni) [arr. F. Busoni for piano]
02. Piano Sonata No. 7 in D Major, Op. 10 No. 3: I. Presto
03. Piano Sonata No. 7 in D Major, Op. 10 No. 3: II. Largo e mesto
04. Piano Sonata No. 7 in D Major, Op. 10 No. 3: III. Menuetto. Allegro
05. Piano Sonata No. 7 in D Major, Op. 10 No. 3: IV. Rondo. Allegro
06. Piano Sonata No. 18 in G Major, Op. 78, D. 894: I. Molto moderato e cantabile
07. 7 Fantasies, Op. 116: No. 1, Capriccio in D Minor
08. 7 Fantasies, Op. 116: No. 2, Intermezzo in A Minor
09. 7 Fantasien, Op. 116: No. 3, Capriccio in G Minor
10. 7 Fantasies, Op. 116: No. 4, Intermezzo in E Major
11. 7 Fantasies, Op. 116: No. 5, Intermezzo in E Minor
12. 7 Fantasies, Op. 116: No. 6, Intermezzo in E Major
13. 7 Fantasien, Op. 116: No. 7, Capriccio in D Minor
Pianist Dmitry Paperno’s second recording on Cedille Records embraces four periods in the development of German music, with works of Bach-Busoni, Beethoven, Schubert, and Brahms.
The unusual liner notes for this stimulating program take the form of a Q&A interview between Paperno and producer James Ginsburg that elicits insightful commentary about each piece and the program’s overall concept.
Paperno describes Busoni’s transcription of Bach’s Chaconne as “religious in its insight and grandeur, without being sacred.” He finds Beethoven’s early Piano Sonata No. 7 “so varied, so full of different impressions of life,” considering Beethoven’s youth at the time.
Paperno first took a performing interest in Schubert’s Fantasy when he heard it on a TV commercial(!). Brahms’ 7 Fantasies, Op. 116, are “philosophy in sound — music made for forever,” Paperno says.
01. Violin Partita No. 2 in D Minor, BWV 1004: V. Chaconne (trans. F. Busoni) [arr. F. Busoni for piano]
02. Piano Sonata No. 7 in D Major, Op. 10 No. 3: I. Presto
03. Piano Sonata No. 7 in D Major, Op. 10 No. 3: II. Largo e mesto
04. Piano Sonata No. 7 in D Major, Op. 10 No. 3: III. Menuetto. Allegro
05. Piano Sonata No. 7 in D Major, Op. 10 No. 3: IV. Rondo. Allegro
06. Piano Sonata No. 18 in G Major, Op. 78, D. 894: I. Molto moderato e cantabile
07. 7 Fantasies, Op. 116: No. 1, Capriccio in D Minor
08. 7 Fantasies, Op. 116: No. 2, Intermezzo in A Minor
09. 7 Fantasien, Op. 116: No. 3, Capriccio in G Minor
10. 7 Fantasies, Op. 116: No. 4, Intermezzo in E Major
11. 7 Fantasies, Op. 116: No. 5, Intermezzo in E Minor
12. 7 Fantasies, Op. 116: No. 6, Intermezzo in E Major
13. 7 Fantasien, Op. 116: No. 7, Capriccio in D Minor
Pianist Dmitry Paperno’s second recording on Cedille Records embraces four periods in the development of German music, with works of Bach-Busoni, Beethoven, Schubert, and Brahms.
The unusual liner notes for this stimulating program take the form of a Q&A interview between Paperno and producer James Ginsburg that elicits insightful commentary about each piece and the program’s overall concept.
Paperno describes Busoni’s transcription of Bach’s Chaconne as “religious in its insight and grandeur, without being sacred.” He finds Beethoven’s early Piano Sonata No. 7 “so varied, so full of different impressions of life,” considering Beethoven’s youth at the time.
Paperno first took a performing interest in Schubert’s Fantasy when he heard it on a TV commercial(!). Brahms’ 7 Fantasies, Op. 116, are “philosophy in sound — music made for forever,” Paperno says.
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