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Alfonso Calderón de Castro - Guinjoan: Fundamental Works, Vol. 1-2 (2019-2024) [Hi-Res]

Alfonso Calderón de Castro - Guinjoan: Fundamental Works, Vol. 1-2 (2019-2024) [Hi-Res]
  • Title: Guinjoan: Fundamental Works, Vol. 1-2
  • Year Of Release: 2019-2024
  • Label: IBS Classical
  • Genre: Classical
  • Quality: flac lossless / flac 24bits - 96.0kHz
  • Total Time: 01:09:39
  • Total Size: 542 / 1932 mb
  • WebSite:
Tracklist

Guinjoan: Fundamental Works, Vol.1
01. Jondo
02. Digraf
03. Divagant
04. Verbum
05. Tempo breve
06. Au revoir barroco

Guinjoan: Fundamental Works, Vol.2
01. Preludio No. 1
02. Ensayo a dos voces
03. El pinell de dalt
04. Fantasia in C Major
05. Scherzo y trio
06. Piano Suite, Op. 1 No. 1: I. Introducción
07. Piano Suite, Op. 1 No. 1: II. Española
08. Piano Suite, Op. 1 No. 1: III. Canto para un bebé
09. Piano Suite, Op. 1 No. 1: IV. Ritmos modernos
10. Piano Suite, Op. 1 No. 1: V. Lamento
11. Piano Suite, Op. 1 No. 1: VI. Canto popular religioso
12. Pequeña fantasía in F Minor
13. 3 Pequeñas piezas, Op. 2 No. 1: No. 1, Resignacion
14. 3 Pequeñas piezas, Op. 2 No. 1: No. 2, Siciliana
15. 3 Pequeñas piezas, Op. 2 No. 1: No. 3, Melodia exótica
16. Rosario Vasconcel
17. Suite moderna: I. Moderato
18. Suite moderna: II. Lento
19. Suite moderna: III. Presto
20. Momentos No. 1
21. Chez García Ramos

Like Antoni Gaudi, the architect who knew how to insufflate life to modern buildings giving them their most ardent expression, Guinjoan brings vital aesthetic elements to a language that had been lost, taking a legacy that it has its roots in the XX century with names like Robert Gerhard or Jaume Pahissa. Guinjoan’s regulatory ideas do not impose forms beforehand: they sound the necessities of the musical material and from there they set out a new path towards a new classicism. Calderón doesn’t smooth things over these pieces of works, and he does it bestowing them with numerous creative nuances. Guinjoan develops formal procedures, which from an overview like these readings, show themselves as endowed of organic fluidity, however an analytic approach lets us see their great complexity. The pianist’s depth, imagination and musicality offers a reading of digital cleanliness and conceptual depth. We find, then, an anthological interpretation of the composer’s pieces for piano. Definitely, Calderon’s poetic piano reveals Guinjoan’s poetry with the piano in all its splendour and vitality; of whom has known how to raise living harmonies that will remain unharmed because of their strength and expressive significance.






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