Artur Pizarro - Beethoven: Piano Sonatas - Pathétique, Moonlight, Tempest, Appassionata (2004)
BAND/ARTIST: Artur Pizarro
- Title: Beethoven: Piano Sonatas - Pathétique, Moonlight, Tempest, Appassionata
- Year Of Release: 2004
- Label: Linn Records
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 01:18:40
- Total Size: 254 Mb
- WebSite: Album Preview
Tracklist:
Sonata No. 8 in C Minor, Op. 13 "Pathétique" (Ludwig van Beethoven)
01. I. Grave - Allegro di molto e con brio - 00:09:05
02. II. Adagio cantabile - 00:04:54
03. III. Rondo (Allegro) - 00:03:58
Sonata No. 14 in C-Sharp Minor, Op. 27/2 "Moonlight" (Ludwig van Beethoven)
04. I. Adagio sostenuto - 00:06:40
05. II. Allegretto - 00:02:10
06. III. Presto agitato - 00:06:48
Sonata No. 17 in D Minor, Op. 31/2 "Tempest" (Ludwig van Beethoven)
07. I. Largo - 00:08:32
08. II. Adagio - 00:08:44
09. III. Allegretto - 00:05:09
Sonata No. 23 in F Minor, Op. 57 "Appassionata" (Ludwig van Beethoven)
10. I. Allegro Assai - 00:09:55
11. II. Andante con moto - 00:05:42
12. III. Allegro ma non troppo - Presto - 00:07:03
Performers:
Artur Pizarro (piano)
Sonata No. 8 in C Minor, Op. 13 "Pathétique" (Ludwig van Beethoven)
01. I. Grave - Allegro di molto e con brio - 00:09:05
02. II. Adagio cantabile - 00:04:54
03. III. Rondo (Allegro) - 00:03:58
Sonata No. 14 in C-Sharp Minor, Op. 27/2 "Moonlight" (Ludwig van Beethoven)
04. I. Adagio sostenuto - 00:06:40
05. II. Allegretto - 00:02:10
06. III. Presto agitato - 00:06:48
Sonata No. 17 in D Minor, Op. 31/2 "Tempest" (Ludwig van Beethoven)
07. I. Largo - 00:08:32
08. II. Adagio - 00:08:44
09. III. Allegretto - 00:05:09
Sonata No. 23 in F Minor, Op. 57 "Appassionata" (Ludwig van Beethoven)
10. I. Allegro Assai - 00:09:55
11. II. Andante con moto - 00:05:42
12. III. Allegro ma non troppo - Presto - 00:07:03
Performers:
Artur Pizarro (piano)
It's curious, but however well you think you know these sonatas, the freshness and incisiveness of Pizarro's playing somehow takes you unawares. From the almost unfeasibly grave Grave introduction to the Pathétique to the torrential outbursts in the finale of the Appassionata, Pizarro shows how well he understands Beethoven
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