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Benjamin Bernheim, Carrie-Ann Matheson - Douce France: Mélodies & Chansons (2024) [Hi-Res]

Benjamin Bernheim, Carrie-Ann Matheson - Douce France: Mélodies & Chansons (2024) [Hi-Res]
  • Title: Douce France: Mélodies & Chansons
  • Year Of Release: 2024
  • Label: Deutsche Grammophon (DG)
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
  • Total Time: 01:18:51
  • Total Size: 278 MB / 1.39 GB
  • WebSite:
Tracklist:

1. Berlioz: Les nuits d'été, H. 81 (Transcr. Matheson for Tenor and Piano): I. Villanelle (2:03)
2. Berlioz: Les nuits d'été, H. 81 (Transcr. Matheson for Tenor and Piano): II. Le spectre de la rose (5:47)
3. Berlioz: Les nuits d'été, H. 81 (Transcr. Matheson for Tenor and Piano): III. Sur les lagunes (6:05)
4. Berlioz: Les nuits d'été, H. 81 (Transcr. Matheson for Tenor and Piano): IV. Absence (4:48)
5. Berlioz: Les nuits d'été, H. 81 (Transcr. Matheson for Tenor and Piano): V. Au cimetière (Clair de lune) (4:41)
6. Berlioz: Les nuits d'été, H. 81 (Transcr. Matheson for Tenor and Piano): VI. L'île inconnue (3:43)
7. Chausson: Poème de l'amour et de la mer, Op. 19 (Transcr. Matheson for Tenor and Piano): I. La fleur des eaux (10:27)
8. Chausson: Poème de l'amour et de la mer, Op. 19 (Transcr. Matheson for Tenor and Piano): II. Interlude (2:43)
9. Chausson: Poème de l'amour et de la mer, Op. 19 (Transcr. Matheson for Tenor and Piano): III. La mort de l'amour (12:35)
10. Duparc: L'invitation au voyage (4:18)
11. Duparc: Extase (3:22)
12. Duparc: Phidylé (4:56)
13. Duparc: La vie antérieure (4:17)
14. Kosma: Les feuilles mortes (Arr. Leuenberger for Tenor and Piano) (2:42)
15. Trenet, Chauliac: Douce France (Arr. Leuenberger for Tenor and Piano) (3:19)
16. Brel: Quand on n'a que l'amour (Arr. Leuenberger for Tenor and Piano) (3:14)

French star tenor Benjamin Bernheim announces his first solo song album Douce France: Mélodies & Chansons. Inspired by his long study and experience of French song, Bernheim imaginatively couples the famous 19th-century melodies of Berlioz, Chausson and Duparc with the classic 20th-century chansons by Brel, Kosma and Trenet. While some of these cycles are nowadays associated with the female voice accompanied by orchestra, the tenor was determined to return to the deep intimacy that a keyboard accompaniment can conjure. Bernheim’s regular duo partner, pianist Carrie-Ann Matheson, transcribed the relevant orchestral scores into the more idiomatic versions heard on this album.





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  • platico
  •  wrote in 05:37
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gracias...
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  • olga1001
  •  wrote in 07:50
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Booklet is on Qobuz

https://static.qobuz.com/goodies/94/000171849.pdf

http://audiofil.hostronavt.ru/booklet.php?i=1