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François Lazarevitch, Sandrine Chatron, Les Musiciens de Saint-Julien - Mozart: Concertos pour flûte & Concerto pour flûte et harpe (2024) [Hi-Res]

François Lazarevitch, Sandrine Chatron, Les Musiciens de Saint-Julien - Mozart: Concertos pour flûte & Concerto pour flûte et harpe (2024) [Hi-Res]
  • Title: Mozart: Concertos pour flûte & Concerto pour flûte et harpe
  • Year Of Release: 2024
  • Label: Alpha Classics
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
  • Total Time: 01:10:30
  • Total Size: 302 MB / 1.23 GB
  • WebSite:
Tracklist:

1. Mozart: Flute Concerto in D Major, K. 314: I. Allegro aperto (6:56)
2. Mozart: Flute Concerto in D Major, K. 314: II. Adagio non troppo (5:53)
3. Mozart: Flute Concerto in D Major, K. 314: III. Rondo. Allegretto (6:20)
4. Mozart: Flute and Harp Concerto in C Major, K. 299: I. Allegro (10:12)
5. Mozart: Flute and Harp Concerto in C Major, K. 299: II. Andantino (7:47)
6. Mozart: Flute and Harp Concerto in C Major, K. 299: III. Rondeau. Allegro (9:45)
7. Mozart: Flute Concerto in G Major, K. 313: I. Allegro maestoso (8:24)
8. Mozart: Flute Concerto in G Major, K. 313: II. Adagio ma non troppo (7:49)
9. Mozart: Flute Concerto in G Major, K. 313: III. Rondo. Tempo di Menuetto (7:27)

Mozart's flute concertos are of course a Holy Grail for flutist Francois Lazarevitch, one that he has decided to tackle together with his ensemble Les Musiciens de Saint-Julien in connection with their work on sources of interpretation. He has recorded the two concertos for flute and orchestra on a one-keyed flute, a copy of an instrument made in Mozart's time, and the concerto in C for flute and harp on an eight-keyed flute -- a flute with a C foot -- with Sandrine Chatron playing a period harp by Francois-Joseph Naderman. As Mozart left no original cadenzas for the flute concertos, Francois Lazarevitch has here created his own, drawing inspiration from the cadenzas Mozart composed for his piano concertos. The Menuets and Gavottes in the final movements are particularly highlighted by the ensemble's expertise in music for dancing: "after a first movement that is a little solemn and a second that is more lyrical, the final movements are often a moment for release in dance," concludes Lazarevitch.


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  • User offline
  • olga1001
  •  wrote in 18:05
    • Like
    • 1
K. 313 2nd movement: 2 Flutes instead of 2 Oboes according to Alte Mozart-Ausgabe

Many Strings for them, according to Mannheim Orchestra back then ?
Fluent but Solo Flute is interesting :)

By the way, Mannheim (K. 313, and K. 314 ?) is an important milestone for Mozart:
He just played his cousin, Bäsle (his 1st experience) and seriously loved Aloysia, he was so free and lived separately with his mother, earned so much that he wouldn't leave there, he lied much to his father but overly protective Leopold ordered him to go to Paris on schedule !
He lost Aloysia and his mother died in Paris :((
The reason why Mozart wrote to his father he couldn't bear Flute is thought to wanna stay longer there, making an excuse that works of Flute took much time :))
From its features and too many lies in Mannheim, Henrik Wiese concluded K. 313 was composed in Salzburg before position hunting Mannheim-Paris journey !

Why Mozart left Paris (K. 299) ?
Because his mother died, yes !
But another cause ?
After that he was offered Organist in Versailles, if he accepted it, Leopold and family must have come to Paris !!
Mozart didn't come straight back to Salzburg, rebellious to his father or meeting Aloysia in München ?
But she didn't associate with him because he was unemployed :(
She later said she regretted it ...

Thanks
  • User offline
  • platico
  •  wrote in 01:09
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    • 0
gracias...