Sanae Yoshida - My Microtonal Piano (2024) [Hi-Res]
![Sanae Yoshida - My Microtonal Piano (2024) [Hi-Res]](https://www.dibpic.com/uploads/posts/2024-01/1706193850_folder.jpg)
BAND/ARTIST: Sanae Yoshida
- Title: My Microtonal Piano
- Year Of Release: 2024
- Label: Lawo Classics
- Genre: Classical Piano
- Quality: flac lossless (image +.cue, log, artwork) / flac 24bits - 192.0kHz +Booklet
- Total Time: 01:01:12
- Total Size: 191 mb / 1.86 gb
- WebSite: Album Preview
Tracklist
01. Three Studies For Microtonal Piano: No. 1, Andantino
02. Three Studies For Microtonal Piano: Interludium I
03. Three Studies For Microtonal Piano: No. 2, Adagio
04. Three Studies For Microtonal Piano: Interludium II
05. Three Studies For Microtonal Piano: No. 3, Andante Sostenuto
06. Bai-Bai-Bai
07. Boiling Web
08. Snow Soul
09. Tecelagem
10. Microtonal Pieces: No. 1, …Remnants of what may still exist
11. Microtonal Pieces: No. 2, …And so forth the...
12. Microtonal Pieces: No. 3, If only this, then so be it...
![Sanae Yoshida - My Microtonal Piano (2024) [Hi-Res]](https://www.dibpic.com/uploads/posts/2024-01/1706193911_sanae-yoshida-my-microtonal-piano-2024-back.jpg)
As a musical instrument the piano is, both literally and figuratively, black and white. A paradigm of discipline and order, the natural notes here, the sharps and flats here, carefully tuned such that all intervals between the notes are the same, and that all keys, major and minor, sound with an absolute maximum of consistent, consonant clarity.
Composers tend not to be interested in or satisfied by black and white. Indeed, even all the myriad shades of grey in between are often insufficient. Regardless of what it may look like, and how it might have been designed, arranged and built, for many composers an instrument is less a full stop than a question mark, a collection of materials that have the potential to constitute a panoply of multicoloured technical possibilities.
So it is with the music on this album. To compose microtonal piano music, to explore the infinitesimal gaps between the white and black keys, is to embrace the necessity to rethink, retool and, of course, retune the instrument in order to expand or simply reconfigure its tonal makeup and capabilities. Such an exploration extends to other aspects too, to timbre, structure, melody, and most obviously — and radically — to harmony.
The five composers on this album, Eivind Buene, Keiko Harada, Øyvind Mæland, Michelle Agnes Magalhaes and Andreas Gundersen, all take a distinct, individual approach in their exploration beyond the conventional limits of the piano.
01. Three Studies For Microtonal Piano: No. 1, Andantino
02. Three Studies For Microtonal Piano: Interludium I
03. Three Studies For Microtonal Piano: No. 2, Adagio
04. Three Studies For Microtonal Piano: Interludium II
05. Three Studies For Microtonal Piano: No. 3, Andante Sostenuto
06. Bai-Bai-Bai
07. Boiling Web
08. Snow Soul
09. Tecelagem
10. Microtonal Pieces: No. 1, …Remnants of what may still exist
11. Microtonal Pieces: No. 2, …And so forth the...
12. Microtonal Pieces: No. 3, If only this, then so be it...
As a musical instrument the piano is, both literally and figuratively, black and white. A paradigm of discipline and order, the natural notes here, the sharps and flats here, carefully tuned such that all intervals between the notes are the same, and that all keys, major and minor, sound with an absolute maximum of consistent, consonant clarity.
Composers tend not to be interested in or satisfied by black and white. Indeed, even all the myriad shades of grey in between are often insufficient. Regardless of what it may look like, and how it might have been designed, arranged and built, for many composers an instrument is less a full stop than a question mark, a collection of materials that have the potential to constitute a panoply of multicoloured technical possibilities.
So it is with the music on this album. To compose microtonal piano music, to explore the infinitesimal gaps between the white and black keys, is to embrace the necessity to rethink, retool and, of course, retune the instrument in order to expand or simply reconfigure its tonal makeup and capabilities. Such an exploration extends to other aspects too, to timbre, structure, melody, and most obviously — and radically — to harmony.
The five composers on this album, Eivind Buene, Keiko Harada, Øyvind Mæland, Michelle Agnes Magalhaes and Andreas Gundersen, all take a distinct, individual approach in their exploration beyond the conventional limits of the piano.
Classical | FLAC / APE | CD-Rip | HD & Vinyl
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads