Plattform K+K Vienna - Divergence: Music of Laure Altman, Erich Korngold and Arnold Schoenberg (2014)
BAND/ARTIST: Plattform K+K Vienna
- Title: Divergence: Music of Laure Altman, Erich Korngold and Arnold Schoenberg
- Year Of Release: 2014
- Label: Neos
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 01:16:39
- Total Size: 365 Mb
- WebSite: Album Preview
Tracklist:
Come Dance with Me (Version for Septet) (Laurie Altman)
01. Come Dance with Me (Version for Septet) - 00:07:10
3 for Duke (Laurie Altman)
02. No. 1, Sophisticated Lady - 00:04:38
03. No. 2, Mood Indigo - 00:03:25
04. No. 3, It Don't Mean a Thing - 00:04:49
In a Time of War (Laurie Altman)
05. In a Time of War - 00:03:46
De la gastronomie (Laurie Altman)
06. De la gastronomie - 00:03:16
Fantasy on Schoenberg's Op. 19 (Laurie Altman)
07. No. 1, — - 00:01:54
08. No. 2, — - 00:00:55
09. No. 3, — - 00:02:34
10. No. 4, — - 00:01:17
11. No. 5, — - 00:00:59
12. No. 6, — - 00:01:55
6 Kleine Klavierstücke, Op. 19 (Arnold Schoenberg)
13. No. 1, Leicht, zart - 00:01:45
14. No. 2, Langsam - 00:01:22
15. No. 3, Sehr langsam Viertel - 00:01:16
16. No. 4, Rasch, aber leicht - 00:00:26
17. No. 5, Etwas rasch - 00:00:48
18. No. 6, Sehr langsam - 00:01:19
Piano Quintet in E Major, Op. 15 (Erich Wolfgang Korngold)
19. I. Mäßiges Zeitmaß, mit schwungvoll blühendem Ausdruck - 00:12:26
20. II. Adagio. Mit grösster Ruhe, stets äußerst gebunden und ausdrucksvoll - 00:12:11
21. III. Finale. Gemessen beinahe pathetisch - 00:08:28
Performers:
Kirill Kobantschenko & Bernie Mallinger (violin), Aurore Cany (viola), Florian Eggner (cello), Flip Philipp (vibraphone), Christoph Zimper (clarinet), Christoph Eggner (piano)
Plattform K K Vienna
Come Dance with Me (Version for Septet) (Laurie Altman)
01. Come Dance with Me (Version for Septet) - 00:07:10
3 for Duke (Laurie Altman)
02. No. 1, Sophisticated Lady - 00:04:38
03. No. 2, Mood Indigo - 00:03:25
04. No. 3, It Don't Mean a Thing - 00:04:49
In a Time of War (Laurie Altman)
05. In a Time of War - 00:03:46
De la gastronomie (Laurie Altman)
06. De la gastronomie - 00:03:16
Fantasy on Schoenberg's Op. 19 (Laurie Altman)
07. No. 1, — - 00:01:54
08. No. 2, — - 00:00:55
09. No. 3, — - 00:02:34
10. No. 4, — - 00:01:17
11. No. 5, — - 00:00:59
12. No. 6, — - 00:01:55
6 Kleine Klavierstücke, Op. 19 (Arnold Schoenberg)
13. No. 1, Leicht, zart - 00:01:45
14. No. 2, Langsam - 00:01:22
15. No. 3, Sehr langsam Viertel - 00:01:16
16. No. 4, Rasch, aber leicht - 00:00:26
17. No. 5, Etwas rasch - 00:00:48
18. No. 6, Sehr langsam - 00:01:19
Piano Quintet in E Major, Op. 15 (Erich Wolfgang Korngold)
19. I. Mäßiges Zeitmaß, mit schwungvoll blühendem Ausdruck - 00:12:26
20. II. Adagio. Mit grösster Ruhe, stets äußerst gebunden und ausdrucksvoll - 00:12:11
21. III. Finale. Gemessen beinahe pathetisch - 00:08:28
Performers:
Kirill Kobantschenko & Bernie Mallinger (violin), Aurore Cany (viola), Florian Eggner (cello), Flip Philipp (vibraphone), Christoph Zimper (clarinet), Christoph Eggner (piano)
Plattform K K Vienna
Neos' second release with Laurie ALTMAN – another superbly recorded disc by Judith Sherman. Laurie Altman’s own music allows some insight into his relation to composers like Schoenberg and Korngold.
Liner notes in German, English, and French
“Divergence”: the moving away from a centre; the personal iteration from before into what comes after through change, chance and manipulation: pathways redirected and abandoned, options tested, then deployed.
Arnold Schönberg diverges from 19th century romantic expansions into a realm of derivative cells, “rowed” together seamlessly to dissolve traditional tonal access. “Consonances are easier to understand than dissonances; and though dissonances are harder to understand, they are not incomprehensible (as the history of music indeed proves) so long as they occur in the right surroundings-then nobody will be able to dispute them.” (Arnold Schönberg, Style and Idea, University of California Press).
Erich Korngold’s romantic and emotional music defies and diverges from ongoing styles and trends emphasizing atonality and serialism to create a musical tapestry full of emotional intensity and beauty, while Duke Ellington’s music diverges from categorical definition, liberating itself through extended compositions, suites and inventive orchestrations into a place beyond the sometimes narrowly defined parameters of Jazz.
Liner notes in German, English, and French
“Divergence”: the moving away from a centre; the personal iteration from before into what comes after through change, chance and manipulation: pathways redirected and abandoned, options tested, then deployed.
Arnold Schönberg diverges from 19th century romantic expansions into a realm of derivative cells, “rowed” together seamlessly to dissolve traditional tonal access. “Consonances are easier to understand than dissonances; and though dissonances are harder to understand, they are not incomprehensible (as the history of music indeed proves) so long as they occur in the right surroundings-then nobody will be able to dispute them.” (Arnold Schönberg, Style and Idea, University of California Press).
Erich Korngold’s romantic and emotional music defies and diverges from ongoing styles and trends emphasizing atonality and serialism to create a musical tapestry full of emotional intensity and beauty, while Duke Ellington’s music diverges from categorical definition, liberating itself through extended compositions, suites and inventive orchestrations into a place beyond the sometimes narrowly defined parameters of Jazz.
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