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BBC Philharmonic & Juanjo Mena - Gerhard: Don Quixote (complete ballet); Suite from Alegrías; Pedrelliana (2024) [Hi-Res]

BBC Philharmonic & Juanjo Mena - Gerhard: Don Quixote (complete ballet); Suite from Alegrías; Pedrelliana (2024) [Hi-Res]
  • Title: Gerhard: Don Quixote (complete ballet); Suite from Alegrías; Pedrelliana
  • Year Of Release: 2024
  • Label: Chandos
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
  • Total Time: 01:01:12
  • Total Size: 220 MB / 1.01 GB
  • WebSite:
Tracklist:

1. Gerhard: Alegrías Suite: I.Preámbulo (2:11)
2. Gerhard: Alegrías Suite: II. Jácara (2:20)
3. Gerhard: Alegrías Suite: III. Farruca (5:08)
4. Gerhard: Alegrías Suite: IV. Jaleo (3:05)
5. Gerhard: Pedrelliana (11:31)
6. Gerhard: Don Quixote: [Introduction] (0:30)
7. Gerhard: Don Quixote, Scene 1: Don Quixote’s Room (0:54)
8. Gerhard: Don Quixote, Scene 1: Don Quixote’s vision of Dulcinea (3:05)
9. Gerhard: Don Quixote, Scene 1: Sancho Panza (0:56)
10. Gerhard: Don Quixote: Interlude I (The Plain of La Mancha) (0:53)
11. Gerhard: Don Quixote, Scene 2: A Wayside Inn (3:01)
12. Gerhard: Don Quixote, Scene 2: The Vigil at Arms (1:32)
13. Gerhard: Don Quixote, Scene 2: The duel with the muleteer (1:31)
14. Gerhard: Don Quixote, Scene 2: The ‘knighting’ of Don Quixote (1:00)
15. Gerhard: Don Quixote: Interlude II (1:13)
16. Gerhard: Don Quixote, Scene 3: The Plain of La Mancha - The Windmills (1:30)
17. Gerhard: Don Quixote, Scene 3: The village barber and his basin (2:13)
18. Gerhard: Don Quixote, Scene 3: The Golden Age (2:45)
19. Gerhard: Don Quixote, Scene 3: The galley-slaves (2:22)
20. Gerhard: Don Quixote: Interlude III (0:57)
21. Gerhard: Don Quixote, Scene 4: The Cave of Montesinos (3:10)
22. Gerhard: Don Quixote: Interlude IV (0:34)
23. Gerhard: Don Quixote, Scene 5: The Prison (3:23)
24. Gerhard: Don Quixote, Scene 5: Dulcinea revealed as Aldonza (2:11)
25. Gerhard: Don Quixote: Epilogue (3:33)

The Catalan Roberto Gerhard studied piano with Granados, and was the only Spanish composer to study with Arnold Schoenberg. It was, however, over twenty years before he committed himself to writing twelvetone music. In the interim, his output brought a new focus and precision (owing more to Stravinsky and Bartók) to the Spanish style.

All the works on this album were composed in that period. Dating from the early 1940s, his ballet Alegrías was originally conceived for two pianos, but soon evolved into the four-movement suite heard here. The flamenco-inspired movements are linked in pairs, and show Gerhard’s brilliance and humour in equal measure. During this same period Gerhard decided to mark the centenary of his first teacher, Felipe Pedrell (who had also taught Albéniz, Granados, and de Falla), with a three-movement symphony, Homenaje a Pedrell (CHAN 9693). Gerhard failed to secure a performance of the work, but in 1954 was invited to re-work the final movement for a BBC Symphony Orchestra concert, which became Pedrelliana.

Gerhard’s ballet on episodes from Cervantes’s Don Quixote evolved for almost a decade, from a work for chamber orchestra, for a touring company (abandoned because of the war), via a version for radio and an expanded orchestral suite, to the work recorded here, in its full and final orchestration for performances at the Royal Opera House in 1950, choreographed by Ninette de Valois. Robert Helpmann danced the title role and Margot Fonteyn Dulcinea.


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