Michel Kiener - Handel: Suites de pièces pour le clavecin (2024) [Hi-Res]
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BAND/ARTIST: Michel Kiener
- Title: Handel: Suites de pièces pour le clavecin
- Year Of Release: 2024
- Label: Passacaille
- Genre: Classical
- Quality: FLAC (tracks) / 24bit-44.1kHz FLAC (tracks)
- Total Time: 02:13:06
- Total Size: 993 MB / 1.63 GB
- WebSite: Album Preview
Tracklist:
1. Harpsichord Suite No. 1 in A Major, HWV 426: I. Praeludium (3:09)
2. Harpsichord Suite No. 1 in A Major, HWV 426: II. Allemande (4:38)
3. Harpsichord Suite No. 1 in A Major, HWV 426: III. Courante (3:32)
4. Harpsichord Suite No. 1 in A Major, HWV 426: IV. Gigue (3:42)
5. Harpsichord Suite No. 2 in F Major, HWV 427: I. Adagio (2:35)
6. Harpsichord Suite No. 2 in F Major, HWV 427: II. Allegro (3:23)
7. Harpsichord Suite No. 2 in F Major, HWV 427: III. Adagio (1:50)
8. Harpsichord Suite No. 2 in F Major, HWV 427: IV. Allegro (Fugue) (3:05)
9. Harpsichord Suite No. 3 in D Minor, HWV 428: I. Praeludium. Presto - Adagio (1:20)
10. Harpsichord Suite No. 3 in D Minor, HWV 428: II. Allegro (Fugue) (2:52)
11. Harpsichord Suite No. 3 in D Minor, HWV 428: III. Allemande (5:04)
12. Harpsichord Suite No. 3 in D Minor, HWV 428: IV. Courante (2:28)
13. Harpsichord Suite No. 3 in D Minor, HWV 428: Va. Air (3:48)
14. Harpsichord Suite No. 3 in D Minor, HWV 428: Vb. Variation I (1:15)
15. Harpsichord Suite No. 3 in D Minor, HWV 428: Vc. Variation II (1:12)
16. Harpsichord Suite No. 3 in D Minor, HWV 428: Vd. Variation III (1:14)
17. Harpsichord Suite No. 3 in D Minor, HWV 428: Ve. Variation IV (1:03)
18. Harpsichord Suite No. 3 in D Minor, HWV 428: Vf. Variation V (1:26)
19. Harpsichord Suite No. 3 in D Minor, HWV 428: VI. Presto (5:20)
20. Harpsichord Suite No. 4 in E Minor, HWV 429: I. Allegro (4:30)
21. Harpsichord Suite No. 4 in E Minor, HWV 429: II. Allemande (3:08)
22. Harpsichord Suite No. 4 in E Minor, HWV 429: III. Courante (2:42)
23. Harpsichord Suite No. 4 in E Minor, HWV 429: IV. Sarabande (4:01)
24. Harpsichord Suite No. 4 in E Minor, HWV 429: V. Gigue (1:55)
25. Harpsichord Suite No. 5 in E Major, HWV 430: I. Praeludium (2:05)
26. Harpsichord Suite No. 5 in E Major, HWV 430: II. Allemande (5:52)
27. Harpsichord Suite No. 5 in E Major, HWV 430: III. Courante (2:21)
28. Harpsichord Suite No. 5 in E Major, HWV 430: IVa. Air "The Harmonious Blacksmith" (0:50)
29. Harpsichord Suite No. 5 in E Major, HWV 430: IVb. Variation I (0:48)
30. Harpsichord Suite No. 5 in E Major, HWV 430: IVc. Variation II (1:04)
31. Harpsichord Suite No. 5 in E Major, HWV 430: IVd. Variation III (0:48)
32. Harpsichord Suite No. 5 in E Major, HWV 430: IVe. Variation IV (0:51)
33. Harpsichord Suite No. 5 in E Major, HWV 430: IVf. Variation V (0:58)
34. Harpsichord Suite No. 6 in F-Sharp Minor, HWV 431: I. Praeludium (1:52)
35. Harpsichord Suite No. 6 in F-Sharp Minor, HWV 431: II. Largo (2:15)
36. Harpsichord Suite No. 6 in F-Sharp Minor, HWV 431: III. Allegro (3:06)
37. Harpsichord Suite No. 6 in F-Sharp Minor, HWV 431: IV. Gigue. Presto (3:08)
38. Harpsichord Suite No. 7 in G Minor, HWV 432: I. Ouverture. (Largo - Presto) (6:05)
39. Harpsichord Suite No. 7 in G Minor, HWV 432: II. Andante (3:55)
40. Harpsichord Suite No. 7 in G Minor, HWV 432: III. Allegro (2:27)
41. Harpsichord Suite No. 7 in G Minor, HWV 432: IV. Sarabande (4:18)
42. Harpsichord Suite No. 7 in G Minor, HWV 432: V. Gigue (1:30)
43. Harpsichord Suite No. 7 in G Minor, HWV 432: VI. Passacaille (5:00)
44. Harpsichord Suite No. 8 in F Minor, HWV 433: I. Praeludium. Adagio (2:37)
45. Harpsichord Suite No. 8 in F Minor, HWV 433: II. Allegro (3:03)
46. Harpsichord Suite No. 8 in F Minor, HWV 433: III. Allemande (4:09)
47. Harpsichord Suite No. 8 in F Minor, HWV 433: IV. Courante (2:23)
48. Harpsichord Suite No. 8 in F Minor, HWV 433: V. Gigue (2:52)
1. Harpsichord Suite No. 1 in A Major, HWV 426: I. Praeludium (3:09)
2. Harpsichord Suite No. 1 in A Major, HWV 426: II. Allemande (4:38)
3. Harpsichord Suite No. 1 in A Major, HWV 426: III. Courante (3:32)
4. Harpsichord Suite No. 1 in A Major, HWV 426: IV. Gigue (3:42)
5. Harpsichord Suite No. 2 in F Major, HWV 427: I. Adagio (2:35)
6. Harpsichord Suite No. 2 in F Major, HWV 427: II. Allegro (3:23)
7. Harpsichord Suite No. 2 in F Major, HWV 427: III. Adagio (1:50)
8. Harpsichord Suite No. 2 in F Major, HWV 427: IV. Allegro (Fugue) (3:05)
9. Harpsichord Suite No. 3 in D Minor, HWV 428: I. Praeludium. Presto - Adagio (1:20)
10. Harpsichord Suite No. 3 in D Minor, HWV 428: II. Allegro (Fugue) (2:52)
11. Harpsichord Suite No. 3 in D Minor, HWV 428: III. Allemande (5:04)
12. Harpsichord Suite No. 3 in D Minor, HWV 428: IV. Courante (2:28)
13. Harpsichord Suite No. 3 in D Minor, HWV 428: Va. Air (3:48)
14. Harpsichord Suite No. 3 in D Minor, HWV 428: Vb. Variation I (1:15)
15. Harpsichord Suite No. 3 in D Minor, HWV 428: Vc. Variation II (1:12)
16. Harpsichord Suite No. 3 in D Minor, HWV 428: Vd. Variation III (1:14)
17. Harpsichord Suite No. 3 in D Minor, HWV 428: Ve. Variation IV (1:03)
18. Harpsichord Suite No. 3 in D Minor, HWV 428: Vf. Variation V (1:26)
19. Harpsichord Suite No. 3 in D Minor, HWV 428: VI. Presto (5:20)
20. Harpsichord Suite No. 4 in E Minor, HWV 429: I. Allegro (4:30)
21. Harpsichord Suite No. 4 in E Minor, HWV 429: II. Allemande (3:08)
22. Harpsichord Suite No. 4 in E Minor, HWV 429: III. Courante (2:42)
23. Harpsichord Suite No. 4 in E Minor, HWV 429: IV. Sarabande (4:01)
24. Harpsichord Suite No. 4 in E Minor, HWV 429: V. Gigue (1:55)
25. Harpsichord Suite No. 5 in E Major, HWV 430: I. Praeludium (2:05)
26. Harpsichord Suite No. 5 in E Major, HWV 430: II. Allemande (5:52)
27. Harpsichord Suite No. 5 in E Major, HWV 430: III. Courante (2:21)
28. Harpsichord Suite No. 5 in E Major, HWV 430: IVa. Air "The Harmonious Blacksmith" (0:50)
29. Harpsichord Suite No. 5 in E Major, HWV 430: IVb. Variation I (0:48)
30. Harpsichord Suite No. 5 in E Major, HWV 430: IVc. Variation II (1:04)
31. Harpsichord Suite No. 5 in E Major, HWV 430: IVd. Variation III (0:48)
32. Harpsichord Suite No. 5 in E Major, HWV 430: IVe. Variation IV (0:51)
33. Harpsichord Suite No. 5 in E Major, HWV 430: IVf. Variation V (0:58)
34. Harpsichord Suite No. 6 in F-Sharp Minor, HWV 431: I. Praeludium (1:52)
35. Harpsichord Suite No. 6 in F-Sharp Minor, HWV 431: II. Largo (2:15)
36. Harpsichord Suite No. 6 in F-Sharp Minor, HWV 431: III. Allegro (3:06)
37. Harpsichord Suite No. 6 in F-Sharp Minor, HWV 431: IV. Gigue. Presto (3:08)
38. Harpsichord Suite No. 7 in G Minor, HWV 432: I. Ouverture. (Largo - Presto) (6:05)
39. Harpsichord Suite No. 7 in G Minor, HWV 432: II. Andante (3:55)
40. Harpsichord Suite No. 7 in G Minor, HWV 432: III. Allegro (2:27)
41. Harpsichord Suite No. 7 in G Minor, HWV 432: IV. Sarabande (4:18)
42. Harpsichord Suite No. 7 in G Minor, HWV 432: V. Gigue (1:30)
43. Harpsichord Suite No. 7 in G Minor, HWV 432: VI. Passacaille (5:00)
44. Harpsichord Suite No. 8 in F Minor, HWV 433: I. Praeludium. Adagio (2:37)
45. Harpsichord Suite No. 8 in F Minor, HWV 433: II. Allegro (3:03)
46. Harpsichord Suite No. 8 in F Minor, HWV 433: III. Allemande (4:09)
47. Harpsichord Suite No. 8 in F Minor, HWV 433: IV. Courante (2:23)
48. Harpsichord Suite No. 8 in F Minor, HWV 433: V. Gigue (2:52)
Rediscover the brilliance of Handel’s 8 harpsichord suites from 1720!
Handel composed these suites not only as performance pieces but also as teaching material, possibly to support himself financially after his father’s death and before his opera ventures. Despite their educational purpose, Handel’s suites were crafted with artistic sophistication, demanding skill and interpretation from performers.
The suites themselves demonstrate Handel’s versatility and innovation. They incorporate various suite types, including traditional four-movement suites and sonatas inspired by Corelli’s trio sonatas. Handel’s use of variations, fugues, and other forms highlights his compositional prowess.
Handel’s 1720 collection received widespread acclaim across Europe, inspiring composers like Bach, Muffat, and Rameau to incorporate similar elements into their works. Handel’s ability to fuse French, Italian, and German influences into his compositions exemplifies the “mixed taste” aesthetic of the time.
Handel composed these suites not only as performance pieces but also as teaching material, possibly to support himself financially after his father’s death and before his opera ventures. Despite their educational purpose, Handel’s suites were crafted with artistic sophistication, demanding skill and interpretation from performers.
The suites themselves demonstrate Handel’s versatility and innovation. They incorporate various suite types, including traditional four-movement suites and sonatas inspired by Corelli’s trio sonatas. Handel’s use of variations, fugues, and other forms highlights his compositional prowess.
Handel’s 1720 collection received widespread acclaim across Europe, inspiring composers like Bach, Muffat, and Rameau to incorporate similar elements into their works. Handel’s ability to fuse French, Italian, and German influences into his compositions exemplifies the “mixed taste” aesthetic of the time.
Year 2024 | Classical | FLAC / APE | HD & Vinyl
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