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Donald George & Lucy Mauro - Joseph Weigl: Song & Arias (2013)

Donald George & Lucy Mauro - Joseph Weigl: Song & Arias (2013)
  • Title: Joseph Weigl: Song & Arias
  • Year Of Release: 2013
  • Label: Delos
  • Genre: Classical
  • Quality: FLAC (tracks + booklet)
  • Total Time: 1:00:20
  • Total Size: 275 MB
  • WebSite:
Tracklist:

1. Donald George & Lucy Mauro – 'S Mag sein (It Could Be) (01:35)
2. Donald George & Lucy Mauro – Lasst uns im vertrauten Kreise (Let Us in Comfortable Company) (01:07)
3. Donald George & Lucy Mauro – Reiterlied (Rider's Song) (01:43)
4. Donald George & Lucy Mauro – Trost an meine mutter (Consolation for My Mother) (06:25)
5. Donald George & Lucy Mauro – Die tauschung (The Disappointment) (02:18)
6. Donald George & Lucy Mauro – in questa tomba oscura (In dieser dunklen gruft) (01:24)
7. Donald George & Lucy Mauro – Il sogno (Der traum) (02:10)
8. Donald George & Lucy Mauro – L'amor marinaro ossia Il corsaro: Pria ch'io l'impegno magistral prenda (arr. for voice and fortepiano) (02:06)
9. Donald George & Lucy Mauro – Ostade oder Adrian von Ostad: Nach dem Glanze, nach dem Scheine (It's the Glitter, the Appearance) [arr. for voice and fortepiano] (01:59)
10. Donald George & Lucy Mauro – Daniel in der Lowengrube, oder Baals Sturz: Ach, auch konige sind menschen (Ah, Kings Are People, too) [arr. for voice and fortepiano] (01:42)
11. Donald George & Lucy Mauro – Das Waisenhaus: Die nacht entflieht (The Night Flees) [arr. for voice and fortepiano] (04:06)
12. Donald George & Lucy Mauro – Das Waisenhaus: Was kummert mich des fremden gold? (What Care I for Strangers' Gold?) [arr. for voice and fortepiano] (03:23)
13. Donald George & Lucy Mauro – Die Schweizerfamilie: Wenn Sie mich nur von weitem sieht (Even if She Sees Me from afar) [arr. for voice and fortepiano] (02:29)
14. Donald George & Lucy Mauro – Die Schweizerfamilie: Vom weit entfernten Schweizerland (From the Distant Swiss Homeland) [arr. for voice and fortepiano] (03:25)
15. Donald George & Lucy Mauro – Die Jugend Peter des Grossen: Heil mir! Ich werde liebe finden (Oh, Joy! I will Find Love) [arr. for voice and fortepiano] (04:25)
16. Donald George & Lucy Mauro – La vestale: Schwort mir rache und verderben (Swear Revenge and Ruin) [arr. for voice and fortepiano] (05:30)
17. Donald George & Lucy Mauro – La clemenza di Tito, K. 621: Schweigt, genug, O Quiriten! (Enough, Silence, O Quirites!) [arr. for voice and fortepiano] (03:44)
18. Donald George & Lucy Mauro – Nina, o sia La pazza per amore: Ah, di Nina il core (Ach, Ninas herz) [arr. for voice and fortepiano] (03:27)
19. Donald George & Lucy Mauro – La principessa d'Amalfi: Forse Abbastanza (Der leiden fulle) [arr. for voice and fortepiano] (03:34)
20. Donald George & Lucy Mauro – La principessa d'Amalfi: In qual barbaro cimento (In dieser harten prufung) [arr. for voice and fortepiano] (03:36)

Few are aware that Josef Weigl (1766-1846) was both an acclaimed conductor and a highly successful composer whose fame – in his day – rivaled that of Cherubini, Rossini, Haydn, and even Beethoven. The godson of Haydn (who encouraged his talent), Weigl became a master of two different styles, first gaining recognition as a composer of opera in the Italian manner. But, with the dawning of the 19th century, he became increasingly known for his German operas – mainly in the lighter “Singspiel” form – that influenced generations of Romantic-era German composers to come. All the while, he continued writing Italian opera for Milan’s La Scala and other venues to considerable acclaim. His attractive, lively and melodious music in both styles catered to his era’s more popular tastes. But his operas’ general lack of serious themes and musical drama failed to establish him as a “serious” composer, and his remarkable music – sadly – soon drifted into obscurity.

Tenor Donald George and pianist Lucy Mauro have lately made it their musical mission in life to merge their talents in support of music by neglected, yet deserving composers. Most recently, they have teamed up to record for Delos the music of two pioneering, yet unjustly forgotten female tunesmiths of the late Romantic period: the Boston-based Margaret Ruthven Lang and Vienna’s Mathilde von Kralik. Here, working in cooperation with a concert series sponsored by the Esterházy Estate in Eisenstadt (Weigl’s birthplace), they offer an enchanting mix of his Lieder and arias – with the bonus offering of several interpolated arias from other well-known composers of his day. Mr. George’s burnished tenor voice is in top form, and Ms. Mauro provides lively, sensitive and historically informed support from a sweet-sounding fortepiano.


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