Thomas Murray - The Transcriber's Art (1993)
BAND/ARTIST: Thomas Murray
- Title: The Transcriber's Art
- Year Of Release: 1993
- Label: Gothic
- Genre: Classical
- Quality: FLAC (tracks + booklet)
- Total Time: 1:03:37
- Total Size: 267 MB
- WebSite: Album Preview
Tracklist:
1. Finlandia, Op. 26 (Arr. H. A. Fricker for Organ) (07:45)
2. 2 Pieces for Small Orchestra: I. On Hearing the First Cuckoo in Spring (Arr. For Organ) (07:22)
3. 10 Preludes, Op. 23, No. 5 in G Minor: Alla Marcia (Arr. G. Federlein for Organ) (04:25)
4. Samson, HWV 57: Overture (Arr. W. T. Best for Organ) (06:22)
5. Variations On an Original Theme, Op. 36, "Enigma": Variation 9: Nimrod (Arr. W. H. Harris for Organ) (04:49)
6. Annees de pelerinage, 1st year, Switzerland, S. 160 / R10: VII. Eclogue (Arr. For Organ) (03:53)
7. Ma mere l'oye (Mother Goose): II. Hop O' My Thumb (Petit poucet) [Arr. G. Choisnel for Organ] (03:45)
8. The Old Refrain (Arr T. Murray for Organ) (03:43)
9. Liebesfreud (Arr. J. Philip for Organ) (03:44)
10. Les preludes, S. 97 / R414 (Arr. E. A. Kraft for Organ) (17:45)
1. Finlandia, Op. 26 (Arr. H. A. Fricker for Organ) (07:45)
2. 2 Pieces for Small Orchestra: I. On Hearing the First Cuckoo in Spring (Arr. For Organ) (07:22)
3. 10 Preludes, Op. 23, No. 5 in G Minor: Alla Marcia (Arr. G. Federlein for Organ) (04:25)
4. Samson, HWV 57: Overture (Arr. W. T. Best for Organ) (06:22)
5. Variations On an Original Theme, Op. 36, "Enigma": Variation 9: Nimrod (Arr. W. H. Harris for Organ) (04:49)
6. Annees de pelerinage, 1st year, Switzerland, S. 160 / R10: VII. Eclogue (Arr. For Organ) (03:53)
7. Ma mere l'oye (Mother Goose): II. Hop O' My Thumb (Petit poucet) [Arr. G. Choisnel for Organ] (03:45)
8. The Old Refrain (Arr T. Murray for Organ) (03:43)
9. Liebesfreud (Arr. J. Philip for Organ) (03:44)
10. Les preludes, S. 97 / R414 (Arr. E. A. Kraft for Organ) (17:45)
Organ transcriptions of orchestral works have been a staple of organ concert repertoire since the middle of the 19th century, particularly in England. In the early-20th century, organs began to be built specifically for orchestral transcriptions, some with large numbers of stops directly imitative of orchestral instruments and a wide, controllable dynamic range. One champion of this style of organ was Ernest M. Skinner. Enlarging upon the earlier work of Hutchings-Votey and J.W. Steere, he created a masterpiece at Woolsey Hall on the campus of Yale University. Consisting of 166 stops in eight divisions with over 12,592 pipes, the Newberry organ, featured on The Transcribers' Art, is an ideal instrument for orchestral transcription---and for displaying the incomparable artistry of organist Thomas Murray.
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