Leslie Howard, Mattia Ometto - Liszt: Faust Symphony, Dante Symphony, Beethoven Symphony No.9 (2024) [Hi-Res]
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BAND/ARTIST: Leslie Howard, Mattia Ometto
- Title: Liszt: Faust Symphony, Dante Symphony, Beethoven Symphony No.9
- Year Of Release: 2024
- Label: Brilliant Classics
- Genre: Classical Piano
- Quality: flac lossless (image +.cue, log, artwork) / flac 24bits - 44.1kHz +Booklet
- Total Time: 03:11:48
- Total Size: 715 mb / 1.55 gb
- WebSite: Album Preview
Tracklist
01. Liszt Eine Faust-Symphonie in drei Charakterbildern, S.647 I. Faust
02. Liszt Eine Faust-Symphonie in drei Charakterbildern, S.647 II. Gretchen
03. Liszt Eine Faust-Symphonie in drei Charakterbildern, S.647 III. Mephistopheles und Schlu?chor
04. Liszt Eine Faust-Symphonie in drei Charakterbildern, S.647 IV. Zweiter Schlu?
05. Liszt Eine Symphonie zu Dantes Divina Commedia, S.648 I. Inferno
06. Liszt Eine Symphonie zu Dantes Divina Commedia, S.648 II. Purgatorio —
07. Liszt Eine Symphonie zu Dantes Divina Commedia, S.648 III. Magnificat —
08. Liszt Eine Symphonie zu Dantes Divina Commedia, S.648 Zweiter Schlu?
09. Liszt Rakoczi-Marsch, S.652b
10. Liszt Beethovens 9te. Sinfonie, Op. 125 fur 2 Pianoforte gesetzt von F. Liszt, S.657 I. Allegro ma non troppo un poco Maestoso
11. Liszt Beethovens 9te. Sinfonie, Op. 125 fur 2 Pianoforte gesetzt von F. Liszt, S.657 II. Molto vivace - Presto
12. Liszt Beethovens 9te. Sinfonie, Op. 125 fur 2 Pianoforte gesetzt von F. Liszt, S.657 III. Adagio molto e cantabile - Andante Moderato
13. Liszt Beethovens 9te. Sinfonie, Op. 125 fur 2 Pianoforte gesetzt von F. Liszt, S.657 IV. Presto - Allegro ma non troppo - Tempo 1? - Vivace - Tempo 1? - Adagio cantabile - Allegro assai - Tempo 1? Allegro - Allegro assai
The pre-eminent Lisztian of our day returns to Brilliant Classics for a symphonic sequel of transcriptions.
In 2018, Brilliant Classics issued Leslie Howard and Mattia Ometto playing the 12 symphonic poems of Liszt in the composer’s own transcriptions for piano duo (95748). The set won glowing reviews: ‘Not only do Leslie Howard and Mattia Ometto navigate Liszt’s technical challenges with fluency and ease,’ wrote Jed Distler for Classics Today, ‘but they also treat the scores seriously… Howard’s excellent annotations and Brilliant Classics’ budget price further clinch my recommendation for collectors.’
As before, Leslie Howard supplies his own, invaluable insights to accompany this trio of symphonies in Liszt’s transcriptions for piano duo. As with the symphonic poems, Liszt remains utterly faithful to the originals, preserving the spirit and sound of the orchestral scores without compromising the texts and, in the case of Beethoven’s Ninth, being scrupulously attentive to his hero’s great masterpiece. Howard and Ometta observe all of Beethoven’s (and Liszt’s) repeat markings in the Scherzo, presenting the fullest and most authentic text available.
The Faust Symphony has long been recognised as Liszt’s greatest orchestral work, and it ranks with the B minor Piano Sonata and the oratorio Christus as the noblest of his musical achievements. The two-piano version reached its final form by 1863, before Liszt added a short, ethereal passage to the coda of the second movement in 1880, and these bars are added in the present performance.
By its side, the Dante Symphony has often been overlooked and unjustly disparaged. Yet few compossers have depicted hell and damnation as vividly as Liszt (despite the composer’s own deep and optimistic Christian faith) in the opening Inferno movement, and its companion portrait of Purgatory is a wholly original musical conception whose harmonies prefigure many things later familiar from Wagner’s Parsifal or the symphonies of Bruckner.
Rather less familiar is Liszt’s transcription of his Rákóczy March for two pianos and eight hands, for which Howard and Ometto are joined by Leonora Armellini and Igor Roma. Unlike his solo-piano transcription of Beethoven’s Ninth, this piano duo version incorporates all the vocal parts within the instrumental texture.
01. Liszt Eine Faust-Symphonie in drei Charakterbildern, S.647 I. Faust
02. Liszt Eine Faust-Symphonie in drei Charakterbildern, S.647 II. Gretchen
03. Liszt Eine Faust-Symphonie in drei Charakterbildern, S.647 III. Mephistopheles und Schlu?chor
04. Liszt Eine Faust-Symphonie in drei Charakterbildern, S.647 IV. Zweiter Schlu?
05. Liszt Eine Symphonie zu Dantes Divina Commedia, S.648 I. Inferno
06. Liszt Eine Symphonie zu Dantes Divina Commedia, S.648 II. Purgatorio —
07. Liszt Eine Symphonie zu Dantes Divina Commedia, S.648 III. Magnificat —
08. Liszt Eine Symphonie zu Dantes Divina Commedia, S.648 Zweiter Schlu?
09. Liszt Rakoczi-Marsch, S.652b
10. Liszt Beethovens 9te. Sinfonie, Op. 125 fur 2 Pianoforte gesetzt von F. Liszt, S.657 I. Allegro ma non troppo un poco Maestoso
11. Liszt Beethovens 9te. Sinfonie, Op. 125 fur 2 Pianoforte gesetzt von F. Liszt, S.657 II. Molto vivace - Presto
12. Liszt Beethovens 9te. Sinfonie, Op. 125 fur 2 Pianoforte gesetzt von F. Liszt, S.657 III. Adagio molto e cantabile - Andante Moderato
13. Liszt Beethovens 9te. Sinfonie, Op. 125 fur 2 Pianoforte gesetzt von F. Liszt, S.657 IV. Presto - Allegro ma non troppo - Tempo 1? - Vivace - Tempo 1? - Adagio cantabile - Allegro assai - Tempo 1? Allegro - Allegro assai
The pre-eminent Lisztian of our day returns to Brilliant Classics for a symphonic sequel of transcriptions.
In 2018, Brilliant Classics issued Leslie Howard and Mattia Ometto playing the 12 symphonic poems of Liszt in the composer’s own transcriptions for piano duo (95748). The set won glowing reviews: ‘Not only do Leslie Howard and Mattia Ometto navigate Liszt’s technical challenges with fluency and ease,’ wrote Jed Distler for Classics Today, ‘but they also treat the scores seriously… Howard’s excellent annotations and Brilliant Classics’ budget price further clinch my recommendation for collectors.’
As before, Leslie Howard supplies his own, invaluable insights to accompany this trio of symphonies in Liszt’s transcriptions for piano duo. As with the symphonic poems, Liszt remains utterly faithful to the originals, preserving the spirit and sound of the orchestral scores without compromising the texts and, in the case of Beethoven’s Ninth, being scrupulously attentive to his hero’s great masterpiece. Howard and Ometta observe all of Beethoven’s (and Liszt’s) repeat markings in the Scherzo, presenting the fullest and most authentic text available.
The Faust Symphony has long been recognised as Liszt’s greatest orchestral work, and it ranks with the B minor Piano Sonata and the oratorio Christus as the noblest of his musical achievements. The two-piano version reached its final form by 1863, before Liszt added a short, ethereal passage to the coda of the second movement in 1880, and these bars are added in the present performance.
By its side, the Dante Symphony has often been overlooked and unjustly disparaged. Yet few compossers have depicted hell and damnation as vividly as Liszt (despite the composer’s own deep and optimistic Christian faith) in the opening Inferno movement, and its companion portrait of Purgatory is a wholly original musical conception whose harmonies prefigure many things later familiar from Wagner’s Parsifal or the symphonies of Bruckner.
Rather less familiar is Liszt’s transcription of his Rákóczy March for two pianos and eight hands, for which Howard and Ometto are joined by Leonora Armellini and Igor Roma. Unlike his solo-piano transcription of Beethoven’s Ninth, this piano duo version incorporates all the vocal parts within the instrumental texture.
Year 2024 | Classical | FLAC / APE | CD-Rip | HD & Vinyl
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