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Victoria Terekiev - Pancho Vladigerov: Aquarelles (Miniatures for Piano) (2018)

Victoria Terekiev - Pancho Vladigerov: Aquarelles (Miniatures for Piano) (2018)

BAND/ARTIST: Victoria Terekiev

  • Title: Pancho Vladigerov: Aquarelles (Miniatures for Piano)
  • Year Of Release: 2018
  • Label: Da Vinci Classics
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 1:09:02
  • Total Size: 234 MB
  • WebSite:
Tracklist:

1. Classic and Romantic, Op. 24: No. 1, Rigadoon (02:11)
2. Classic and Romantic, Op. 24: No. 2, Sarabande (04:54)
3. Classic and Romantic, Op. 24: No. 3, Courante (02:21)
4. Classic and Romantic, Op. 24: No. 4, Minuet (02:26)
5. Classic and Romantic, Op. 24: No. 5, Northern Song (02:44)
6. Classic and Romantic, Op. 24: No. 6, Pages from an Album (02:10)
7. Classic and Romantic, Op. 24: No. 7, Short March (02:27)
8. Piano miniatures, Op. 29 "Shumen": No. 1, Lulling (02:57)
9. Piano miniatures, Op. 29 "Shumen": No. 2, Singing Box (01:15)
10. Piano miniatures, Op. 29 "Shumen": No. 3, Village Dance (01:03)
11. Piano miniatures, Op. 29 "Shumen": No. 4, Song (03:07)
12. Piano miniatures, Op. 29 "Shumen": No. 5, Humoresque (01:58)
13. Piano miniatures, Op. 29 "Shumen": No. 6, Rachenitsa (01:45)
14. Episodes for Piano, Op. 36: No. 1, Prelude (02:25)
15. Episodes for Piano, Op. 36: No. 2, Nostalgia (03:09)
16. Episodes for Piano, Op. 36: No. 3, Rachenitsa (02:30)
17. Episodes for Piano, Op. 36: No. 4, Improvisation (07:04)
18. Episodes for Piano, Op. 36: No. 5, Toccata (05:20)
19. Aquarelles for Piano, Op. 37: No. 1, Short Prelude (01:19)
20. Aquarelles for Piano, Op. 37: No. 2, Melancholy (04:06)
21. Aquarelles for Piano, Op. 37: No. 3, Dance (01:54)
22. Aquarelles for Piano, Op. 37: No. 3, Pastoral (05:03)
23. Aquarelles for Piano, Op. 37: No. 5, Rachenitsa (02:02)
24. Aquarelles for Piano, Op. 37: No. 6, Rhythmic Movement (02:41)

The contemporary music world has accustomed us to many unknown composers who for the first time enter in the recording world thanks to pioneering musicians that chase names still little know. At first glance, the name of Pancho Vladigerov could fall into this category, and it would be perhaps one of the gravest mistakes that the listener or scholar can do. Probably as the most eminent Bulgarian author of 1900, his name could be considered at the same level of Erkel for Hungary or Moniuszko for Poland, in the empyrean of composers who enjoy immense fame in the homeland but rarely outside. A similar fate would almost certainly have happened to the Russian Rachmaninov if he didn’t move to the United States.



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