Alessandro Perin - Langlais: Organ Music, Vol. 2 (2024) [Hi-Res]
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BAND/ARTIST: Alessandro Perin
- Title: Langlais: Organ Music, Vol. 2
- Year Of Release: 2024
- Label: Brilliant Classics
- Genre: Classical Organ
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz
- Total Time: 06:03:42
- Total Size: 1.36 / 5.52 gb
- WebSite: Album Preview
Tracklist
01. Troisième symphonie: I. Introduction
02. Troisième symphonie: II. Cantabile
03. Troisième symphonie: III. Intermezzo
04. Troisième symphonie: IV. Un dimanche matin à New York
05. Troisième symphonie: V. Orage
06. 2 Offertoires pour tous les temps: I. Paraphrase de la messe "stelliferi conditor orbis"
07. 2 Offertoires pour tous les temps: II. Paraphrase de la messe "magnae deus potentiae"
08. 8 Chants de Bretagne: I. Le paradis
09. 8 Chants de Bretagne: II. Disons le chapelet
10. 8 Chants de Bretagne: III. Angélus
11. 8 Chants de Bretagne: IV. Noël breton
12. 8 Chants de Bretagne: V. Jésus, mon sauveur béni
13. 8 Chants de Bretagne: VI. Jésus nous dit de prier
14. 8 Chants de Bretagne: VII. Aux lys avec leurs feuilles argentées
15. 8 Chants de Bretagne: VIII. Pensez à l'éternité
16. Chant des bergers
17. Prière des mages
18. Suite médiévale en forme de messe basse: I. Prélude
19. Suite médiévale en forme de messe basse: II. Tiento
20. Suite médiévale en forme de messe basse: III. Improvisation
21. Suite médiévale en forme de messe basse: IV. Méditation
22. Suite médiévale en forme de messe basse: V. Acclamations
23. 7 Études de concert pour pedale seule: I. Chromatique
24. 7 Études de concert pour pedale seule: II. Contrepoint 1
25. 7 Études de concert pour pedale seule: III. Alternances
26. 7 Études de concert pour pedale seule: IV. Contrepoint 2
27. 7 Études de concert pour pedale seule: VI. Staccato
28. 7 Études de concert pour pedale seule: VII. Trilles
29. 7 Études de concert pour pedale seule: VIII. Alleluia
30. Poem of Happiness
31. Triptyque: I. Melody
32. Triptyque: II. Trio
33. Triptyque: III. Final
34. Mosaïque 1: I. Stèle pour Gabriel Fauré
35. Mosaïque 1: II. Sur le tombe de Buffalo Bill
36. Mosaïque 1: III. Double Fantaisie pour deux organistes
37. Mosaïque 1: IV. Boys town, lieu de paix
38. 3 Offertoires: I.
39. 3 Offertoires: II.
40. 3 Offertoires: III.
41. 3 Méditations sur la sainte trinité: I. Première personne le père
42. 3 Méditations sur la sainte trinité: II. Deuxième personne le fils
43. 3 Méditations sur la sainte trinité: III. Troisième personne le saint esprit
44. Dominica in palmis
45. Incantation pour un jour saint
46. Première symphonie: I. Allegro
47. Première symphonie: II. Églogue
48. Première symphonie: III. Choral
49. Première symphonie: IV. Final
50. Office de la fête de la sainte-trinité: I. Ante introitum
51. Office de la fête de la sainte-trinité: II. Post offertorium
52. Office de la fête de la sainte-trinité: III. Post Communionem
53. Office de la fête de la sainte-trinité: IV. Post benedictionem
54. Office pour la sainte famille: I. Ante introitum
55. Office pour la sainte famille: II. Post offertorium
56. Office pour la sainte famille: III. Post communionem
57. Office pour la sainte famille: IV. Post benedictionem
58. 2 Pièces brèves: I. Brève I
59. 2 Pièces brèves: II. Brève II
60. 3 Pièces faciles: I. Libre
61. 3 Pièces faciles: II. Récitatif
62. 3 Pièces faciles: III. Allegro
63. Fête
64. Triptyque grégorien I. Rosa mystica
65. Triptyque grégorien II. In paradisum
66. Triptyque grégorien III. Alléluia
67. Fantasy on two Old Scottish Themes
68. Folkloric Suite: I. Fugue on "o filii"
69. Folkloric Suite: II. Légende de Saint Nicolas
70. Folkloric Suite: III. Cantique
71. Folkloric Suite: IV. Canzona
72. Folkloric Suite: V. Rhapsodie sur deux Noëls
73. Miniature II
74. 3 Characteristic Pieces: I. Pastorale-Prélude
75. 3 Characteristic Pieces: II. Interlude
76. 3 Characteristic Pieces: III. Bells
Blind from the age of two, a prodigiously gifted student, Jean Langlais (1907-91) produced an immense quantity of music. His organ works alone exceed in number those of JS Bach. Many have hardly ever been performed. Perhaps not more than half a dozen works are regularly played or recorded today, which is what makes this new complete survey of his organ music so invaluable, as the authoritative document of a high point in the distinguished lineage of the French organ heritage.
The second volume of this complete survey opens with the third and last of his organ symphonies, among the most imposing and yet overlooked of his major works. More familiar are the Gregorian-inspired Suite medievale, the Triptyque, and the Triptyque Grégorien, whose flowing melodies share a spirit of Catholic mysticism with briefer meditations such as the Prière des Mages, the Incantation pour un Jour Saint and the Palm-Sunday voluntary Dominica in Palmis.
As a collection of character pieces, Mosaique shows off Langlais’s versatility, by turns solemn and joyful, songful and stormy. This sheer variety of form alone makes him stand out among French 20th-century composers for the organ. Throughout his life, Langlais wrote in many different styles and, true to his ideal, still retained the ability to surprise.
This major project has been undertaken jointly by the Italian organists Giorgio Benati, Fausto Caporali and Alessandro Perin. Benati is a former student of Langlais, and Caporali has a string of successful French organ recordings to his credit. They have made these new recordings on Italian instruments, lending Langlais an ‘Italian accent’ while faithfully observing his expressive and registration markings in his scores. Booklet notes for each piece have been written by Giorgio Benati.
01. Troisième symphonie: I. Introduction
02. Troisième symphonie: II. Cantabile
03. Troisième symphonie: III. Intermezzo
04. Troisième symphonie: IV. Un dimanche matin à New York
05. Troisième symphonie: V. Orage
06. 2 Offertoires pour tous les temps: I. Paraphrase de la messe "stelliferi conditor orbis"
07. 2 Offertoires pour tous les temps: II. Paraphrase de la messe "magnae deus potentiae"
08. 8 Chants de Bretagne: I. Le paradis
09. 8 Chants de Bretagne: II. Disons le chapelet
10. 8 Chants de Bretagne: III. Angélus
11. 8 Chants de Bretagne: IV. Noël breton
12. 8 Chants de Bretagne: V. Jésus, mon sauveur béni
13. 8 Chants de Bretagne: VI. Jésus nous dit de prier
14. 8 Chants de Bretagne: VII. Aux lys avec leurs feuilles argentées
15. 8 Chants de Bretagne: VIII. Pensez à l'éternité
16. Chant des bergers
17. Prière des mages
18. Suite médiévale en forme de messe basse: I. Prélude
19. Suite médiévale en forme de messe basse: II. Tiento
20. Suite médiévale en forme de messe basse: III. Improvisation
21. Suite médiévale en forme de messe basse: IV. Méditation
22. Suite médiévale en forme de messe basse: V. Acclamations
23. 7 Études de concert pour pedale seule: I. Chromatique
24. 7 Études de concert pour pedale seule: II. Contrepoint 1
25. 7 Études de concert pour pedale seule: III. Alternances
26. 7 Études de concert pour pedale seule: IV. Contrepoint 2
27. 7 Études de concert pour pedale seule: VI. Staccato
28. 7 Études de concert pour pedale seule: VII. Trilles
29. 7 Études de concert pour pedale seule: VIII. Alleluia
30. Poem of Happiness
31. Triptyque: I. Melody
32. Triptyque: II. Trio
33. Triptyque: III. Final
34. Mosaïque 1: I. Stèle pour Gabriel Fauré
35. Mosaïque 1: II. Sur le tombe de Buffalo Bill
36. Mosaïque 1: III. Double Fantaisie pour deux organistes
37. Mosaïque 1: IV. Boys town, lieu de paix
38. 3 Offertoires: I.
39. 3 Offertoires: II.
40. 3 Offertoires: III.
41. 3 Méditations sur la sainte trinité: I. Première personne le père
42. 3 Méditations sur la sainte trinité: II. Deuxième personne le fils
43. 3 Méditations sur la sainte trinité: III. Troisième personne le saint esprit
44. Dominica in palmis
45. Incantation pour un jour saint
46. Première symphonie: I. Allegro
47. Première symphonie: II. Églogue
48. Première symphonie: III. Choral
49. Première symphonie: IV. Final
50. Office de la fête de la sainte-trinité: I. Ante introitum
51. Office de la fête de la sainte-trinité: II. Post offertorium
52. Office de la fête de la sainte-trinité: III. Post Communionem
53. Office de la fête de la sainte-trinité: IV. Post benedictionem
54. Office pour la sainte famille: I. Ante introitum
55. Office pour la sainte famille: II. Post offertorium
56. Office pour la sainte famille: III. Post communionem
57. Office pour la sainte famille: IV. Post benedictionem
58. 2 Pièces brèves: I. Brève I
59. 2 Pièces brèves: II. Brève II
60. 3 Pièces faciles: I. Libre
61. 3 Pièces faciles: II. Récitatif
62. 3 Pièces faciles: III. Allegro
63. Fête
64. Triptyque grégorien I. Rosa mystica
65. Triptyque grégorien II. In paradisum
66. Triptyque grégorien III. Alléluia
67. Fantasy on two Old Scottish Themes
68. Folkloric Suite: I. Fugue on "o filii"
69. Folkloric Suite: II. Légende de Saint Nicolas
70. Folkloric Suite: III. Cantique
71. Folkloric Suite: IV. Canzona
72. Folkloric Suite: V. Rhapsodie sur deux Noëls
73. Miniature II
74. 3 Characteristic Pieces: I. Pastorale-Prélude
75. 3 Characteristic Pieces: II. Interlude
76. 3 Characteristic Pieces: III. Bells
Blind from the age of two, a prodigiously gifted student, Jean Langlais (1907-91) produced an immense quantity of music. His organ works alone exceed in number those of JS Bach. Many have hardly ever been performed. Perhaps not more than half a dozen works are regularly played or recorded today, which is what makes this new complete survey of his organ music so invaluable, as the authoritative document of a high point in the distinguished lineage of the French organ heritage.
The second volume of this complete survey opens with the third and last of his organ symphonies, among the most imposing and yet overlooked of his major works. More familiar are the Gregorian-inspired Suite medievale, the Triptyque, and the Triptyque Grégorien, whose flowing melodies share a spirit of Catholic mysticism with briefer meditations such as the Prière des Mages, the Incantation pour un Jour Saint and the Palm-Sunday voluntary Dominica in Palmis.
As a collection of character pieces, Mosaique shows off Langlais’s versatility, by turns solemn and joyful, songful and stormy. This sheer variety of form alone makes him stand out among French 20th-century composers for the organ. Throughout his life, Langlais wrote in many different styles and, true to his ideal, still retained the ability to surprise.
This major project has been undertaken jointly by the Italian organists Giorgio Benati, Fausto Caporali and Alessandro Perin. Benati is a former student of Langlais, and Caporali has a string of successful French organ recordings to his credit. They have made these new recordings on Italian instruments, lending Langlais an ‘Italian accent’ while faithfully observing his expressive and registration markings in his scores. Booklet notes for each piece have been written by Giorgio Benati.
Year 2024 | Classical | FLAC / APE | HD & Vinyl
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