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Vivabiancaluna Biffi - Fermate il Passo: Tracing the Origins of Opera (2014) [Hi-Res]

Vivabiancaluna Biffi - Fermate il Passo: Tracing the Origins of Opera (2014) [Hi-Res]
  • Title: Fermate il Passo: Tracing the Origins of Opera
  • Year Of Release: 2014
  • Label: Arcana
  • Genre: Classical
  • Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
  • Total Time: 01:04:49
  • Total Size: 321 / 678 mb
  • WebSite:
Tracklist

01. Voi che passate qui, fermate il passo (Developed and Arranged by VivaBiancaLuna Biffi)
02. O tempo, o ciel volubil che fuggendo
03. Se a mi che t'amo tanto doni morte
04. S'io sedo all'ombra Amor giù pone'l strale
05. Se m'è grato il tuo tornare
06. Se per colpa del vostro altiero sdegno (Developed and Arranged by VivaBiancaLuna Biffi)
07. Nasce l'aspro mio tormento
08. Variations on the Theme "Staralla ben cussì?"
09. Haimé, perché m'hai privo
10. Hor che'l ciel e la terra e'l vento tace (Developed and Arranged by VivaBiancaLuna Biffi)
11. Non val acqua al mio gran foco
12. Dissimulare etiam sperasti, perfide tantum (Developed and Arranged by VivaBiancaLuna Biffi)
13. Scopri, lingua, el mio martire
14. Variations on the Theme "La Folia" (From the Popular Chorus of the Frottola "Una leggiadra Ninfa" [A Fair Nymph])
15. Io spero, e lo sperar cresce il tormento (Developed by Gloria Moretti, Arranged by VivaBiancaLuna Biffi)
16. Per servirte perdo i passi
17. Se de fede vengo a meno
18. Nasce la speme mia da una dolce riso
19. O numquam pro re satis indignande Cupido (Developed by Gloria Moretti, Arranged by VivaBiancaLuna Biffi)
20. Deh non più, deh non più mo'
21. Variations on the Theme "Son più matti a questo mondo"
22. Fammi quanto dispetto far mi sai (Developed and Arranged by VivaBiancaLuna Biffi)
23. Nasce la speme mia da un dolce riso
24. Ostinato vo' seguire
25. Tu ne quaesieris, scire nefas
26. Io non compro più speranza
27. Voi che passate qui, firmate il passo

Vivabiancaluna Biffi - Fermate il Passo: Tracing the Origins of Opera (2014) [Hi-Res]


This unique and, in some respects, revolutionary programme offers a new approach to the Early Italian Renaissance frottola repertoire. First of all, the solo performance with voice and viola d’arco, that cantare alla viola (‘singing to the viol’) which Baldassare Castiglione, in his famous Book of the Courtier (1527), indicated as the ‘more welcome’ way of performing a sung text.

Secondly, the frottole have been selected and put in order forming a miniature opera with a Prologue, three acts, and Epilogue, shedding new light on the origins of opera. A charismatic figure, VivaBiancaLuna Biffi is engaged in an intense solo activity and is regular partner of some of the leading Early Music performers such as Jordi Savall, Pierre Hamon and Brigitte Lesne.


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  • User offline
  • platico
  •  wrote in 02:06
    • Like
    • 1
gracias...
  • User offline
  • gibheid
  •  wrote in 08:16
    • Like
    • 1
Thanks fantastik.