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Emanuela Battigelli - FIORI RITROVATI (2024) Hi-Res

Emanuela Battigelli - FIORI RITROVATI (2024) Hi-Res

BAND/ARTIST: Emanuela Battigelli

  • Title: FIORI RITROVATI
  • Year Of Release: 2024
  • Label: Artesuono
  • Genre: Classical
  • Quality: FLAC (tracks) / FLAC 24 Bit (96 KHz / tracks)
  • Total Time: 84:55 min
  • Total Size: 308 MB / 1,5 GB
  • WebSite:
Tracklist:

01. Il mormorio del Mediterraneo
02. Melodia
03. Il ritorno del pastore, Op. 21: Capriccio
04. Fantasia su :Il Trovatore: di Verdi op. 10
05. La speranza
06. Galop Brillant
07. Sei Studi in forma di Melodie: I. Andantino mosso
08. Sei Studi in forma di Melodie: II. Allegro moderato
09. Sei Studi in forma di Melodie: III. Larghetto espressivo
10. Sei Studi in forma di Melodie: IV. Allegro
11. Sei Studi in forma di Melodie: V. Allegro
12. Sei Studi in forma di Melodie: VI. Andante melanconico
13. Le quinte melodiche op. 32
14. I canarini, Op. 29: Scherzo caratteristico
15. I fiori, Op. 22: Improvviso per arpa
16. Fior di Primavera, Canzone
17. Bel moretto, Canzone
18. Santa Lucia, Canzone napolitana

Gelsomina Naclerio, harpist and academic of Santa Cecilia, in her book "Memories and studies on the harp" (Naples 1894), in the final chapter on the most important composers of all times for the harp, talks about Francesco Bellotta, dedicating only to him an entire paragraph: "We would have many beautiful compositions for harp, if misfortune had not struck poor Bellotta from Palermo who went mad. Very few compositions of his remain, of a simple, confident style, and of a particular and brilliant genius."

During the nineteenth century Naples was a very important cultural and musical center: the composer and harpist Francesco Bellotta got trained within the great Neapolitan school of Harp, in turn giving life to the harp school of the Palermo Conservatory, of which his student and nephew Giuseppe Vitrano was the first teacher.
In 2022 I came across one of his scores by chance, remaining deeply touched by the beauty, compositional quality and originality of his music. I therefore started an intense research with the precious collaboration of the libraries of the Conservatories of Genoa, Milan, Pesaro, Bologna, Potenza and Verona, which I gratefully thank, thus bringing together all the scores for solo harp currently available by this great musician.

In Francesco Bellotta's music, starting from fantasies on opera themes up to original compositions of great strength and imaginative imagination, the harp sings and virtuosity is accompanied by a great emotional and expressive charge: these are true gems that I had the fortune to rediscover.

Emanuela Battigelli


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