The Chamber Orchestra Of Europe & Academy Of Ancient Music - Bach & Mozart: Orchestral Works (2024)

The Chamber Orchestra of Europe was founded in 1981 by a group of young players who had aged out of the European Community Youth Orchestra and wanted to continue making music together. One of the initial movers was Douglas Boyd, who remained the orchestra's lead oboist for many years, and numerous other founding members have remained with the group. The idea of forming a smaller orchestra oriented toward Baroque and Classical repertory was common at the time; less common was the orchestra's democratic structure, which involved a small directorate elected annually by the players. There is no permanent conductor, but the Chamber Orchestra of Europe quickly began to catch the attention of some of the biggest names on the podium. Two years after its formation, the group was tapped by Claudio Abbado for a Deutsche Grammophon recording of Rossini's Il viaggio a Reims. The orchestra has worked with conductors Bernard Haitink, Sakari Oramo, Nikolaus Harnoncourt, and many others, and has performed or recorded with top-caliber soloists including Janine Jansen, Emanuel Ax, and Renaud and Gautier Capuçon.

Accordingly, the Chamber Orchestra of Europe tours all over Europe (and sometimes in North America), with no identification with a particular city. These connections have resulted in an unusually deep collection of recordings: since the late '80s, multiple recordings of the orchestra have appeared in almost every year, and 2006 alone saw seven Chamber Orchestra of Europe releases. The group was a European Union cultural ambassador from 2007 until 2013. In 2009, the orchestra established the COE Academy to provide educational opportunities for student performers. Many of the group's recordings feature Baroque or Classical repertory (especially Mozart), but not all; in 2018, the orchestra issued Visions of Prokofiev on Deutsche Grammophon. The orchestra's vast, critically acclaimed recording catalog has earned two Grammy Awards and three Record of the Year Awards from Gramophone magazine. In 2020, the Chamber Orchestra of Europe, led by Harnoncourt, was heard on a live recording of Schubert's symphonies made at the Styriarte festival in Graz, Austria, in 1988. The following year, the orchestra and Harnoncourt were heard on an album of works by Haydn, Mozart, Beethoven, and Brahms; these recordings were made at the same festival spanning from 1989 through 2007. The Chamber Orchestra of Europe is a nonprofit organization and a registered charity in Britain. Biography by James Manheim

Keyboardist Christopher Hogwood established the Academy of Ancient Music in 1973, using as his model an ensemble that had been founded in 1726 to perform music that was at least 150 years old. Thus, Hogwood's orchestra was one of the first in modern times to perform Baroque works on Baroque instruments. Hogwood chose members who were not only masters of their instruments but also scholars of the performance style of the period. The orchestra quickly gained recognition for its authentic performances and recordings, or at least stirred up musicological debate. In 1978, it spawned a Classical period orchestra to perform the works of Mozart, Haydn, and their contemporaries. That orchestra has recorded or taken on recording the complete symphonies of Mozart (the first such cycle on period instruments), Haydn, and Beethoven, and the complete piano concertos of Beethoven and Mozart. Recorded for Decca, these were under the direction of Hogwood, who also led recordings of Mozart's La clemenza di Tito, Haydn's Orfeo ed Euridice, and Handel's Rinaldo, all of which were prize winners and featured Cecilia Bartoli.

In 1996, Andrew Manze was named associate director, and Paul Goodwin was named associate conductor, allowing the Academy to expand its performance schedule and begin recording for the Harmonia Mundi label. The Academy also began extending invitations to others, such as Stephen Cleobury with the Choir of King's College, Cambridge; Edward Higginbottom with the Choir of New College, Oxford; Stephen Layton with Polyphony; and Masaaki Suzuki with the Japan Bach Collegium to be guest directors, furthering the Academy's vocal and choral repertoire. Instrumentalists Giuliano Carmignola, Richard Egarr, and Pavlo Beznosiuk were also asked to guest direct.

Goodwin began commissioning new works specifically for the distinctive instruments of the Academy, the first being 1997's Eternity's Sunrise for voice & baroque ensemble by John Tavener. Other commissioned works came from David Bedford; John Woolrich, whose Arcangelo for the group commemorated the 350th birthday of Arcangelo Corelli; and Thea Musgrave. Mahan Esfahani was commissioned to orchestrate Bach's Art of the Fugue, giving its premiere at the 2012 BBC Proms.

Manze stepped down from his post in 2003, as the Academy celebrated its 30th anniversary. The ensemble marked the year by also celebrating the Corelli anniversary and the 60th birthday of John Tavener in special concerts, and by beginning an exploration of the music of Mendelssohn, once again expanding its musicological horizons. Egarr was named associate director in 2005 and music director the following year, succeeding Hogwood, who was named director emeritus. The Academy's discography continues to grow, recording for the Decca, Signum Classics, and ABC Classics labels, among others. In 2013, the orchestra created and began recording on its own label, AAM Records, where it issued a recording of Dussek's Messe Solemnelle in 2020. That year, the Academy was also heard on a 2019 recording of Bach's St. Matthew Passion with the King's College Choir, under Cleobury. Biography by Patsy Morita