Oleg Kaskiv, Sinfonia Varsovia, Aleksandar Marković - Pierre Wissmer: The Violin Concertos (2024) [Hi-Res]
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BAND/ARTIST: Oleg Kaskiv, Sinfonia Varsovia, Aleksandar Marković
- Title: Pierre Wissmer: The Violin Concertos
- Year Of Release: 2024
- Label: Claves Records
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz
- Total Time: 01:03:57
- Total Size: 293 mb / 1.11 gb
- WebSite: Album Preview
Tracklist
01. Concerto No. 1 pour violon et orchestre: I. Allegro
02. Concerto No. 1 pour violon et orchestre: II. Fugue
03. Concerto No. 1 pour violon et orchestre: III. Finale. Vivace
04. Concerto No. 2 pour violon et orchestre: I. Allegro risoluto
05. Concerto No. 2 pour violon et orchestre: II. Molto moderato
06. Concerto No. 2 pour violon et orchestre: III. Allegro con spirito
07. Concerto No. 3 pour violon et orchestre: I. ♩ = 108
08. Concerto No. 3 pour violon et orchestre: II. ♩ = 62
09. Concerto No. 3 pour violon et orchestre: III. ♩ = 108
As a composer who developed an original language, Pierre Wissmer travelled through the 20th century with total independence. He composed an abundant body of work covering all musical genres: nine symphonies, several concertos, ballets, music for radio programmes, chamber music and vocal pieces. The three violin concertos bear witness to the composer’s aesthetic evolution. From the modal anchoring of the first concerto, composed in 1942 in the wake of the first symphony and the first piano concerto, he moved on to a writing style that sometimes borrows from the twelve-tone language in his second concerto, composed in 1954. Finally, the tonal suspension of the third concerto (1987) reflects a spirit of great freedom characteristic of the composer’s last works. Despite their differences, the three violin concertos reveal a profound stylistic unity shaped by an extreme taste for formal construction, the art of counterpoint and the science of orchestration.
01. Concerto No. 1 pour violon et orchestre: I. Allegro
02. Concerto No. 1 pour violon et orchestre: II. Fugue
03. Concerto No. 1 pour violon et orchestre: III. Finale. Vivace
04. Concerto No. 2 pour violon et orchestre: I. Allegro risoluto
05. Concerto No. 2 pour violon et orchestre: II. Molto moderato
06. Concerto No. 2 pour violon et orchestre: III. Allegro con spirito
07. Concerto No. 3 pour violon et orchestre: I. ♩ = 108
08. Concerto No. 3 pour violon et orchestre: II. ♩ = 62
09. Concerto No. 3 pour violon et orchestre: III. ♩ = 108
As a composer who developed an original language, Pierre Wissmer travelled through the 20th century with total independence. He composed an abundant body of work covering all musical genres: nine symphonies, several concertos, ballets, music for radio programmes, chamber music and vocal pieces. The three violin concertos bear witness to the composer’s aesthetic evolution. From the modal anchoring of the first concerto, composed in 1942 in the wake of the first symphony and the first piano concerto, he moved on to a writing style that sometimes borrows from the twelve-tone language in his second concerto, composed in 1954. Finally, the tonal suspension of the third concerto (1987) reflects a spirit of great freedom characteristic of the composer’s last works. Despite their differences, the three violin concertos reveal a profound stylistic unity shaped by an extreme taste for formal construction, the art of counterpoint and the science of orchestration.
Year 2024 | Classical | FLAC / APE | HD & Vinyl
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