Norrkoping Symphony Orchestra, Christian Lindberg - Pettersson: Symphony No. 13 (2015)
BAND/ARTIST: Norrkoping Symphony Orchestra, Christian Lindberg
- Title: Pettersson: Symphony No. 13
- Year Of Release: 2015
- Label: BIS
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:06:47
- Total Size: 361 mb
- WebSite: Album Preview
Tracklist
01. Symphony No. 13: Beginning
02. Symphony No. 13: 5 Bars After Figure 15
03. Symphony No. 13: 3 Bars After Figure 35
04. Symphony No. 13: 5 Bars After Figure 70
05. Symphony No. 13: 3 Bars Before Figure 87
06. Symphony No. 13: 4 Bars Before Figure 99
07. Symphony No. 13: 5 Bars After Figure 128
08. Symphony No. 13: 4 Bars After Figure 152
09. Symphony No. 13: 3 Bars After Figure 165
10. Symphony No. 13: 4 Bars After Figure 169
11. Symphony No. 13: 5 Bars After Figure 174
12. Symphony No. 13: 4 Bars After Figure 194
As Christian Lindberg and the Norrköping Symphony Orchestra progress through the 16 symphonies of Allan Pettersson, they confront some of his densest and darkest music, particularly in his works of the 1970s. The Symphony No. 13 (1976) is a single movement that is unrelenting in its contrapuntal activity, tragic in its expressions of restlessness and violence, and almost brutal in its physical demands on the musicians. Indeed, the work runs without break for over an hour, and the writing is a continuous unfolding of ideas that are in conflict with few moments of resolution, only to be replaced by more episodes of severe but ever-changing counterpoint. Yet this knotty work holds a kind of fascination, because the slow but steady generation of ideas has an overall consistency that makes sense, especially after repeated hearings, and once the listener has absorbed Pettersson's abrasive harmonies and angular melodic lines, the piece makes sense, though perhaps more through its own momentum than through any identifiable themes or progressions. Lindberg and his orchestra give the symphony a committed reading that demonstrates their virtuosity and resilience, and BIS' super audio recording makes all the musical strands perfectly clear and provides a spacious acoustic to accommodate Pettersson's massive sonorities.
01. Symphony No. 13: Beginning
02. Symphony No. 13: 5 Bars After Figure 15
03. Symphony No. 13: 3 Bars After Figure 35
04. Symphony No. 13: 5 Bars After Figure 70
05. Symphony No. 13: 3 Bars Before Figure 87
06. Symphony No. 13: 4 Bars Before Figure 99
07. Symphony No. 13: 5 Bars After Figure 128
08. Symphony No. 13: 4 Bars After Figure 152
09. Symphony No. 13: 3 Bars After Figure 165
10. Symphony No. 13: 4 Bars After Figure 169
11. Symphony No. 13: 5 Bars After Figure 174
12. Symphony No. 13: 4 Bars After Figure 194
As Christian Lindberg and the Norrköping Symphony Orchestra progress through the 16 symphonies of Allan Pettersson, they confront some of his densest and darkest music, particularly in his works of the 1970s. The Symphony No. 13 (1976) is a single movement that is unrelenting in its contrapuntal activity, tragic in its expressions of restlessness and violence, and almost brutal in its physical demands on the musicians. Indeed, the work runs without break for over an hour, and the writing is a continuous unfolding of ideas that are in conflict with few moments of resolution, only to be replaced by more episodes of severe but ever-changing counterpoint. Yet this knotty work holds a kind of fascination, because the slow but steady generation of ideas has an overall consistency that makes sense, especially after repeated hearings, and once the listener has absorbed Pettersson's abrasive harmonies and angular melodic lines, the piece makes sense, though perhaps more through its own momentum than through any identifiable themes or progressions. Lindberg and his orchestra give the symphony a committed reading that demonstrates their virtuosity and resilience, and BIS' super audio recording makes all the musical strands perfectly clear and provides a spacious acoustic to accommodate Pettersson's massive sonorities.
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