Jodie Nicholson - Safe Hands (2024) [Hi-Res]
BAND/ARTIST: Jodie Nicholson
- Title: Safe Hands
- Year Of Release: 2024
- Label: Quiet Crown
- Genre: Indie Pop, Chamber Pop, Singer-Songwriter
- Quality: Mp3 320 kbps / FLAC (tracks) / 24bit-44.1kHz FLAC (tracks)
- Total Time: 48:47
- Total Size: 113 / 274 / 531 MB
- WebSite: Album Preview
Tracklist:
1. You Wanted This (3:19)
2. Bad Dream (4:46)
3. Another Frequency (4:17)
4. Pity You Had to Leave (3:49)
5. Embers (5:08)
6. Situation (4:22)
7. What If I (3:45)
8. Starlight (2:06)
9. Here I Am (4:17)
10. Limit (4:59)
11. Love, I'm On Fire (3:44)
12. Flesh & Blood (4:20)
1. You Wanted This (3:19)
2. Bad Dream (4:46)
3. Another Frequency (4:17)
4. Pity You Had to Leave (3:49)
5. Embers (5:08)
6. Situation (4:22)
7. What If I (3:45)
8. Starlight (2:06)
9. Here I Am (4:17)
10. Limit (4:59)
11. Love, I'm On Fire (3:44)
12. Flesh & Blood (4:20)
'Safe Hands' is the brand new album from acclaimed songwriter and producer Jodie Nicholson. Ultimately about self trust, Nicholson uses brooding chamber-pop and synth-laden alt-pop to navigate many of the different relationships we have in our lives: friends, family, relationships with ourselves and, more personally, her changing relationship with music.
Self-produced by Nicholson at Blank Studios in Newcastle, the recording process was complemented by mix engineer Oli Deakin (CMAT, Benjamin Francis Leftwich, Elanor Moss) and mastering engineer Katie Tavini (Arlo Parks, Nadine Shah, Sega Bodega). The resultant album takes the listener on intimate journeys of minimalism and melancholy through to blooming, euphoric ends, with Nicholson's signature rich harmonies and ethereal, reed-like vocals remaining a compelling constant.
Exploring themes of escapism, nostalgia and self-reflection, Nicholson leans on musical influences including Daughter, Matt Corby, The National, Warpaint, Lucy Rose and Laura Marling. There are also nods to her prog-rock upbringing and 80s inspired outros that wouldn't sound out of place on the soundtracks to Drive and Stranger Things.
Self-produced by Nicholson at Blank Studios in Newcastle, the recording process was complemented by mix engineer Oli Deakin (CMAT, Benjamin Francis Leftwich, Elanor Moss) and mastering engineer Katie Tavini (Arlo Parks, Nadine Shah, Sega Bodega). The resultant album takes the listener on intimate journeys of minimalism and melancholy through to blooming, euphoric ends, with Nicholson's signature rich harmonies and ethereal, reed-like vocals remaining a compelling constant.
Exploring themes of escapism, nostalgia and self-reflection, Nicholson leans on musical influences including Daughter, Matt Corby, The National, Warpaint, Lucy Rose and Laura Marling. There are also nods to her prog-rock upbringing and 80s inspired outros that wouldn't sound out of place on the soundtracks to Drive and Stranger Things.
Year 2024 | Pop | Indie | FLAC / APE | Mp3 | HD & Vinyl
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