More Hispano, Vicente Parrilla - Bartolomé de Selma y Salaverde. Canzoni, Fantasie et Correnti. (1999)
BAND/ARTIST: More Hispano, Vicente Parrilla
- Title: Bartolomé de Selma y Salaverde. Canzoni, Fantasie et Correnti.
- Year Of Release: 1999
- Label: Lindoro
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 00:56:10
- Total Size: 252 mb
- WebSite: Album Preview
Tracklist
01. Canzon 35
02. Canzon 12
03. Corrente 43
04. Canzon 53
05. Canzon 2
06. Canzon 11
07. Corrente 56
08. Canzon 20
09. Fantasía 10
10. Balletto 29
11. Canzon 3
12. Canzon 22
13. Corrente 26
14. Susanna Passeggiata Basso Solo
15. Corrente 53
16. Canzon 23
17. Corrente 24
18. Corrente 39
19. Canzon 51
Bartolome de Selma y Salaverde is one of the international composers and yet least known of the History of Music in Spain. Its importance is reflected in two points in his book, published in Venice in 1638 entitled Canzoni, Fantasie et Correnti. The first is its importance as an instrument of bassoon, and on the other hand is the fact that a composer, born and educated in Spain, comes to publish music for various instruments in the instrumental music publisher source most important moment: the Venetian printing.
The first is its importance as an instrument of bassoon, and on the other hand, is the fact that a composer, born and educated in Spain, comes to publish music for various instruments in the instrumental music publisher source most important of the day: Venetian printing. From him we have little biographical information we know that belonged to a family of musical tradition especially linked to the downturn. Recent investigations have established the geographic origin of Selma, in the town of Valls de Roure.
In his book does point out that it is Augustinian monk and bassoonist of Archduke Leopold of Austria (from 1628 to 1630). As for his book, calls attention to how to place the parts separately, setting a new style on the criterion of classification to be followed: according to the level of implementation, leaving very few details of implementation. If one part are obvious links with Selma Venetian instrumental music from the early seventeenth Bonomo Selma finds that does not squeeze the resources in this new way of composing style Castello, who always said that makes a big difference to our music, perhaps because of their training in Hispanic. We can say that Salaverde Selma, its origins, training, living journey, and other elements of his biography unknown, was instrumental in the genesis of the sonata style of the seventeenth through the constructive side of a mixed instrumental and vocal language. Your work deserves to be considered first-rate repertoire.
Vicente Parrilla, flute.
Leonardo Rossi, baroque violin.
Javier Zafra, historical bassoons.
Fahmi Alqhai, viola da gamba.
Jesus Fernandez, chitarrone and flute.
01. Canzon 35
02. Canzon 12
03. Corrente 43
04. Canzon 53
05. Canzon 2
06. Canzon 11
07. Corrente 56
08. Canzon 20
09. Fantasía 10
10. Balletto 29
11. Canzon 3
12. Canzon 22
13. Corrente 26
14. Susanna Passeggiata Basso Solo
15. Corrente 53
16. Canzon 23
17. Corrente 24
18. Corrente 39
19. Canzon 51
Bartolome de Selma y Salaverde is one of the international composers and yet least known of the History of Music in Spain. Its importance is reflected in two points in his book, published in Venice in 1638 entitled Canzoni, Fantasie et Correnti. The first is its importance as an instrument of bassoon, and on the other hand is the fact that a composer, born and educated in Spain, comes to publish music for various instruments in the instrumental music publisher source most important moment: the Venetian printing.
The first is its importance as an instrument of bassoon, and on the other hand, is the fact that a composer, born and educated in Spain, comes to publish music for various instruments in the instrumental music publisher source most important of the day: Venetian printing. From him we have little biographical information we know that belonged to a family of musical tradition especially linked to the downturn. Recent investigations have established the geographic origin of Selma, in the town of Valls de Roure.
In his book does point out that it is Augustinian monk and bassoonist of Archduke Leopold of Austria (from 1628 to 1630). As for his book, calls attention to how to place the parts separately, setting a new style on the criterion of classification to be followed: according to the level of implementation, leaving very few details of implementation. If one part are obvious links with Selma Venetian instrumental music from the early seventeenth Bonomo Selma finds that does not squeeze the resources in this new way of composing style Castello, who always said that makes a big difference to our music, perhaps because of their training in Hispanic. We can say that Salaverde Selma, its origins, training, living journey, and other elements of his biography unknown, was instrumental in the genesis of the sonata style of the seventeenth through the constructive side of a mixed instrumental and vocal language. Your work deserves to be considered first-rate repertoire.
Vicente Parrilla, flute.
Leonardo Rossi, baroque violin.
Javier Zafra, historical bassoons.
Fahmi Alqhai, viola da gamba.
Jesus Fernandez, chitarrone and flute.
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