Kelly Bell Band - Ain't Like It Used to Be (2001)
BAND/ARTIST: Kelly Bell Band
- Title: Ain't Like It Used to Be
- Year Of Release: 2001
- Label: Phat Blues Records
- Genre: Funk, Blues, Soul
- Quality: flac lossless (tracks)
- Total Time: 01:02:27
- Total Size: 381 mb
- WebSite: Album Preview
Tracklist
01. Pain (Intro)
02. Thinkin' About Tomorrow
03. Must've Bumped Your Head
04. ...Ain't Like It Used to Be!
05. Talkin' In Your Sleep
06. Early in the Morning
07. Stay
08. She Done Moved
09. Workin' Me
10. Missing You
11. Lock Me Up
12. Lost My Baby for the Blues
13. Message from the White House
14. Good Night for the Blues
15. Mama's Chasing the Dragon
16. Take Me Away
17. Thinkin' About Tomorrow (Radio Edit)
Following much in the same groove as their 1998 debut, Phat Blues Music, Kelly Bell Band offered up Ain't Like It Used to Be in early 2001. Again combining chunky funk riffs with blues, rock, and classic soul, Bell and company easily defend their status as champions of East Coast college party rock. This time out, the grooves are even tighter, the melodies richer, and the production much more professional. But again as before, instead of searching for his own personal path through all the many influences he has absorbed, Bell instead tries to touch as many bases as possible. Almost every track on Phat Blues has a counterpart on Ain't Like It Used to Be, be it soulful acoustic blues, jumping swing, even a lame spoken word comedy bit. Special guests are in plentiful number to help Bell and company, including Big Jesse Yawn, Victor Williams, Ron Holloway, Mark Wenner, Jimi HaHa, and the horn section of Bell's nearest live competitors, the All Mighty Senators. But while these guests lend credibility and variety to the album's 15 tunes, Bell does make noticeable steps in his musical development. Two songs in particular, the driving funk of "Workin' Me" and the more concise R&B structure of "Mama's Chasing the Dragon," show levels of harmonic layering that show Bell may in fact be finding new and original ways to write and perform. The album's last proper track, "Take Me Away," is a fruitful blending of Bell's bluesy baritone and a chamber music arrangement complete with operatic vocals. These three tunes are nearly enough to give hope that Bell may in fact be outgrowing, hopefully, the well-trod ground of the past.
01. Pain (Intro)
02. Thinkin' About Tomorrow
03. Must've Bumped Your Head
04. ...Ain't Like It Used to Be!
05. Talkin' In Your Sleep
06. Early in the Morning
07. Stay
08. She Done Moved
09. Workin' Me
10. Missing You
11. Lock Me Up
12. Lost My Baby for the Blues
13. Message from the White House
14. Good Night for the Blues
15. Mama's Chasing the Dragon
16. Take Me Away
17. Thinkin' About Tomorrow (Radio Edit)
Following much in the same groove as their 1998 debut, Phat Blues Music, Kelly Bell Band offered up Ain't Like It Used to Be in early 2001. Again combining chunky funk riffs with blues, rock, and classic soul, Bell and company easily defend their status as champions of East Coast college party rock. This time out, the grooves are even tighter, the melodies richer, and the production much more professional. But again as before, instead of searching for his own personal path through all the many influences he has absorbed, Bell instead tries to touch as many bases as possible. Almost every track on Phat Blues has a counterpart on Ain't Like It Used to Be, be it soulful acoustic blues, jumping swing, even a lame spoken word comedy bit. Special guests are in plentiful number to help Bell and company, including Big Jesse Yawn, Victor Williams, Ron Holloway, Mark Wenner, Jimi HaHa, and the horn section of Bell's nearest live competitors, the All Mighty Senators. But while these guests lend credibility and variety to the album's 15 tunes, Bell does make noticeable steps in his musical development. Two songs in particular, the driving funk of "Workin' Me" and the more concise R&B structure of "Mama's Chasing the Dragon," show levels of harmonic layering that show Bell may in fact be finding new and original ways to write and perform. The album's last proper track, "Take Me Away," is a fruitful blending of Bell's bluesy baritone and a chamber music arrangement complete with operatic vocals. These three tunes are nearly enough to give hope that Bell may in fact be outgrowing, hopefully, the well-trod ground of the past.
Blues | Soul | Funk | FLAC / APE
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