Cappella Pratensis - The Feast of the Swan: A Renaissance brotherhood at table (2024)
BAND/ARTIST: Cappella Pratensis, Anna Danilevskaia, Stratton Bull, Sollazzo Ensemble
- Title: The Feast of the Swan: A Renaissance brotherhood at table
- Year Of Release: 2024
- Label: Challenge Records
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 59:03 min
- Total Size: 298 MB
- WebSite: Album Preview
Tracklist:
01. Sicut lilium inter spinas
02. Ave Maria
03. Ave Maria
04. Ave Maria
05. Le grant désir d'aymer m'y tient
06. Missa Benedicti - Ick had een boelken: Kyrie I
07. Missa Benedicti - Ick had een boelken: Christe
08. Missa Benedicti - Ick had een boelken: Kyrie II
09. Missa Benedicti - Ick had een boelken: Gloria
10. Missa Benedicti - Ick had een boelken: Qui tollis
11. Myns liefkens bruyn ooghen
12. Missa Myns liefkens bruyn ooghen: Sanctus
13. Missa Myns liefkens bruyn ooghen: Pleni sunt
14. Missa Myns liefkens bruyn ooghen: Osanna
15. Missa Myns liefkens bruyn ooghen: Benedictus
16. Missa Myns liefkens bruyn ooghen: Osanna ut supra
17. Dictes moy toutes voz pensées
18. Een vroulic wesen
19. Missa Benedicti - Ick had een boelken: Agnus Dei I
20. Missa Benedicti - Ick had een boelken: Agnus Dei II
21. Missa Benedicti - Ick had een boelken: Agnus Dei III
22. Ick had een boelken uutvercoren - Oeverloos
23. Ave Maria
24. Ick had een boelken uutvercoren - Oeverloos
01. Sicut lilium inter spinas
02. Ave Maria
03. Ave Maria
04. Ave Maria
05. Le grant désir d'aymer m'y tient
06. Missa Benedicti - Ick had een boelken: Kyrie I
07. Missa Benedicti - Ick had een boelken: Christe
08. Missa Benedicti - Ick had een boelken: Kyrie II
09. Missa Benedicti - Ick had een boelken: Gloria
10. Missa Benedicti - Ick had een boelken: Qui tollis
11. Myns liefkens bruyn ooghen
12. Missa Myns liefkens bruyn ooghen: Sanctus
13. Missa Myns liefkens bruyn ooghen: Pleni sunt
14. Missa Myns liefkens bruyn ooghen: Osanna
15. Missa Myns liefkens bruyn ooghen: Benedictus
16. Missa Myns liefkens bruyn ooghen: Osanna ut supra
17. Dictes moy toutes voz pensées
18. Een vroulic wesen
19. Missa Benedicti - Ick had een boelken: Agnus Dei I
20. Missa Benedicti - Ick had een boelken: Agnus Dei II
21. Missa Benedicti - Ick had een boelken: Agnus Dei III
22. Ick had een boelken uutvercoren - Oeverloos
23. Ave Maria
24. Ick had een boelken uutvercoren - Oeverloos
The fourth volume of the unanimously acclaimed series of Den Bosch Choirbook, performed by Cappella Pratensis.
This disc reproduces the music plausibly sung and played by the members of the Confraternity of Our Illustrious Lady in 's-Hertogenbosch on the occasion of the Feast of the Swan, normally taking place around the new year. For the first time in this series Cappella Pratensis is accompanied by the instruments of the well-known Renaissance music specialists of the Sollazzo Ensemble.
The album presents the kind of music that might have been heard at the Feast of the Swan, an annual banquet held by the Confraternity of Our Illustrious Lady in 's-Hertogenbosch, sometime in the middle of the sixteenth century. The combination of "sacred" and "secular" pieces might come as a surprise. However, the border between what we in the twenty-first century might imagine as two different musical realms was actually quite porous in the sixteenth.
One of the Confraternity's regular banquets, held each year on the first Monday after Holy Innocents' Day (28 December), was the Feast of the Swan. The Swan was the Confraternity's heraldic beast, a symbol of grace and purity, attributes of the Blessed Virgin. In the medieval imagination, the swan had musical associations. The anonymous bestiary Physiologus states that the Latin name for the swan (cygnus) comes from the verb "to sing" (canere), because it produces such a beautiful song from its long and flexible neck. It was thus fitting that the Feast of the Swan should include a rich musical component. Some of the singers also played instruments at the banquets.
This disc reproduces the music plausibly sung and played by the members of the Confraternity of Our Illustrious Lady in 's-Hertogenbosch on the occasion of the Feast of the Swan, normally taking place around the new year. For the first time in this series Cappella Pratensis is accompanied by the instruments of the well-known Renaissance music specialists of the Sollazzo Ensemble.
The album presents the kind of music that might have been heard at the Feast of the Swan, an annual banquet held by the Confraternity of Our Illustrious Lady in 's-Hertogenbosch, sometime in the middle of the sixteenth century. The combination of "sacred" and "secular" pieces might come as a surprise. However, the border between what we in the twenty-first century might imagine as two different musical realms was actually quite porous in the sixteenth.
One of the Confraternity's regular banquets, held each year on the first Monday after Holy Innocents' Day (28 December), was the Feast of the Swan. The Swan was the Confraternity's heraldic beast, a symbol of grace and purity, attributes of the Blessed Virgin. In the medieval imagination, the swan had musical associations. The anonymous bestiary Physiologus states that the Latin name for the swan (cygnus) comes from the verb "to sing" (canere), because it produces such a beautiful song from its long and flexible neck. It was thus fitting that the Feast of the Swan should include a rich musical component. Some of the singers also played instruments at the banquets.
Year 2024 | Classical | FLAC / APE
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