Tal Farlow - This is Tal Farlow (1958) [1998 Verve Original Collection]
![Tal Farlow - This is Tal Farlow (1958) [1998 Verve Original Collection]](https://www.dibpic.com/uploads/posts/2022-12/1671195787_cover.jpg)
BAND/ARTIST: Tal Farlow
- Title: This is Tal Farlow
- Year Of Release: 1958 [1998]
- Label: Verve Records [POCJ-2592]
- Genre: Jazz
- Quality: FLAC (*tracks, scans)
- Total Time: 00:34:14
- Total Size: 261 mb (+3%rec.)
- WebSite: Album Preview
Tal Farlow (Talmage Holt Farlow) is one of the pioneers of bebop style of jazz guitar playing. His interest for guitar ignited when he heard the great Charlie Christian on the radio in the early 1940's.
It is said that Farlow's career as a professional jazz musician was launched only a year after he picked up the guitar for the first time... and he was under 25 years old! Thanks to his ability to learn many, many Charlie Christian solos from Benny Goodman recordings.
In fact, Farlow can be perceived as one of the earliest bebop jazz guitarist because his career was active as soon the early forties! He was born only five years later than the great C.C. and left a legacy of amazing jazz guitar music for future generations.
Tal came up on the international scene by working in the Red Norvo trio from 1949 to 1953 and then went on to lead his own band. Although extremely talented and influential, he was always reluctant to play live. Some believe that is why he "retired" from music and returned to his sign painter career in 1958.
There was a resurgence in his public appearances and recordings in the 1976-1984 period... but he virtually "disappeared" of the scene again (only to play a few times here and there in his later years.)
Of course, Tal was influenced by Charlie Christian (and, honestly, who wasn't during that period?!) His lines show an understanding of harmony and passion for the bebop type of phrasing. His "edge" came from his unique approach and enormous hands (which both allowed for smooth lines and very unorthodox techniques.) Also heard on his recordings : some very unusual voicings and chord melody abilities for the time.
Marc-André Séguin
Tracks:
1 Lean on Me (Greene, Waldman) 4:13
2 Wonder Why (Brodszky, Cahn) 4:53
3 Night and Day (Porter) 4:23
4 Stella by Starlight (Young, Washington) 3:35
5 The More I See You (Warren, Gordon) 4:51
6 All the Things You Are (Kern, Hammerstein II) 4:24
7 How Long Has this Been Going On (Gershwin, Gershwin) 4:14
8 Topsy (Durham) 3:37
Personnel:
Tal Farlow - g
Eddie Costa - p
Bill Takas [# 5-8] or Knobby Totah - b
Jimmy Campbell - dr
![Tal Farlow - This is Tal Farlow (1958) [1998 Verve Original Collection]](https://www.dibpic.com/uploads/posts/2022-12/1671195837_back.jpg)
It is said that Farlow's career as a professional jazz musician was launched only a year after he picked up the guitar for the first time... and he was under 25 years old! Thanks to his ability to learn many, many Charlie Christian solos from Benny Goodman recordings.
In fact, Farlow can be perceived as one of the earliest bebop jazz guitarist because his career was active as soon the early forties! He was born only five years later than the great C.C. and left a legacy of amazing jazz guitar music for future generations.
Tal came up on the international scene by working in the Red Norvo trio from 1949 to 1953 and then went on to lead his own band. Although extremely talented and influential, he was always reluctant to play live. Some believe that is why he "retired" from music and returned to his sign painter career in 1958.
There was a resurgence in his public appearances and recordings in the 1976-1984 period... but he virtually "disappeared" of the scene again (only to play a few times here and there in his later years.)
Of course, Tal was influenced by Charlie Christian (and, honestly, who wasn't during that period?!) His lines show an understanding of harmony and passion for the bebop type of phrasing. His "edge" came from his unique approach and enormous hands (which both allowed for smooth lines and very unorthodox techniques.) Also heard on his recordings : some very unusual voicings and chord melody abilities for the time.
Marc-André Séguin
Tracks:
1 Lean on Me (Greene, Waldman) 4:13
2 Wonder Why (Brodszky, Cahn) 4:53
3 Night and Day (Porter) 4:23
4 Stella by Starlight (Young, Washington) 3:35
5 The More I See You (Warren, Gordon) 4:51
6 All the Things You Are (Kern, Hammerstein II) 4:24
7 How Long Has this Been Going On (Gershwin, Gershwin) 4:14
8 Topsy (Durham) 3:37
Personnel:
Tal Farlow - g
Eddie Costa - p
Bill Takas [# 5-8] or Knobby Totah - b
Jimmy Campbell - dr
Jazz | Oldies | FLAC / APE
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