Sarah Francis, The Rasumovsky Quartet - Boughton: String Quartets & Oboe Quartet No. 1 (1997)
BAND/ARTIST: Sarah Francis, The Rasumovsky Quartet
- Title: Boughton: String Quartets & Oboe Quartet No. 1
- Year Of Release: 1997
- Label: Hyperion
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:19:11
- Total Size: 351 mb
- WebSite: Album Preview
Tracklist
01. String Quartet in F Major "From the Welsh Hills": I. Landscape from the Valleys
02. String Quartet in F Major "From the Welsh Hills": II. Landscape from the Hilltops
03. String Quartet in F Major "From the Welsh Hills": III. Satire (Conversation)
04. String Quartet in F Major "From the Welsh Hills": IV. Song of the Hills
05. Oboe Quartet No. 1: I. Allegro vivace
06. Oboe Quartet No. 1: II. Allegro giocoso
07. Oboe Quartet No. 1: III. Andante con variazione
08. String Quartet in A Major "On Greek Folk Songs": I. Apollonian
09. String Quartet in A Major "On Greek Folk Songs": II. Dionysian
10. String Quartet in A Major "On Greek Folk Songs": III. Threnody
11. String Quartet in A Major "On Greek Folk Songs": IV. Aphrodisian
12. 3 Songs Without Words for Oboe Quartet: I. Whence! Andante delicato
13. 3 Songs Without Words for Oboe Quartet: II. Faery Flout. Allegro giocoso
14. 3 Songs Without Words for Oboe Quartet: III. Barcarolle. Andante languido
Although Rutland Boughton is rightly admired as an operatic composer, he contributed generously to virtually every musical genre from symphony to song. The two string quartets were written at the height of his popularity in 1923 and are works of much charm. The descriptive titles, of the individual movements as well as of the quartets themselves, do not so much present a 'programme' as suggest, in Boughton's words, 'the emotional pleasure one has in natural beauty of a certain kind'. The quartets were first performed at The Aeolian Hall, the advertisement stating that the concerts were 'not for high-brows, but for the general musical public who still believe in the common-chord and an occasional tune'.
In many ways the Songs without Words can be regarded as a second oboe quartet and are charming miniatures. Boughton had a particular love for the oboe (his daughter Joy was the instrument's leading exponent in England at the time) and this is reflected in his compositions.
01. String Quartet in F Major "From the Welsh Hills": I. Landscape from the Valleys
02. String Quartet in F Major "From the Welsh Hills": II. Landscape from the Hilltops
03. String Quartet in F Major "From the Welsh Hills": III. Satire (Conversation)
04. String Quartet in F Major "From the Welsh Hills": IV. Song of the Hills
05. Oboe Quartet No. 1: I. Allegro vivace
06. Oboe Quartet No. 1: II. Allegro giocoso
07. Oboe Quartet No. 1: III. Andante con variazione
08. String Quartet in A Major "On Greek Folk Songs": I. Apollonian
09. String Quartet in A Major "On Greek Folk Songs": II. Dionysian
10. String Quartet in A Major "On Greek Folk Songs": III. Threnody
11. String Quartet in A Major "On Greek Folk Songs": IV. Aphrodisian
12. 3 Songs Without Words for Oboe Quartet: I. Whence! Andante delicato
13. 3 Songs Without Words for Oboe Quartet: II. Faery Flout. Allegro giocoso
14. 3 Songs Without Words for Oboe Quartet: III. Barcarolle. Andante languido
Although Rutland Boughton is rightly admired as an operatic composer, he contributed generously to virtually every musical genre from symphony to song. The two string quartets were written at the height of his popularity in 1923 and are works of much charm. The descriptive titles, of the individual movements as well as of the quartets themselves, do not so much present a 'programme' as suggest, in Boughton's words, 'the emotional pleasure one has in natural beauty of a certain kind'. The quartets were first performed at The Aeolian Hall, the advertisement stating that the concerts were 'not for high-brows, but for the general musical public who still believe in the common-chord and an occasional tune'.
In many ways the Songs without Words can be regarded as a second oboe quartet and are charming miniatures. Boughton had a particular love for the oboe (his daughter Joy was the instrument's leading exponent in England at the time) and this is reflected in his compositions.
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