Richard Band - The Primevals (2024)
BAND/ARTIST: Richard Band
- Title: The Primevals
- Year Of Release: 2024
- Label: Silva Screen Records
- Genre: Soundtracks
- Quality: FLAC (tracks)
- Total Time: 72 min
- Total Size: 355 MB
- WebSite: Album Preview
A JOURNEY BACK IN TIME
THE PRIMEVALS belongs to a different time, a different place, an imagined world of monsters, myth and magic that has only ever existed within the confines of classic fantasy cinema. Even if its chief architect, David Allen, had lived and the film had been released in the 1990s, it would have still been out of synch with the zeitgeist.
Seen today, it’s a truly singular experience, floating in a bubble outside and above anything else being made.
THE PROJECT
Fifty years ago, filmmaker David Allen registered the story for the film that would become The Primevals. His goal was to elevate the art of stop-motion animation into more serious, thoughtful storytelling. In the mid-1960s, the film had started as an homage to Edgar Rice Burroughs, reminiscent of the fantasy films by Ray Harryhausen that had impressed David as a child.
He died in 1999 and the task of completing the film fell to his visual effects colleague Chris Endicott.
Chris Alexander, editor of Fangoria and Delirium magazines, says –
“Though we can indeed credit Allen’s vision and his devout passion in bringing this land of the lost to vivid life (not to mention his protégé Chris Endicott’s loyalty to seeing that dream through), I believe it’s Richard Band’s thundering, evocative score that amplifies the overall experience, accentuating every delirious moment, every delicate passage, every terrifying encounter, with an unapologetically old-fashioned sense of the cinema fantastique. From the opening moments of vast mountainous landscapes to our first astonishing glimpse of the Yeti to the spastic showdown with the sadistic Lizard beings, Band’s full-blooded soundscape serves to trap us in this world, make us complicit with both heroes and villains alike, and immerse us deeply inside this lovingly sculpted imaginary universe.”
THE ALBUM
While award winning and Emmy nominated composer Richard Band is primarily known to many as a composer for Horror and Genre films, but he has often stepped well outside the horror genre and diversified his body of work demonstrating his ability to tackle any genre and style presented to him.
Richard outlines his approach to the music and the inspiration that lies behind it –
“I’ve always been a firm believer in the importance of themes in film scoring and this score cried out for an epic theme perhaps in the classical manner of a Steiner, Herrmann or Rozsa, or perhaps even a Goldsmith, Williams, Jarre or Shore. It was movies from my childhood like ‘Lost Horizon’ and ‘Jason and the Argonauts’ as well as epics like ‘Dr. Zhivago’ and ‘Ben-Hur’ that had the import I was searching for. This film was a true joy to score and well worth the roughly 20 odd years I waited to do it.”
It was just a few months ago that Richard was awarded the MOSMA Film Music Festival’s “LIFE ACHIEVEMENT AWARD” in Malaga, Spain for his film music over the years. The two nights of concerts included an encore in which the premiere live performance of the PRIMEVALS main title for full orchestra was performed.
The Primevals represents a glorious hark back to the classic scores that fuelled so many of the Harryhausen films of the 1950s and 1960s. A delirious thrill-ride through the joys of monsters, ray-guns, spaceships and good old-fashioned stop motion animation.
Tracklist:
1/1.01 - Richard Band - The Gale and Mountain Shack / Battling the Yeti / Main Title (7:23)
1/1.02 - Richard Band - Dr. Collier's Announcement (1:05)
1/1.03 - Richard Band - Unveiling the Yeti (1:19)
1/1.04 - Richard Band - Matt and Dr. Collier (1:32)
1/1.05 - Richard Band - They Talk / The Expedition (5:28)
1/1.06 - Richard Band - Rondo Agrees to The Expedition (3:02)
1/1.07 - Richard Band - Meeting Cathleen / Kiku (1:02)
1/1.08 - Richard Band - Pushing On / Yeti Tracks (1:35)
1/1.09 - Richard Band - Awakened by a Yeti / Kiku (1:34)
1/1.10 - Richard Band - The Tower / Earthquake (2:08)
1/1.11 - Richard Band - The Cave / A New Land (2:35)
1/1.12 - Richard Band - Rafting Down the River (1:55)
1/1.13 - Richard Band - The Hominid Village (1:05)
1/1.14 - Richard Band - Matt Hears Villagers Screaming (0:54)
1/1.15 - Richard Band - The Hominid Confrontation (1:06)
1/1.16 - Richard Band - The Wrecked Village / Onwards (2:27)
1/1.17 - Richard Band - Entering the Caves (1:33)
1/1.18 - Richard Band - Huge Spaceship Discovery (1:46)
1/1.19 - Richard Band - The Spaceship / Inside the Spaceship (4:08)
1/1.20 - Richard Band - The Abduction (1:21)
1/1.21 - Richard Band - In the Cages (2:36)
1/1.22 - Richard Band - Taken to "The Arena" (2:43)
1/1.23 - Richard Band - The Lizard Arena Show (1:54)
1/1.24 - Richard Band - The Yeti is Released (3:01)
1/1.25 - Richard Band - Escaping the Cages / The Yeti Helps the Escape Part 1 (5:01)
1/1.26 - Richard Band - The Yeti Helps the Escape Part 2 / Matt Has a Plan (5:53)
1/1.27 - Richard Band - Dr. Collier Dies & Finale (3:46)
1/1.28 - Richard Band - The Primevals (End Titles) (3:05)
THE PRIMEVALS belongs to a different time, a different place, an imagined world of monsters, myth and magic that has only ever existed within the confines of classic fantasy cinema. Even if its chief architect, David Allen, had lived and the film had been released in the 1990s, it would have still been out of synch with the zeitgeist.
Seen today, it’s a truly singular experience, floating in a bubble outside and above anything else being made.
THE PROJECT
Fifty years ago, filmmaker David Allen registered the story for the film that would become The Primevals. His goal was to elevate the art of stop-motion animation into more serious, thoughtful storytelling. In the mid-1960s, the film had started as an homage to Edgar Rice Burroughs, reminiscent of the fantasy films by Ray Harryhausen that had impressed David as a child.
He died in 1999 and the task of completing the film fell to his visual effects colleague Chris Endicott.
Chris Alexander, editor of Fangoria and Delirium magazines, says –
“Though we can indeed credit Allen’s vision and his devout passion in bringing this land of the lost to vivid life (not to mention his protégé Chris Endicott’s loyalty to seeing that dream through), I believe it’s Richard Band’s thundering, evocative score that amplifies the overall experience, accentuating every delirious moment, every delicate passage, every terrifying encounter, with an unapologetically old-fashioned sense of the cinema fantastique. From the opening moments of vast mountainous landscapes to our first astonishing glimpse of the Yeti to the spastic showdown with the sadistic Lizard beings, Band’s full-blooded soundscape serves to trap us in this world, make us complicit with both heroes and villains alike, and immerse us deeply inside this lovingly sculpted imaginary universe.”
THE ALBUM
While award winning and Emmy nominated composer Richard Band is primarily known to many as a composer for Horror and Genre films, but he has often stepped well outside the horror genre and diversified his body of work demonstrating his ability to tackle any genre and style presented to him.
Richard outlines his approach to the music and the inspiration that lies behind it –
“I’ve always been a firm believer in the importance of themes in film scoring and this score cried out for an epic theme perhaps in the classical manner of a Steiner, Herrmann or Rozsa, or perhaps even a Goldsmith, Williams, Jarre or Shore. It was movies from my childhood like ‘Lost Horizon’ and ‘Jason and the Argonauts’ as well as epics like ‘Dr. Zhivago’ and ‘Ben-Hur’ that had the import I was searching for. This film was a true joy to score and well worth the roughly 20 odd years I waited to do it.”
It was just a few months ago that Richard was awarded the MOSMA Film Music Festival’s “LIFE ACHIEVEMENT AWARD” in Malaga, Spain for his film music over the years. The two nights of concerts included an encore in which the premiere live performance of the PRIMEVALS main title for full orchestra was performed.
The Primevals represents a glorious hark back to the classic scores that fuelled so many of the Harryhausen films of the 1950s and 1960s. A delirious thrill-ride through the joys of monsters, ray-guns, spaceships and good old-fashioned stop motion animation.
Tracklist:
1/1.01 - Richard Band - The Gale and Mountain Shack / Battling the Yeti / Main Title (7:23)
1/1.02 - Richard Band - Dr. Collier's Announcement (1:05)
1/1.03 - Richard Band - Unveiling the Yeti (1:19)
1/1.04 - Richard Band - Matt and Dr. Collier (1:32)
1/1.05 - Richard Band - They Talk / The Expedition (5:28)
1/1.06 - Richard Band - Rondo Agrees to The Expedition (3:02)
1/1.07 - Richard Band - Meeting Cathleen / Kiku (1:02)
1/1.08 - Richard Band - Pushing On / Yeti Tracks (1:35)
1/1.09 - Richard Band - Awakened by a Yeti / Kiku (1:34)
1/1.10 - Richard Band - The Tower / Earthquake (2:08)
1/1.11 - Richard Band - The Cave / A New Land (2:35)
1/1.12 - Richard Band - Rafting Down the River (1:55)
1/1.13 - Richard Band - The Hominid Village (1:05)
1/1.14 - Richard Band - Matt Hears Villagers Screaming (0:54)
1/1.15 - Richard Band - The Hominid Confrontation (1:06)
1/1.16 - Richard Band - The Wrecked Village / Onwards (2:27)
1/1.17 - Richard Band - Entering the Caves (1:33)
1/1.18 - Richard Band - Huge Spaceship Discovery (1:46)
1/1.19 - Richard Band - The Spaceship / Inside the Spaceship (4:08)
1/1.20 - Richard Band - The Abduction (1:21)
1/1.21 - Richard Band - In the Cages (2:36)
1/1.22 - Richard Band - Taken to "The Arena" (2:43)
1/1.23 - Richard Band - The Lizard Arena Show (1:54)
1/1.24 - Richard Band - The Yeti is Released (3:01)
1/1.25 - Richard Band - Escaping the Cages / The Yeti Helps the Escape Part 1 (5:01)
1/1.26 - Richard Band - The Yeti Helps the Escape Part 2 / Matt Has a Plan (5:53)
1/1.27 - Richard Band - Dr. Collier Dies & Finale (3:46)
1/1.28 - Richard Band - The Primevals (End Titles) (3:05)
Year 2024 | Soundtracks | FLAC / APE
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