Tony Monaco - Over and Over (2024)

“With Over and Over, the Columbus, Ohio-based Monaco demonstrates that he is still a stone cooker. And, with seven original tracks on this album, his playing and compositional skills continue to inspire and impress. As a composer, Monaco demonstrates that he can offer melodies which grab, and his charts offer platforms for extended solos. His interaction with his trio mates is excellent. Over and Over is a fun album which impresses and cooks. The dessert is in the replays.”
-Nicholas Mondello for All About Jazz

REVIEW:
Tony Monaco‘s latest album Over and Over is a journey into the world of jazz funk propelled by the timeless Hammond B-3 organ. With Monaco at the helm and accompanied by guitarist Zakk Jones and drummer Reggie Jackson, this trio embarks on a program of seven Monaco originals that are both compelling and undeniably funky.
Monaco’s approach to his compositions can be exemplified by the opening track “Da Daddy.” This well-formulated and realized chart smokes along as Monaco’s fingers caper over the keys as the well-disguised contrafact of Stanley Turrentine‘s “Sugar” plays hide and seek with the listener. Guitarist Pat Martino and Monaco worked together for several years hence the tune “One For Pat” is dedicated to him. Not surprisingly then, the spotlight is on guitarist Jones as he darts and dashes over the fretboard. Monaco joins the fray with a full-bodied workout on the B-3 with a boisterous bluesy solo.

From the outset Monaco’s style is evident as he weaves intricate melodies and soulful grooves both of which are on display in the title track “Over and Over (I Want You).” As an astute pupil of funk, Monaco leads the trio with his great touch and propulsive exposition. Guitarist Jones demonstrates that he is an inveterate searcher of expressive notes, while drummer Jackson confirms he is a percussive sound architect. Monaco was just twelve years old when first he heard Jimmy Smith and became smitten with his music. Later as he progressed in music, he caught the attention of Smith who subsequently became his teacher and mentor. The number “Ready Set Go” was inspired by Smith, and it shows his influence. Monaco sets up the number with a punchy sound and long fast-moving bebop lines. In addition, Jones and Jackson are given space to trade eights to great effect.

The closing track “Uprooted” is informed by Jimmy Smith’s imprint on Monaco’s approach to funk-rock. As one of Smith’s true acolytes, Monaco can seamlessly blend those elements into a sonic tapestry as he coaxes out the resonant tones on the B-3. Overall, this release is both captivating as it is exhilarating. -Pierre Giroux for All About Jazz