Robert Jeanne Quartet - Blue Landscapes (2003)
BAND/ARTIST: Robert Jeanne Quartet, Robert Jeanne, Félix Simtaine, Jean Warland, Michel Herr
- Title: Blue Landscapes
- Year Of Release: 2003
- Label: Igloo Records
- Genre: Jazz
- Quality: FLAC (tracks)
- Total Time: 1:02:15
- Total Size: 325 MB
- WebSite: Album Preview
Tracklist:
1. Within Minutes (03:30)
2. Blue Landscapes (06:30)
3. Mister A.C. (04:00)
4. First Song (06:30)
5. Beatrice (05:10)
6. Sometime Ago (05:40)
7. May Fly (04:30)
8. What's New (08:00)
9. Love You Madly (06:10)
10. The Four Sleepers (04:10)
11. You Say You Care (05:40)
Personnel:
Robert Jeanne - Saxophone
Michel Herr - Compositor, piano
Félix Simtaine - Drums
Jean Warland - Double bass
1. Within Minutes (03:30)
2. Blue Landscapes (06:30)
3. Mister A.C. (04:00)
4. First Song (06:30)
5. Beatrice (05:10)
6. Sometime Ago (05:40)
7. May Fly (04:30)
8. What's New (08:00)
9. Love You Madly (06:10)
10. The Four Sleepers (04:10)
11. You Say You Care (05:40)
Personnel:
Robert Jeanne - Saxophone
Michel Herr - Compositor, piano
Félix Simtaine - Drums
Jean Warland - Double bass
Admit it: if we tried to tell you that Robert Jeanne had converted to Trip Hop, Electro-Jazz or the M’Base language, you’d have a hard time believing us. And you’d be right.
Since the start, the world according to Robert Jeanne has been following the same general rules and is lit by the same heavenly bodies: Charlie Parker, Stan Getz, Bobby Jaspar (see the nod in his direction in “What’s New”), Al Cohn (to whom he dedicates “Mister AC”). But don’t believe that our architect is living outside time: talk to him about Michael Brecker, Joe Lovano or Rick Margitza and he will light up like the early days.
It’s just that the performer, like the man, is true to the line he chose for himself a long time ago and that still fits him perfectly: rectitude, a feel for melody, loyalty to tradition, lyricism without showiness and above the reservation that pushes him just beyond his real limits. But hasn’t that always been a sign of greatness?
Since the start, the world according to Robert Jeanne has been following the same general rules and is lit by the same heavenly bodies: Charlie Parker, Stan Getz, Bobby Jaspar (see the nod in his direction in “What’s New”), Al Cohn (to whom he dedicates “Mister AC”). But don’t believe that our architect is living outside time: talk to him about Michael Brecker, Joe Lovano or Rick Margitza and he will light up like the early days.
It’s just that the performer, like the man, is true to the line he chose for himself a long time ago and that still fits him perfectly: rectitude, a feel for melody, loyalty to tradition, lyricism without showiness and above the reservation that pushes him just beyond his real limits. But hasn’t that always been a sign of greatness?
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