Red Sun, SamulNori - Then Comes The White Tiger (1994)
- Title: Then Comes The White Tiger
- Year Of Release: 1994
- Label: ECM Records
- Genre: Avant-Garde Jazz, World Fusion
- Quality: flac lossless (tracks)
- Total Time: 01:00:24
- Total Size: 252 mb
- WebSite: Album Preview
Tracklist
01. NanJang
02. Peaceful Question
03. Kil-Kun-Ak
04. Hear Them Say
05. Piri
06. Soo Yang Kol
07. Flute Sanjo
08. Komungo
09. Full House - Part 1
10. Full House - Part 2
11. Far Away / Ariang
The group SamulNori, which takes its name from the selfsame style of Korean folk music and was founded in 1978 by Kim Duk Soo as a means of expanding the music’s compass of awareness, combines its namesake’s balance of ritual and humble beginnings with contemporary leanings. Samul nori is at heart a percussive genre. Its four instruments are the jing (large gong), the kkwaenghwari (small gong), the janggu (hour-glass drum), and the buk (barrel drum). Each is its own element—wind, thunder, rain, and clouds, respectively—and brings a fertile sound to bear upon a range of ecologically minded texts, both recited and sung. SamulNori members have worked with, among others, Bill Laswell and Kodo, but perhaps most notably with Red Sun, a jazz outfit that was the brainchild of saxophonist and flutist Wolfgang Puschnig and with whom SamulNori had its first meeting eight years prior to this influential record.
This music speaks to us because it tells us a story we already know. It is a story from which we were born, one into which we will be written when we die. A space-time continuum to which profundity need not apply, for it is too lowly to express that from which it hangs.
01. NanJang
02. Peaceful Question
03. Kil-Kun-Ak
04. Hear Them Say
05. Piri
06. Soo Yang Kol
07. Flute Sanjo
08. Komungo
09. Full House - Part 1
10. Full House - Part 2
11. Far Away / Ariang
The group SamulNori, which takes its name from the selfsame style of Korean folk music and was founded in 1978 by Kim Duk Soo as a means of expanding the music’s compass of awareness, combines its namesake’s balance of ritual and humble beginnings with contemporary leanings. Samul nori is at heart a percussive genre. Its four instruments are the jing (large gong), the kkwaenghwari (small gong), the janggu (hour-glass drum), and the buk (barrel drum). Each is its own element—wind, thunder, rain, and clouds, respectively—and brings a fertile sound to bear upon a range of ecologically minded texts, both recited and sung. SamulNori members have worked with, among others, Bill Laswell and Kodo, but perhaps most notably with Red Sun, a jazz outfit that was the brainchild of saxophonist and flutist Wolfgang Puschnig and with whom SamulNori had its first meeting eight years prior to this influential record.
This music speaks to us because it tells us a story we already know. It is a story from which we were born, one into which we will be written when we die. A space-time continuum to which profundity need not apply, for it is too lowly to express that from which it hangs.
Jazz | World | FLAC / APE
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