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Josh Ritter - The Historical Conquests Of Josh Ritter (Deluxe Edition) (2020)

Josh Ritter - The Historical Conquests Of Josh Ritter (Deluxe Edition) (2020)

BAND/ARTIST: Josh Ritter

  • Title: The Historical Conquests Of Josh Ritter (Deluxe Edition)
  • Year Of Release: 2007
  • Label: Pytheas Recordings – PYTH-16
  • Genre: Singer-Songwriter
  • Quality: Mp3 320 kbps / FLAC (tracks+.cue, log)
  • Total Time: 01:13:29
  • Total Size: 168 / 438 MB
  • WebSite:
Tracklist:

CD1
1. To The Dogs Or Whoever (3:03)
2. Mind's Eye (2:53)
3. Right Moves (3:45)
4. The Temptation Of Adam (4:12)
5. Open Doors (2:36)
6. Rumors (3:31)
7. Edge Of The World (1:41)
8. Wait For Love (3:47)
9. Real Long Distance (2:43)
10. Next To The Last Romantic (2:49)
11. Moons (0:51)
12. Still Beating (3:50)
13. Empty Hearts (4:40)
14. Wait For Love (You Know You Will) (2:38)

CD2
1. Overnight (2:17)
2. Michelle (Demo) (1:21)
3. Good Days (Demo) (4:18)
4. Black Jack Davey (Demo) (3:44)
5. Sherriff McGiven (2:53)
6. Still Beating (Demo) (4:20)
7. Rumors (Jackdrag Off Broadway Remix) (4:29)
8. Wildfires (4:52)
9. Naked As A Window (1:33)
10. Labelship Down (0:54)

You're presently reading about what may be the best album of 2007, hands down, by the most under-accorded American musical genius. Real murmurs, believable ones, came with Josh Ritter's 2006 album, Animal Year, suggesting that the Idahoan is today's Bruce Springsteen, today's Bob Dylan. He's never sounded more the part than on Historical Conquests, the follow-up to Animal. Ritter's tripping over his syllables and allusions on the opener, "To the Dogs or Whoever," dropping biblical and historical images like a fresh-faced Dylan. Except here, Ritter throws in an organ-fueled, ride-cymbal-crashing, drum-hefty clatter. It's majestic, and it's only the first three minutes. Recorded between stints on a never-ending tour, Historical reflects Ritter on the road, quick witted, a master of phraseology and of imagery. Horns show up as color, giving Ritter a soulful vibe on "Right Moves," a raucous funkiness on "Rumors," and a doleful cloudiness on "The Temptation of Adam." More than anything, Ritter here lays claim to absolute singularity--yes, colored by Dylan and Bruce but simultaneously enlivened by something magical and simple and gorgeous. --Andrew Bartlett


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  • User offline
  • mufty77
  •  wrote in 14:31
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Many thanks for Flac.
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  • whiskers
  •  wrote in 17:13
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Many Thanks
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  • nilesh65
  •  wrote in 02:55
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Thank you so much for sharing!!