Rabaskadol, Fritz Heller, Rostocker Motettenchor, Markus Johannes Langer - In Principio - erat verbum (2009)
BAND/ARTIST: Rabaskadol, Fritz Heller, Rostocker Motettenchor, Markus Johannes Langer
- Title: In Principio - erat verbum
- Year Of Release: 2009
- Label: Aliud Records
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 00:50:30
- Total Size: 235 mb
- WebSite: Album Preview
Tracklist
01. Padre del ciel
02. Deus in auditorium meum intende
03. Cum esset desponsata
04. In principio erat verbum - prima pars
05. In principio erat verbum - secunda pars
06. In principio erat verbum - tertia pars
07. Ochi perche si lieti oltra l'usato siete
08. Maria stabat ad monumentum
09. Tant nous alles
10. Adesto dolori meo
11. Jauchzet dem Herren alle Welt
12. Schöns Lieb darin all mein Trost
13. Quemadmodum desiderat cervus
14. Hor volgi Signor
15. Laudate Dominum in sanctis eius
16. Cosi la corte è simile al'inferno
In the sixteenth century, all music, with the exception of dance music, was of vocal origin. Text expression was essential to Renaissance music and gave humankind the means to express himself. Of all instruments, those best equiped to imitate the human voice were the wind instruments, for which they were held in high esteem. First in line for the soprano and tenor parts are the cornett and trombone respectively, but the agile and transparent sound of double reed instruments may lend themselves better to the alto and bass parts.
01. Padre del ciel
02. Deus in auditorium meum intende
03. Cum esset desponsata
04. In principio erat verbum - prima pars
05. In principio erat verbum - secunda pars
06. In principio erat verbum - tertia pars
07. Ochi perche si lieti oltra l'usato siete
08. Maria stabat ad monumentum
09. Tant nous alles
10. Adesto dolori meo
11. Jauchzet dem Herren alle Welt
12. Schöns Lieb darin all mein Trost
13. Quemadmodum desiderat cervus
14. Hor volgi Signor
15. Laudate Dominum in sanctis eius
16. Cosi la corte è simile al'inferno
In the sixteenth century, all music, with the exception of dance music, was of vocal origin. Text expression was essential to Renaissance music and gave humankind the means to express himself. Of all instruments, those best equiped to imitate the human voice were the wind instruments, for which they were held in high esteem. First in line for the soprano and tenor parts are the cornett and trombone respectively, but the agile and transparent sound of double reed instruments may lend themselves better to the alto and bass parts.
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