Academy of St Martin in the Fields & Sir Neville Marriner - Handel: Messiah (2024) [Hi-Res]
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BAND/ARTIST: Academy of St Martin in the Fields, Sir Neville Marriner
- Title: Handel: Messiah
- Year Of Release: 1976 / 2024
- Label: Universal Music Australia Pty. Ltd.
- Genre: Classical
- Quality: FLAC (tracks) [48kHz/24bit]
- Total Time: 2:20:19
- Total Size: 1.46 GB / 700 MB
- WebSite: Album Preview
Tracklist:
1. Academy of St Martin in the Fields & Sir Neville Marriner – Messiah, HWV 56, Pt. 1: No. 1, Symphony (03:01)
2. Philip Langridge – Messiah, HWV 56, Pt. 1: No. 2, Recit. Comfort Ye, My People (Tenor) - No. 3, Aria. Every Valley Shall Be Exalted (Tenor) (06:23)
3. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 1: No. 4, Chorus. And the Glory of the Lord Shall Be Revealed (02:57)
4. Gwynne Howell – Messiah, HWV 56, Pt. 1: No. 5, Recit. Thus Saith the Lord of Hosts (Bass) - No. 6, Aria. But Who May Abide the Day of His Coming? (Alto/Bass) (04:29)
5. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 1: No. 7, Chorus. And He Shall Purify the Sons of Levi (02:07)
6. Anna Reynolds & Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 1: No. 8, Recit. Behold, a Virgin Shall Conceive, and Bear a Son (Alto) - No. 9, O Thou That Tellest Good Tidings to Zion (06:01)
7. Gwynne Howell – Messiah, HWV 56, Pt. 1: No. 10, Recit. For Behold, Darkness Shall Cover the Earth (Bass) - No. 11, Aria. The People That Walked in Darkness Have Seen a Great Light (Bass) (06:14)
8. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 1: No. 12, Chorus. For Unto Us a Child Is Born (03:36)
9. Academy of St Martin in the Fields & Sir Neville Marriner – Messiah, HWV 56, Pt. 1: No. 13. Pifa "Pastoral Symphony" (02:52)
10. Elly Ameling – Messiah, HWV 56, Pt. 1: No. 14, Recit. There Were Shepherds - No. 15, And the Angel Said Unto Them - No. 16, And Suddenly (Soprano) (03:09)
11. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 1: No. 17, Chorus. Glory to God in the Highest (01:44)
12. Elly Ameling – Messiah, HWV 56, Pt. 1: No. 18, Aria. Rejoice Greatly, O Daughter of Zion (Soprano) (04:10)
13. Anna Reynolds – Messiah, HWV 56, Pt. 1: No. 19, Recit. Then Shall the Eyes of the Blind Be Opened (Alto) - No. 20, Aria. He Shall Feed His Flock Like a Shepherd (Alto/Soprano) (04:58)
14. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 1: No. 21, Chorus. His Yoke Is Easy and His Burthen Is Light (02:00)
15. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 2: No. 22, Chorus. Behold the Lamb of God (02:58)
16. Anna Reynolds – Messiah, HWV 56, Pt. 2: No. 23, Aria. He was Despised and Rejected of Men (Alto) (11:19)
17. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 2: No. 24, Chorus. Surely He Hath Borne Our Griefs (02:06)
18. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 2: No. 25, Chorus. And with His Stripes We Are Healed (01:26)
19. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 2: No. 26, Chorus. All We Like Sheep Have Gone Astray (03:27)
20. Philip Langridge & Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 2: No. 27, Recit. All They That See Him Laugh Him to Scorn (Tenor) - No. 28, Chorus. He Trusted in God That He Would Deliver Him (02:51)
21. Elly Ameling – Messiah, HWV 56, Pt. 2: No. 29, Recit. Thy Rebuke Hath Broken His Heart (Soprano/Tenor) - No. 30, Aria. Behold and See If There Be Any Sorrow Like Unto His Sorrow (Soprano/Tenor) (03:48)
22. Philip Langridge – Messiah, HWV 56, Pt. 2: No. 31, Recit. He Was Cut Off Out of the Land of the Living (Soprano/Tenor) - No. 32, Aria. But Thou Didst Not Leave His Soul in Hell (Soprano/Tenor) (02:23)
23. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 2: No. 33, Chorus. Lift Up Your Heads, O Ye Gates (02:57)
24. Philip Langridge & Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 2: No. 34, Recit. Unto Which of the Angels Said He at Any Time? (Tenor) - No. 35, Chorus. Let All the Angels of God Worship Him (01:42)
25. Gwynne Howell – Messiah, HWV 56, Pt. 2: No. 36, Aria. Thou Art Gone Up on High (Alto/Bass) (03:10)
26. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 2: No. 37, Chorus. The Lord Gave the Word (01:02)
27. Elly Ameling, Anna Reynolds & Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 2: No. 38, Aria. How Beautiful Are the Feet of Them That Preach (Soprano) (03:17)
28. Philip Langridge – Messiah, HWV 56, Pt. 2: No. 39, Chorus. Their Sound Is Gone Out into All Lands (01:09)
29. Gwynne Howell & Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 2: No. 40, Aria. Why Do the Nations So Furiously Rage Together? (Bass) - No. 41, Chorus. Let Us Break Their Bonds Asunder (03:07)
30. Philip Langridge – Messiah, HWV 56, Pt. 2: No. 42, Recit. He That Dwelleth in Heaven Shall Laugh Them to Scorn (Tenor) - No. 43, Aria. Thou Shalt Break Them with a Rod of Iron (Tenor) (02:33)
31. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 2: No. 44, Chorus. Hallelujah, for the Lord God Omnipotent Reigneth (03:45)
32. Elly Ameling – Messiah, HWV 56, Pt. 3: No. 45, Aria. I Know That My Redeemer Liveth (Soprano) (05:13)
33. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 3: No. 46, Chorus. Since By Man Came Death (01:50)
34. Gwynne Howell – Messiah, HWV 56, Pt. 3: No. 47, Recit. Behold, I Tell You a Mystery (Bass) - No. 48, Aria. The Trumpet Shall Sound (Bass) (10:09)
35. Anna Reynolds, Philip Langridge & Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 3: No. 49, Recit. Then Shall Be Brought to Pass (Alto) - No. 50, Aria. O Death, Where Is Thy Sting? (Alto/Tenor) - No. 51, Chorus. But Thanks Be to God Who Giveth Us the Victory (04:56)
36. Anna Reynolds – Messiah, HWV 56, Pt. 3: No. 52, Aria. If God Be For Us, Who Can Be Against Us? (Soprano) (04:41)
37. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 3: No. 53, Chorus. Worthy Is the Lamb That Was Slain - Amen (06:31)
1. Academy of St Martin in the Fields & Sir Neville Marriner – Messiah, HWV 56, Pt. 1: No. 1, Symphony (03:01)
2. Philip Langridge – Messiah, HWV 56, Pt. 1: No. 2, Recit. Comfort Ye, My People (Tenor) - No. 3, Aria. Every Valley Shall Be Exalted (Tenor) (06:23)
3. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 1: No. 4, Chorus. And the Glory of the Lord Shall Be Revealed (02:57)
4. Gwynne Howell – Messiah, HWV 56, Pt. 1: No. 5, Recit. Thus Saith the Lord of Hosts (Bass) - No. 6, Aria. But Who May Abide the Day of His Coming? (Alto/Bass) (04:29)
5. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 1: No. 7, Chorus. And He Shall Purify the Sons of Levi (02:07)
6. Anna Reynolds & Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 1: No. 8, Recit. Behold, a Virgin Shall Conceive, and Bear a Son (Alto) - No. 9, O Thou That Tellest Good Tidings to Zion (06:01)
7. Gwynne Howell – Messiah, HWV 56, Pt. 1: No. 10, Recit. For Behold, Darkness Shall Cover the Earth (Bass) - No. 11, Aria. The People That Walked in Darkness Have Seen a Great Light (Bass) (06:14)
8. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 1: No. 12, Chorus. For Unto Us a Child Is Born (03:36)
9. Academy of St Martin in the Fields & Sir Neville Marriner – Messiah, HWV 56, Pt. 1: No. 13. Pifa "Pastoral Symphony" (02:52)
10. Elly Ameling – Messiah, HWV 56, Pt. 1: No. 14, Recit. There Were Shepherds - No. 15, And the Angel Said Unto Them - No. 16, And Suddenly (Soprano) (03:09)
11. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 1: No. 17, Chorus. Glory to God in the Highest (01:44)
12. Elly Ameling – Messiah, HWV 56, Pt. 1: No. 18, Aria. Rejoice Greatly, O Daughter of Zion (Soprano) (04:10)
13. Anna Reynolds – Messiah, HWV 56, Pt. 1: No. 19, Recit. Then Shall the Eyes of the Blind Be Opened (Alto) - No. 20, Aria. He Shall Feed His Flock Like a Shepherd (Alto/Soprano) (04:58)
14. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 1: No. 21, Chorus. His Yoke Is Easy and His Burthen Is Light (02:00)
15. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 2: No. 22, Chorus. Behold the Lamb of God (02:58)
16. Anna Reynolds – Messiah, HWV 56, Pt. 2: No. 23, Aria. He was Despised and Rejected of Men (Alto) (11:19)
17. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 2: No. 24, Chorus. Surely He Hath Borne Our Griefs (02:06)
18. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 2: No. 25, Chorus. And with His Stripes We Are Healed (01:26)
19. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 2: No. 26, Chorus. All We Like Sheep Have Gone Astray (03:27)
20. Philip Langridge & Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 2: No. 27, Recit. All They That See Him Laugh Him to Scorn (Tenor) - No. 28, Chorus. He Trusted in God That He Would Deliver Him (02:51)
21. Elly Ameling – Messiah, HWV 56, Pt. 2: No. 29, Recit. Thy Rebuke Hath Broken His Heart (Soprano/Tenor) - No. 30, Aria. Behold and See If There Be Any Sorrow Like Unto His Sorrow (Soprano/Tenor) (03:48)
22. Philip Langridge – Messiah, HWV 56, Pt. 2: No. 31, Recit. He Was Cut Off Out of the Land of the Living (Soprano/Tenor) - No. 32, Aria. But Thou Didst Not Leave His Soul in Hell (Soprano/Tenor) (02:23)
23. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 2: No. 33, Chorus. Lift Up Your Heads, O Ye Gates (02:57)
24. Philip Langridge & Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 2: No. 34, Recit. Unto Which of the Angels Said He at Any Time? (Tenor) - No. 35, Chorus. Let All the Angels of God Worship Him (01:42)
25. Gwynne Howell – Messiah, HWV 56, Pt. 2: No. 36, Aria. Thou Art Gone Up on High (Alto/Bass) (03:10)
26. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 2: No. 37, Chorus. The Lord Gave the Word (01:02)
27. Elly Ameling, Anna Reynolds & Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 2: No. 38, Aria. How Beautiful Are the Feet of Them That Preach (Soprano) (03:17)
28. Philip Langridge – Messiah, HWV 56, Pt. 2: No. 39, Chorus. Their Sound Is Gone Out into All Lands (01:09)
29. Gwynne Howell & Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 2: No. 40, Aria. Why Do the Nations So Furiously Rage Together? (Bass) - No. 41, Chorus. Let Us Break Their Bonds Asunder (03:07)
30. Philip Langridge – Messiah, HWV 56, Pt. 2: No. 42, Recit. He That Dwelleth in Heaven Shall Laugh Them to Scorn (Tenor) - No. 43, Aria. Thou Shalt Break Them with a Rod of Iron (Tenor) (02:33)
31. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 2: No. 44, Chorus. Hallelujah, for the Lord God Omnipotent Reigneth (03:45)
32. Elly Ameling – Messiah, HWV 56, Pt. 3: No. 45, Aria. I Know That My Redeemer Liveth (Soprano) (05:13)
33. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 3: No. 46, Chorus. Since By Man Came Death (01:50)
34. Gwynne Howell – Messiah, HWV 56, Pt. 3: No. 47, Recit. Behold, I Tell You a Mystery (Bass) - No. 48, Aria. The Trumpet Shall Sound (Bass) (10:09)
35. Anna Reynolds, Philip Langridge & Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 3: No. 49, Recit. Then Shall Be Brought to Pass (Alto) - No. 50, Aria. O Death, Where Is Thy Sting? (Alto/Tenor) - No. 51, Chorus. But Thanks Be to God Who Giveth Us the Victory (04:56)
36. Anna Reynolds – Messiah, HWV 56, Pt. 3: No. 52, Aria. If God Be For Us, Who Can Be Against Us? (Soprano) (04:41)
37. Academy of St Martin in the Fields Chorus – Messiah, HWV 56, Pt. 3: No. 53, Chorus. Worthy Is the Lamb That Was Slain - Amen (06:31)
The Academy of St Martin in the Fields was founded in 1959 by Sir Neville Marriner and a group of London’s leading orchestral players. Originally formed as a small conductorless string group, it spearheaded the 1950’s Baroque revival.
Since those early days, the academy has expanded and experimented widely and now divides its time equally between international tours, UK concerts and sessions in the recording studio.
Sir Neville Marriner continues as the orchestra’s artistic and music director and as conductor of the symphony orchestra. Iona Brown and Kenneth Sillito are artistic directors of the chamber orchestra and Kenneth Sillito also directs the Academy of St Martin in the Fields Chamber Ensemble. The academy makes regular visits to USA, France, Germany, Switzerland, Scandinavia and Japan.
Audiences in London have the opportunity to hear the academy in concerts at the South Bank and Barbican Centres, and the orchestra performs throughout the UK at the major musical centres.
The academy has a flourishing education program and players take part in a wide range of educational projects with schools and community groups throughout the UK. Projects are tailored to suit each group and provide people of all ages and abilities with the opportunity to work with many of the country’s finest musicians.
With Britain leading the way in music education projects, the academy is now involved in developing projects abroad. With over 1,000 releases to its credit, ranging from baroque and classical masterpieces to the major romantic and 20th-century works, the academy remains the most recorded chamber orchestra in the world. It has won many coveted international awards—including 8 Edisons, the Canadian Grand Prix and a multitude of gold discs—13 alone for the soundtrack of Milos Forman’s film “Amadeus”.
Unlike any other major British orchestra, the academy receives no direct government subsidy and relies solely on its artistic integrity and commercial initiative for its continued success.
In April 1993 the Academy of St Martin in the Fields became the first orchestra to be honoured with the Queen’s Award for Export Achievement.
Academy of St Martin in the Fields
Sir Neville Marriner, conductor
Digitally remastered
Since those early days, the academy has expanded and experimented widely and now divides its time equally between international tours, UK concerts and sessions in the recording studio.
Sir Neville Marriner continues as the orchestra’s artistic and music director and as conductor of the symphony orchestra. Iona Brown and Kenneth Sillito are artistic directors of the chamber orchestra and Kenneth Sillito also directs the Academy of St Martin in the Fields Chamber Ensemble. The academy makes regular visits to USA, France, Germany, Switzerland, Scandinavia and Japan.
Audiences in London have the opportunity to hear the academy in concerts at the South Bank and Barbican Centres, and the orchestra performs throughout the UK at the major musical centres.
The academy has a flourishing education program and players take part in a wide range of educational projects with schools and community groups throughout the UK. Projects are tailored to suit each group and provide people of all ages and abilities with the opportunity to work with many of the country’s finest musicians.
With Britain leading the way in music education projects, the academy is now involved in developing projects abroad. With over 1,000 releases to its credit, ranging from baroque and classical masterpieces to the major romantic and 20th-century works, the academy remains the most recorded chamber orchestra in the world. It has won many coveted international awards—including 8 Edisons, the Canadian Grand Prix and a multitude of gold discs—13 alone for the soundtrack of Milos Forman’s film “Amadeus”.
Unlike any other major British orchestra, the academy receives no direct government subsidy and relies solely on its artistic integrity and commercial initiative for its continued success.
In April 1993 the Academy of St Martin in the Fields became the first orchestra to be honoured with the Queen’s Award for Export Achievement.
Academy of St Martin in the Fields
Sir Neville Marriner, conductor
Digitally remastered
Year 2024 | Classical | FLAC / APE | HD & Vinyl
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