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Leipziger Streichquartett - Haydn: String Quartets, Op. 71 No. 1-3, Vol. 16 (2023)

Leipziger Streichquartett - Haydn: String Quartets, Op. 71 No. 1-3, Vol. 16 (2023)
  • Title: Haydn: String Quartets, Op. 71 No. 1-3, Vol. 16
  • Year Of Release: 2023
  • Label: Musikproduktion Dabringhaus und Grimm
  • Genre: Classical
  • Quality: flac lossless (tracks)
  • Total Time: 01:01:10
  • Total Size: 270 mb
  • WebSite:
Tracklist

01. String Quartet in B-Flat Major, Op. 71 No. 1, Hob. III: 69: I. Allegro
02. String Quartet in B-Flat Major, Op. 71 No. 1, Hob. III: 69: II. Adagio
03. String Quartet in B-Flat Major, Op. 71 No. 1, Hob. III: 69: III. Menuetto - Allegretto
04. String Quartet in B-Flat Major, Op. 71 No. 1,Hob. III: 69: IV. Finale - Vivace
05. String Quartet in D Major, Op. 71 No. 2, Hob. III: 70: I. Adagio - Allegro
06. String Quartet in D Major, Op. 71 No. 2, Hob. III: 70: II. Adagio cantabile
07. String Quartet in D Major, op. 71 No. 2, Hob. III: 70: III. Menuetto. Allegro
08. String Quartet in D Major, op. 71 No. 2, Hob. III: 70: IV. Finale - Allegretto
09. String Quartet in E-Flat Major, Op. 71 No. 3, Hob. III: 71: I. Vivace
10. String Quartet in E-Flat Major, Op. 71 No. 3, Hob. III: 71: II. Andante con moto
11. String Quartet in E-Flat Major, Op. 71 No. 3, Hob. III: 71: III. Menuetto
12. String Quartet in E-Flat Major, Op. 71 No. 3, Hob. III: 71: IV. Finale - Vivace

On this new recording from MDG, the Leipzig String Quartet celebrates Haydn's musical ideas with wit and charm. Brilliant in the expansive solo passages, but above all, of the highest standard in chamber music, the three quartets op. 71 revive the excitement of Vienna and London of the 1790s. The quartets op. 71, which are still associated with the aristocratic name today, are evidence of Haydn's pronounced business acumen after his period of service with Prince Esterhazy. But even more fascinating to us today is the sovereign mastery of a composer at the height of his creative powers. Today, Haydn is known for skilfully exploiting the acoustic conditions of his performance venues when composing. The powerful chords at the beginning of Quartet No. 1, for example, seem to literally call the audience to silence - with up to 900 people in the Hanover Square Rooms, surely not without reason... The reverberation of the concert hall, already praised by contemporaries, comes into its own again and again through surprising pauses.

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  • Pilz
  •  wrote in 16:06
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Many thanks!