Musica Antiqua of London, Philip Thorby - Fire and Ice: Love Songs from 16th Century Venice (2005)
BAND/ARTIST: Musica Antiqua of London, Philip Thorby
- Title: Fire and Ice: Love Songs from 16th Century Venice
- Year Of Release: 2005
- Label: Signum Records
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 57:43
- Total Size: 275 mb
- WebSite: Album Preview
Tracklist:
Bussa la porta (Anonymous)
1 Bussa la porta [villotta à 3]: anon 00:28
Su, su, leva (Bartolomeo Tromboncino)
2 Su, su, leva [frottola à 4]: Bartolomeo Tromboncino 01:57
Era di maggio (Anonymous)
3 Era di maggio [villotta à 3]: anon 00:19
La via de la fiumera (Anonymous)
4 La via de la fiumera [frottola à 4]: anon 01:31
Il marchese o di Saluzio (Anonymous)
5 Il marchese o di Saluzio [villotta à 3]: anon 00:18
El marchese di Saluzzo (Anonymous)
6 El marchese di Saluzzo [saltarello à 4]: anon 01:27
Donde ne vienstu bella (Anonymous)
7 Donde ne vienstu bella [villotta à 4]: anon 00:24
La gatta (Pierre Attaingnant)
8 La gatta (basse danse à 4): Pierre Attaingnant 01:02
Nel tempo che riveste il verde manto (Johannes Lulinus Venetus)
9 Nel tempo che riveste il verde manto [frottola à 4]: Ioannes Lulinus Venetus 03:39
Vostro son, né d'altra mai (Anonymous)
10 Vostro son, né d'altra mai [frottola à 4]: anon 01:58
O vaghe luci (Anonymous)
11 O vaghe luci [frottola à 4]: anon 04:35
Recercar secondo (Vincenzo Capirola)
12 Recercar secondo (lute solo): Vincenzo Capirola 02:38
O miei ciecha e dura sorte (Marco Cara)
13 O miei ciecha e dura sorte (lute solo): Marco Cara / Capirola 02:15
Che farala (Bartolomeo Tromboncino)
14 Che farala (lute solo): Bartolomeo Tromboncino / Capirola 01:15
Amor, da che convien (Anonymous)
15 Amor, da che convien [frottola à 4]: anon 04:10
La morte de la ragion (Anonymous)
16 La morte de la ragion [pavana à 4]: anon 02:01
Dura passion (Anonymous)
17 Dura passion [frottola à 4]: anon 02:19
O dolce farfarela (Anonymous)
18 O dolce farfarela [frottola à 4]: anon 01:02
Mentre io vo per questi boschi (Marco Cara)
19 Mentre io vo per questi boschi [frottola à 4]: Marco Cara 03:37
Pavana alla ferrarese (Joan Ambrosio Dalza)
20 Pavana alla ferrarese (lute solo): Joan Ambrosio Dalza 00:51
Saltarello (Joan Ambrosio Dalza)
21 Saltarello (lute solo): Joan Ambrosio Dalza 00:53
Piva (Joan Ambrosio Dalza)
22 Piva (lute solo) Joan Ambrosio Dalza 00:49
Tanto mi trovo (Anonymous)
23 Tanto mi trovo [frottola à 4]: anon 03:14
Aspicias utinam (Bartolomeo Tromboncino)
24 Aspicias utinam [frottola à 4]: Bartolomeo Tromboncino 05:48
Perché son tutto foco (Marco Cara)
25 Perché son tutto foco [frottola à 4]: Marco Cara 03:40
Fiamma amorosa e bella (Marco Cara)
26 Fiamma amorosa e bella [frottola à 4]: Cara? / Tromboncino? 02:54
Nel foco tremo (Bartolomeo Tromboncino)
27 Nel foco tremo [frottola à 4]: Bartolomeo Tromboncino 02:39
Performers:
Clare Wilkinson (mezzo-soprano)
Musica Antiqua of London
Philip Thorby
Bussa la porta (Anonymous)
1 Bussa la porta [villotta à 3]: anon 00:28
Su, su, leva (Bartolomeo Tromboncino)
2 Su, su, leva [frottola à 4]: Bartolomeo Tromboncino 01:57
Era di maggio (Anonymous)
3 Era di maggio [villotta à 3]: anon 00:19
La via de la fiumera (Anonymous)
4 La via de la fiumera [frottola à 4]: anon 01:31
Il marchese o di Saluzio (Anonymous)
5 Il marchese o di Saluzio [villotta à 3]: anon 00:18
El marchese di Saluzzo (Anonymous)
6 El marchese di Saluzzo [saltarello à 4]: anon 01:27
Donde ne vienstu bella (Anonymous)
7 Donde ne vienstu bella [villotta à 4]: anon 00:24
La gatta (Pierre Attaingnant)
8 La gatta (basse danse à 4): Pierre Attaingnant 01:02
Nel tempo che riveste il verde manto (Johannes Lulinus Venetus)
9 Nel tempo che riveste il verde manto [frottola à 4]: Ioannes Lulinus Venetus 03:39
Vostro son, né d'altra mai (Anonymous)
10 Vostro son, né d'altra mai [frottola à 4]: anon 01:58
O vaghe luci (Anonymous)
11 O vaghe luci [frottola à 4]: anon 04:35
Recercar secondo (Vincenzo Capirola)
12 Recercar secondo (lute solo): Vincenzo Capirola 02:38
O miei ciecha e dura sorte (Marco Cara)
13 O miei ciecha e dura sorte (lute solo): Marco Cara / Capirola 02:15
Che farala (Bartolomeo Tromboncino)
14 Che farala (lute solo): Bartolomeo Tromboncino / Capirola 01:15
Amor, da che convien (Anonymous)
15 Amor, da che convien [frottola à 4]: anon 04:10
La morte de la ragion (Anonymous)
16 La morte de la ragion [pavana à 4]: anon 02:01
Dura passion (Anonymous)
17 Dura passion [frottola à 4]: anon 02:19
O dolce farfarela (Anonymous)
18 O dolce farfarela [frottola à 4]: anon 01:02
Mentre io vo per questi boschi (Marco Cara)
19 Mentre io vo per questi boschi [frottola à 4]: Marco Cara 03:37
Pavana alla ferrarese (Joan Ambrosio Dalza)
20 Pavana alla ferrarese (lute solo): Joan Ambrosio Dalza 00:51
Saltarello (Joan Ambrosio Dalza)
21 Saltarello (lute solo): Joan Ambrosio Dalza 00:53
Piva (Joan Ambrosio Dalza)
22 Piva (lute solo) Joan Ambrosio Dalza 00:49
Tanto mi trovo (Anonymous)
23 Tanto mi trovo [frottola à 4]: anon 03:14
Aspicias utinam (Bartolomeo Tromboncino)
24 Aspicias utinam [frottola à 4]: Bartolomeo Tromboncino 05:48
Perché son tutto foco (Marco Cara)
25 Perché son tutto foco [frottola à 4]: Marco Cara 03:40
Fiamma amorosa e bella (Marco Cara)
26 Fiamma amorosa e bella [frottola à 4]: Cara? / Tromboncino? 02:54
Nel foco tremo (Bartolomeo Tromboncino)
27 Nel foco tremo [frottola à 4]: Bartolomeo Tromboncino 02:39
Performers:
Clare Wilkinson (mezzo-soprano)
Musica Antiqua of London
Philip Thorby
In the late 15th century, Italy was divided between the independence of the mighty Venetian Republic and tiny Dukedoms such as Ferrara and Mantua. Music and literature were patronised by the ruling classes as statements of power and local identity. However the most revered European composers were from the north, and their musical style owed little to Italian culture.
In northern Italy an educated classicist, Isabella Marchioness of Mantua, devised the frottola where text was set to a simple melody following speech rhythms, and accompanied by 2 or 3 instruments. The frottola is a Cinderella of Renaissance song and has suffered in comparison with the English and Italian Madrigal and the French Chanson in the 2oth century revival of interest in Renaissance music.
On Fire and Ice we present frottole taken from a Venetian manuscript, compiled around 1520, to argue the case for a re-evaluation of this repertoire. The collection is notable for the quality of both the poetry and the music. The texts deal frequently with emotional extremes - the “fire and ice” of our title!
Modelled on the court bands of the 16th century, Musica Antiqua is the only group in Great Britain to play on specially commissioned matched sets of viols and recorders, copied from 16th century originals. This CD offers a rare opportunity to hear the very different sound these instruments make compared to their "modern" counterparts from the 17th and 18th centuries.
In northern Italy an educated classicist, Isabella Marchioness of Mantua, devised the frottola where text was set to a simple melody following speech rhythms, and accompanied by 2 or 3 instruments. The frottola is a Cinderella of Renaissance song and has suffered in comparison with the English and Italian Madrigal and the French Chanson in the 2oth century revival of interest in Renaissance music.
On Fire and Ice we present frottole taken from a Venetian manuscript, compiled around 1520, to argue the case for a re-evaluation of this repertoire. The collection is notable for the quality of both the poetry and the music. The texts deal frequently with emotional extremes - the “fire and ice” of our title!
Modelled on the court bands of the 16th century, Musica Antiqua is the only group in Great Britain to play on specially commissioned matched sets of viols and recorders, copied from 16th century originals. This CD offers a rare opportunity to hear the very different sound these instruments make compared to their "modern" counterparts from the 17th and 18th centuries.
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