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Friedemann Eichhorn, Alexander Hülshoff, Jena Philharmonic Orchestra, Nicolás - Antoine & Max Bohrer: Grande symphonie militaire, Violin and Cello Concertos (2024) [Hi-Res]

Friedemann Eichhorn, Alexander Hülshoff, Jena Philharmonic Orchestra, Nicolás  - Antoine & Max Bohrer: Grande symphonie militaire, Violin and Cello Concertos (2024) [Hi-Res]
  • Title: Antoine & Max Bohrer: Grande symphonie militaire, Violin and Cello Concertos
  • Year Of Release: 2024
  • Label: Naxos
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
  • Total Time: 01:09:55
  • Total Size: 360 mb / 1.32 gb
  • WebSite:
Tracklist

01. Bohrer, Bohrer Grande symphonie militaire I. Allegro brillante
02. Bohrer, Bohrer Grande symphonie militaire II. Introduxione. Adagio ma non troppo - Air Hollandaise
03. Bohrer, Bohrer Grande symphonie militaire III. Adagio
04. Bohrer, Bohrer Grande symphonie militaire IV. Allegro molto
05. Bohrer Violin Concerto in E Minor, Op. 9 I. Allegro spiritoso
06. Bohrer Violin Concerto in E Minor, Op. 9 II. Adagio
07. Bohrer Violin Concerto in E Minor, Op. 9 II. Tema un poco allegretto - Variations 1-6
08. Bohrer Cello Concerto No. 1 in D Major, Op. 1 I. Allegro moderato
09. Bohrer Cello Concerto No. 1 in D Major, Op. 1 II. Adagio ma non troppo
10. Bohrer Cello Concerto No. 1 in D Major, Op. 1 III. Rondo. Allegro moderato

Friedemann Eichhorn, Alexander Hülshoff, Jena Philharmonic Orchestra, Nicolás  - Antoine & Max Bohrer: Grande symphonie militaire, Violin and Cello Concertos (2024) [Hi-Res]


The Bohrer family produced a succession of distinguished musicians of whom the brothers Antoine, a violinist who studied with Rodolphe Kreutzer in Paris, and cellist Max were the most eminent. Their string quartet promoted Beethoven’s works and was much admired by Berlioz, who praised Antoine. They co-composed several works including the imposing Grande symphonie militaire included here, boldly virtuosic and laced with memorable themes. Antoine Bohrer’s Violin Concerto in E minor shares elements familiar from Paganini and is enhanced by Antoine’s sense of lyricism. Max’s Cello Concerto No. 1, though economically scored, shows how quickly the cello had progressed as a solo instrument in the early 19th century.


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  • platico
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