Angela Hewitt - Angela Hewitt: Bach - Piano Works Vol. 1 (2024)
BAND/ARTIST: Angela Hewitt
- Title: Angela Hewitt: Bach - Piano Works Vol. 1
- Year Of Release: 2024
- Label: UMG Recordings, Inc
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 91:51 min
- Total Size: 276 MB
- WebSite: Album Preview
Tracklist"
01. J.S. Bach: Aria variata alla maniera italiana, BWV 989: Theme. Aria
02. J.S. Bach: Aria variata alla maniera italiana, BWV 989: Var. 1. Largo
03. J.S. Bach: Aria variata alla maniera italiana, BWV 989: Var. 2
04. J.S. Bach: Aria variata alla maniera italiana, BWV 989: Var. 3
05. J.S. Bach: Aria variata alla maniera italiana, BWV 989: Var. 4. Allegro
06. J.S. Bach: Aria variata alla maniera italiana, BWV 989: Var. 5. Un poco allegro
07. J.S. Bach: Aria variata alla maniera italiana, BWV 989: Var. 6. Andante
08. J.S. Bach: Aria variata alla maniera italiana, BWV 989: Var. 7. Un poco allegro
09. J.S. Bach: Aria variata alla maniera italiana, BWV 989: Var. 8. Allegro
10. J.S. Bach: Aria variata alla maniera italiana, BWV 989: Var. 9
11. J.S. Bach: Aria variata alla maniera italiana, BWV 989: Var. 10
12. J.S. Bach: Capriccio in B-Flat Major, BWV 992 "On the Departure of His Beloved Brother": I. Arioso. Adagio
13. J.S. Bach: Capriccio in B-Flat Major, BWV 992 "On the Departure of His Beloved Brother": II. [Andante]
14. J.S. Bach: Capriccio in B-Flat Major, BWV 992 "On the Departure of His Beloved Brother": III. Adagissimo
15. J.S. Bach: Capriccio in B-Flat Major, BWV 992 "On the Departure of His Beloved Brother": V. Aria di postiglione
16. J.S. Bach: Capriccio in B-Flat Major, BWV 992 "On the Departure of His Beloved Brother": VI. Fuga all' imitazione di posta
17. J.S. Bach: 2-Part Invention No. 1 in C Major, BWV 772
18. J.S. Bach: 2-Part Invention No. 2 in C Minor, BWV 773
19. J.S. Bach: 2-Part Invention No. 3 in D Major, BWV 774
20. J.S. Bach: 2-Part Invention No. 4 in D Minor, BWV 775
21. J.S. Bach: 2-Part Invention No. 5 in E-Flat Major, BWV 776
22. J.S. Bach: 2-Part Invention No. 6 in E Major, BWV 777
23. J.S. Bach: 2-Part Invention No. 7 in E Minor, BWV 778
24. J.S. Bach: 2-Part Invention No. 8 in F Major, BWV 779
25. J.S. Bach: 2-Part Invention No. 9 in F Minor, BWV 780
26. J.S. Bach: 2-Part Invention No. 10 in G Major, BWV 781
27. J.S. Bach: 2-Part Invention No. 11 in G Minor, BWV 782
28. J.S. Bach: 2-Part Invention No. 12 in A Major, BWV 783
29. J.S. Bach: 2-Part Invention No. 13 in A Minor, BWV 784
30. J.S. Bach: 2-Part Invention No. 14 in B-Flat Major, BWV 785
31. J.S. Bach: 2-Part Invention No. 15 in B Minor, BWV 786
32. J.S. Bach: Sinfonia (3-Part Invention) No. 1 in C Major, BWV 787
33. J.S. Bach: Sinfonia (3-Part Invention) No. 2 in C Minor, BWV 788
34. J.S. Bach: Sinfonia (3-Part Invention) No. 3 in D Major, BWV 789
35. J.S. Bach: Sinfonia (3-Part Invention) No. 4 in D Minor, BWV 790
36. J.S. Bach: Sinfonia (3-Part Invention) No. 5 in E-Flat Major, BWV 791
37. J.S. Bach: Sinfonia (3-Part Invention) No. 6 in E Major, BWV 792
38. J.S. Bach: Sinfonia (3-Part Invention) No. 7 in E Minor, BWV 793
39. J.S. Bach: Sinfonia (3-Part Invention) No. 8 in F Major, BWV 794
40. J.S. Bach: Sinfonia (3-Part Invention) No. 9 in F Minor, BWV 795
41. J.S. Bach: Sinfonia (3-Part Invention) No. 10 in G Major, BWV 796
42. J.S. Bach: Sinfonia (3-Part Invention) No. 11 in G Minor, BWV 797
43. J.S. Bach: Sinfonia (3-Part Invention) No. 12 in A Major, BWV 798
44. J.S. Bach: Sinfonia (3-Part Invention) No. 13 in A Minor, BWV 799
45. J.S. Bach: Sinfonia (3-Part Invention) No. 14 in B-Flat Major, BWV 800
46. J.S. Bach: Sinfonia (3-Part Invention) No. 15 in B Minor, BWV 801
47. J.S. Bach: Duet No. 1 in E Minor, BWV 802
48. J.S. Bach: Duet No. 2 in F Major, BWV 803
49. J.S. Bach: Duet No. 3 in G Major, BWV 804
50. J.S. Bach: Duet No. 4 in A Minor, BWV 805
51. J.S. Bach: Suite (Partita) in A Major, BWV 832: I. Allemande
52. J.S. Bach: Suite (Partita) in A Major, BWV 832: II. Air pour les trompettes
53. J.S. Bach: Suite (Partita) in A Major, BWV 832: III. Sarabande
54. J.S. Bach: Suite (Partita) in A Major, BWV 832: IV. Bourrée
55. J.S. Bach: Suite (Partita) in A Major, BWV 832: V. Gigue
01. J.S. Bach: Aria variata alla maniera italiana, BWV 989: Theme. Aria
02. J.S. Bach: Aria variata alla maniera italiana, BWV 989: Var. 1. Largo
03. J.S. Bach: Aria variata alla maniera italiana, BWV 989: Var. 2
04. J.S. Bach: Aria variata alla maniera italiana, BWV 989: Var. 3
05. J.S. Bach: Aria variata alla maniera italiana, BWV 989: Var. 4. Allegro
06. J.S. Bach: Aria variata alla maniera italiana, BWV 989: Var. 5. Un poco allegro
07. J.S. Bach: Aria variata alla maniera italiana, BWV 989: Var. 6. Andante
08. J.S. Bach: Aria variata alla maniera italiana, BWV 989: Var. 7. Un poco allegro
09. J.S. Bach: Aria variata alla maniera italiana, BWV 989: Var. 8. Allegro
10. J.S. Bach: Aria variata alla maniera italiana, BWV 989: Var. 9
11. J.S. Bach: Aria variata alla maniera italiana, BWV 989: Var. 10
12. J.S. Bach: Capriccio in B-Flat Major, BWV 992 "On the Departure of His Beloved Brother": I. Arioso. Adagio
13. J.S. Bach: Capriccio in B-Flat Major, BWV 992 "On the Departure of His Beloved Brother": II. [Andante]
14. J.S. Bach: Capriccio in B-Flat Major, BWV 992 "On the Departure of His Beloved Brother": III. Adagissimo
15. J.S. Bach: Capriccio in B-Flat Major, BWV 992 "On the Departure of His Beloved Brother": V. Aria di postiglione
16. J.S. Bach: Capriccio in B-Flat Major, BWV 992 "On the Departure of His Beloved Brother": VI. Fuga all' imitazione di posta
17. J.S. Bach: 2-Part Invention No. 1 in C Major, BWV 772
18. J.S. Bach: 2-Part Invention No. 2 in C Minor, BWV 773
19. J.S. Bach: 2-Part Invention No. 3 in D Major, BWV 774
20. J.S. Bach: 2-Part Invention No. 4 in D Minor, BWV 775
21. J.S. Bach: 2-Part Invention No. 5 in E-Flat Major, BWV 776
22. J.S. Bach: 2-Part Invention No. 6 in E Major, BWV 777
23. J.S. Bach: 2-Part Invention No. 7 in E Minor, BWV 778
24. J.S. Bach: 2-Part Invention No. 8 in F Major, BWV 779
25. J.S. Bach: 2-Part Invention No. 9 in F Minor, BWV 780
26. J.S. Bach: 2-Part Invention No. 10 in G Major, BWV 781
27. J.S. Bach: 2-Part Invention No. 11 in G Minor, BWV 782
28. J.S. Bach: 2-Part Invention No. 12 in A Major, BWV 783
29. J.S. Bach: 2-Part Invention No. 13 in A Minor, BWV 784
30. J.S. Bach: 2-Part Invention No. 14 in B-Flat Major, BWV 785
31. J.S. Bach: 2-Part Invention No. 15 in B Minor, BWV 786
32. J.S. Bach: Sinfonia (3-Part Invention) No. 1 in C Major, BWV 787
33. J.S. Bach: Sinfonia (3-Part Invention) No. 2 in C Minor, BWV 788
34. J.S. Bach: Sinfonia (3-Part Invention) No. 3 in D Major, BWV 789
35. J.S. Bach: Sinfonia (3-Part Invention) No. 4 in D Minor, BWV 790
36. J.S. Bach: Sinfonia (3-Part Invention) No. 5 in E-Flat Major, BWV 791
37. J.S. Bach: Sinfonia (3-Part Invention) No. 6 in E Major, BWV 792
38. J.S. Bach: Sinfonia (3-Part Invention) No. 7 in E Minor, BWV 793
39. J.S. Bach: Sinfonia (3-Part Invention) No. 8 in F Major, BWV 794
40. J.S. Bach: Sinfonia (3-Part Invention) No. 9 in F Minor, BWV 795
41. J.S. Bach: Sinfonia (3-Part Invention) No. 10 in G Major, BWV 796
42. J.S. Bach: Sinfonia (3-Part Invention) No. 11 in G Minor, BWV 797
43. J.S. Bach: Sinfonia (3-Part Invention) No. 12 in A Major, BWV 798
44. J.S. Bach: Sinfonia (3-Part Invention) No. 13 in A Minor, BWV 799
45. J.S. Bach: Sinfonia (3-Part Invention) No. 14 in B-Flat Major, BWV 800
46. J.S. Bach: Sinfonia (3-Part Invention) No. 15 in B Minor, BWV 801
47. J.S. Bach: Duet No. 1 in E Minor, BWV 802
48. J.S. Bach: Duet No. 2 in F Major, BWV 803
49. J.S. Bach: Duet No. 3 in G Major, BWV 804
50. J.S. Bach: Duet No. 4 in A Minor, BWV 805
51. J.S. Bach: Suite (Partita) in A Major, BWV 832: I. Allemande
52. J.S. Bach: Suite (Partita) in A Major, BWV 832: II. Air pour les trompettes
53. J.S. Bach: Suite (Partita) in A Major, BWV 832: III. Sarabande
54. J.S. Bach: Suite (Partita) in A Major, BWV 832: IV. Bourrée
55. J.S. Bach: Suite (Partita) in A Major, BWV 832: V. Gigue
In his day, Johann Sebastian Bach was better known as a virtuoso organist than as a composer. His sacred music, organ and choral works, and other instrumental music had an enthusiasm and seeming freedom that concealed immense rigor. Bach's use of counterpoint was brilliant and innovative, and the immense complexities of his compositional style -- which often included religious and numerological symbols that seem to fit perfectly together in a profound puzzle of special codes -- still amaze musicians today. Many consider him the greatest composer of all time.
Bach was born in Eisenach in 1685. He was taught to play the violin and harpsichord by his father, Johann Ambrosius, a court trumpeter in the service of the Duke of Eisenach. Young Johann was not yet ten when his father died, leaving him orphaned. He was taken in by his recently married oldest brother, Johann Christoph, who lived in Ohrdruf. Because of his excellent singing voice, Bach attained a position at the Michaelis monastery at Lüneberg in 1700. His voice changed a short while later, but he stayed on as an instrumentalist. After taking a short-lived post in Weimar in 1703 as a violinist, Bach became organist at the Neue Kirche in Arnstadt (1703-1707). His relationship with the church council was tenuous as the young musician often shirked his responsibilities, preferring to practice the organ. One account describes a four-month leave granted Bach to travel to Lubeck, where he would familiarize himself with the music of Dietrich Buxtehude. He returned to Arnstadt long after he was expected and much to the dismay of the council. He then briefly served at St. Blasius in Mühlhausen as organist, beginning in June 1707, and married his cousin, Maria Barbara Bach, that fall. Bach composed his famous Toccata and Fugue in D minor (BWV 565) and his first cantatas while in Mühlhausen, but quickly outgrew the musical resources of the town. He next took a post for the Duke of Sachsen-Weimar in 1708, serving as court organist and playing in the orchestra, eventually becoming its leader in 1714. He wrote many organ compositions during this period, including his Orgel-Büchlein, and also began writing the preludes and fugues that would become Das wohltemperierte Klavier (The Well-Tempered Klavier). Owing to politics between the Duke and his officials, Bach left Weimar and secured a post in December 1717 as Kapellmeister at Köthen. In 1720, Bach's wife suddenly died, leaving him with four children (three others had died in infancy). A short while later, he met his second wife, soprano Anna Magdalena Wilcke, whom he married in December 1721. She would bear 13 children, though only five would survive childhood. The six Brandenburg Concertos (BWV 1046-51), among many other secular works, date from his Köthen years. Bach became Kantor of the Thomas School in Leipzig in May 1723 (after the post was turned down by Georg Philipp Telemann) and held the position until his death. It was in Leipzig that he composed the bulk of his religious and secular cantatas. Bach eventually became dissatisfied with this post, not only because of its meager financial rewards, but also because of onerous duties and inadequate facilities. Thus he took on other projects, chief among which was the directorship of the city's Collegium Musicum, an ensemble of professional and amateur musicians who gave weekly concerts, in 1729. He also became music director at the Dresden Court in 1736, in the service of Frederick Augustus II; though his duties were vague and apparently few, they allowed him the freedom to compose what he wanted. Bach began making trips to Berlin in the 1740s, not least because his son Carl Philipp Emanuel served as a court musician there. The Goldberg Variations, one of the few pieces by Bach to be published in his lifetime, appeared in 1741. In May 1747, the composer was warmly received by King Frederick II of Prussia, for whom he wrote the gloriously abstruse Musical Offering (BWV 1079). Among Bach's last works was his 1749 Mass in B minor. Besieged by diabetes, he died on July 28, 1750. ~ Robert Cummings
Bach was born in Eisenach in 1685. He was taught to play the violin and harpsichord by his father, Johann Ambrosius, a court trumpeter in the service of the Duke of Eisenach. Young Johann was not yet ten when his father died, leaving him orphaned. He was taken in by his recently married oldest brother, Johann Christoph, who lived in Ohrdruf. Because of his excellent singing voice, Bach attained a position at the Michaelis monastery at Lüneberg in 1700. His voice changed a short while later, but he stayed on as an instrumentalist. After taking a short-lived post in Weimar in 1703 as a violinist, Bach became organist at the Neue Kirche in Arnstadt (1703-1707). His relationship with the church council was tenuous as the young musician often shirked his responsibilities, preferring to practice the organ. One account describes a four-month leave granted Bach to travel to Lubeck, where he would familiarize himself with the music of Dietrich Buxtehude. He returned to Arnstadt long after he was expected and much to the dismay of the council. He then briefly served at St. Blasius in Mühlhausen as organist, beginning in June 1707, and married his cousin, Maria Barbara Bach, that fall. Bach composed his famous Toccata and Fugue in D minor (BWV 565) and his first cantatas while in Mühlhausen, but quickly outgrew the musical resources of the town. He next took a post for the Duke of Sachsen-Weimar in 1708, serving as court organist and playing in the orchestra, eventually becoming its leader in 1714. He wrote many organ compositions during this period, including his Orgel-Büchlein, and also began writing the preludes and fugues that would become Das wohltemperierte Klavier (The Well-Tempered Klavier). Owing to politics between the Duke and his officials, Bach left Weimar and secured a post in December 1717 as Kapellmeister at Köthen. In 1720, Bach's wife suddenly died, leaving him with four children (three others had died in infancy). A short while later, he met his second wife, soprano Anna Magdalena Wilcke, whom he married in December 1721. She would bear 13 children, though only five would survive childhood. The six Brandenburg Concertos (BWV 1046-51), among many other secular works, date from his Köthen years. Bach became Kantor of the Thomas School in Leipzig in May 1723 (after the post was turned down by Georg Philipp Telemann) and held the position until his death. It was in Leipzig that he composed the bulk of his religious and secular cantatas. Bach eventually became dissatisfied with this post, not only because of its meager financial rewards, but also because of onerous duties and inadequate facilities. Thus he took on other projects, chief among which was the directorship of the city's Collegium Musicum, an ensemble of professional and amateur musicians who gave weekly concerts, in 1729. He also became music director at the Dresden Court in 1736, in the service of Frederick Augustus II; though his duties were vague and apparently few, they allowed him the freedom to compose what he wanted. Bach began making trips to Berlin in the 1740s, not least because his son Carl Philipp Emanuel served as a court musician there. The Goldberg Variations, one of the few pieces by Bach to be published in his lifetime, appeared in 1741. In May 1747, the composer was warmly received by King Frederick II of Prussia, for whom he wrote the gloriously abstruse Musical Offering (BWV 1079). Among Bach's last works was his 1749 Mass in B minor. Besieged by diabetes, he died on July 28, 1750. ~ Robert Cummings
Year 2024 | Classical | FLAC / APE
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