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Panocha Quartet - Martinů: Complete String Quartets (2007)

Panocha Quartet - Martinů: Complete String Quartets (2007)

BAND/ARTIST: Panocha Quartet

  • Title: Martinů: Complete String Quartets
  • Year Of Release: 2007
  • Label: Hyperion
  • Genre: Classical
  • Quality: flac lossless (tracks)
  • Total Time: 02:39:47
  • Total Size: 770 mb
  • WebSite:
Tracklist

01. String Quartet No. 1, H. 117: I. Moderato - Allegro ma non troppo
02. String Quartet No. 1, H. 117: II. Andante moderato
03. String Quartet No. 1, H. 117: III. Allegro non troppo
04. String Quartet No. 1, H. 117: IV. Allegro con brio
05. String Quartet No. 2, H. 150: I. Moderato - Andante
06. String Quartet No. 2, H. 150: II. Andante
07. String Quartet No. 2, H. 150: III. Allegro
08. String Quartet No. 3, H. 183: I. Allegro
09. String Quartet No. 3, H. 183: II. Andante
10. String Quartet No. 3, H. 183: III. Vivo
11. String Quartet No. 4, H. 256: I. Allegro poco moderato
12. String Quartet No. 4, H. 256: II. Allegro scherzando
13. String Quartet No. 4, H. 256: III. Adagio
14. String Quartet No. 4, H. 256: IV. Allegro
15. String Quartet No. 5, H. 268: I. Allegro ma non troppo
16. String Quartet No. 5, H. 268: II. Adagio
17. String Quartet No. 5, H. 268: III. Allegro vivo
18. String Quartet No. 5, H. 268: IV. Lento - Allegro - Moderato
19. String Quartet No. 6, H. 312: I. Allegro moderato
20. String Quartet No. 6, H. 312: II. Andante
21. String Quartet No. 6, H. 312: III. Allegro
22. String Quartet No. 7, H. 314 "Concerto da camera": I. Poco allegro
23. String Quartet No. 7, H. 314 "Concerto da camera": II. Andante
24. String Quartet No. 7, H. 314 "Concerto da camera": III. Allegro vivo

This complete collection of Bohuslav Martinů's string quartets was recorded in the years 1979-1983, at the peak of the Panocha Quartet's career. Martinů's quartets were written over the entire span of his life, and each of them is a world unto itself. The Impressionistic "French" Quartet, and the Quartet No. 4 (Paris, 1937) were written in the period between theWorld Wars. Martinů's unique compositional identity appears for the first time, however, in the Quartet No. 2 (1925). The Quartet No. 5 and Janáček's Intimate Letters have much in common, including their romantic dimension and their passion born of an inner pressure. After the Quartet No. 6 (1946), which in a way parallels Dvořák's work during his soujourn in America, Martinů brings his quartet work to a climax with his seventh piece, the Concerto da camera, a miniature full of inner contentment, as if the composer had found time for inner contemplation andmeditation in this favorite chamber composition.

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