Howard Shelley, Tasmanian Symphony Orchestra - Döhler & Dreyschock: Piano Concertos (2013) [Hi-Res]
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BAND/ARTIST: Howard Shelley, Tasmanian Symphony Orchestra
- Title: Döhler & Dreyschock: Piano Concertos
- Year Of Release: 2013
- Label: Hyperion
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 00:56:02
- Total Size: 221 / 759 mb
- WebSite: Album Preview
Tracklist
01. Piano Concerto in A Major, Op. 7: I. Maestoso
02. Piano Concerto in A Major, Op. 7: II. Adagio
03. Piano Concerto in A Major, Op. 7: III. Allegretto
04. Morceau de concert in C Minor, Op. 27
05. Salut à Vienne "Rondo brillant", Op. 32: I. Introduzione – Tempo di marcia –
06. Salut à Vienne "Rondo brillant", Op. 32: II. Rondo. Allegro con moto
The Romantic Piano Concerto series reaches Volume 61, and continues to probe into the obscurest depths of the nineteenth-century piano world. Döhler’s Piano Concerto in A major and Dreyschock’s Salut à Vienne are both first recordings. The two composer-pianists were contemporaries, both child prodigies and both hugely admired in their day. Today their names are not even faintly familiar to concert-goers.
Döhler’s Concerto is pure entertainment: a lavishly ornamented virtuoso confection that requires a high-wire act from the soloist from start to finish. Dreyschock’s Morceau de concert, Op 27, is dedicated to the Philharmonic Society of London. It opens with a Beethovenian declamation—and indeed throughout the piece there are allusions to several Beethoven works, notably the ‘Appassionata’ Sonata. Salut à Vienne is a lighthearted but highly effective showpiece.
These all-but-forgotten works live again through the stylish artistry and technical brilliance of Howard Shelley, who is both soloist and conductor of his long-term collaborators, the Tasmanian Symphony Orchestra.
01. Piano Concerto in A Major, Op. 7: I. Maestoso
02. Piano Concerto in A Major, Op. 7: II. Adagio
03. Piano Concerto in A Major, Op. 7: III. Allegretto
04. Morceau de concert in C Minor, Op. 27
05. Salut à Vienne "Rondo brillant", Op. 32: I. Introduzione – Tempo di marcia –
06. Salut à Vienne "Rondo brillant", Op. 32: II. Rondo. Allegro con moto
The Romantic Piano Concerto series reaches Volume 61, and continues to probe into the obscurest depths of the nineteenth-century piano world. Döhler’s Piano Concerto in A major and Dreyschock’s Salut à Vienne are both first recordings. The two composer-pianists were contemporaries, both child prodigies and both hugely admired in their day. Today their names are not even faintly familiar to concert-goers.
Döhler’s Concerto is pure entertainment: a lavishly ornamented virtuoso confection that requires a high-wire act from the soloist from start to finish. Dreyschock’s Morceau de concert, Op 27, is dedicated to the Philharmonic Society of London. It opens with a Beethovenian declamation—and indeed throughout the piece there are allusions to several Beethoven works, notably the ‘Appassionata’ Sonata. Salut à Vienne is a lighthearted but highly effective showpiece.
These all-but-forgotten works live again through the stylish artistry and technical brilliance of Howard Shelley, who is both soloist and conductor of his long-term collaborators, the Tasmanian Symphony Orchestra.
Classical | FLAC / APE | HD & Vinyl
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