Martin Jones - Piano Music of Oscar Fernândez (2024) [Hi-Res]
![Martin Jones - Piano Music of Oscar Fernândez (2024) [Hi-Res]](https://www.dibpic.com/uploads/posts/2024-01/1704410450_martin-jones-piano-music-of-oscar-fernandez-2024.jpg)
BAND/ARTIST: Martin Jones
- Title: Piano Music of Oscar Fernândez
- Year Of Release: 2024
- Label: Nimbus Records
- Genre: Classical Piano
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz
- Total Time: 01:06:42
- Total Size: 264 mb / 1.05 gb
- WebSite: Album Preview
Tracklist
01. Duas Miniatures, Op. 1: No. 1, Andante
02. Duas Miniatures, Op. 1: No. 2, Presto
03. Noturno, Op. 3
04. Arabesca, Op. 5
05. Prelúdios do crepúsculo, Op. 15: No. 1, Evocacão da tarde
06. Prelúdios do crepúsculo, Op. 15: No. 2, Idílio
07. Prelúdios do crepúsculo, Op. 15: No. 3, Ocaso
08. Prelúdios do crepúsculo, Op. 15: No. 4, Angelus
09. Prelúdios do crepúsculo, Op. 15: No. 5, Pirilampos
10. Três Estudos. Em forma de Sonatina: No. 1, Allegro con brio
11. Três Estudos. Em forma de Sonatina: No. 2, Moderato
12. Três Estudos. Em forma de Sonatina: No. 3, Allegro scherzando
13. Valsa Suburbana, Op. 70
14. Suite Brasileira No. 1, Sobre têmas originals: I. Velha Modinha
15. Suite Brasileira No. 1, Sobre têmas originals: II. Suave Acalanto
16. Suite Brasileira No. 1, Sobre têmas originals: III. Saudosa Seresta
17. Suite Brasileira No. 2, Sobre têmas originals: I. Ponteio
18. Suite Brasileira No. 2, Sobre têmas originals: II. Moda
19. Suite Brasileira No. 2, Sobre têmas originals: III. Cateretê
20. Suite Brasileira No. 3, Sobre têmas originals: I. Toada
21. Suite Brasileira No. 3, Sobre têmas originals: II. Serésta
22. Suite Brasileira No. 3, Sobre têmas originals: III. Jongo
23. Rêverie, Op. 20
24. Prelúdio Fantástico
25. Miragem
Fernândez’ work can be divided into three periods, the first (1918-22) is influenced by French Impressionism, the second (1923-38) is marked by the systematic use of folklore, particularly amerindian rhythms and harmonies, rather than ‘popular’ urban melodies. Finally (1939-48) was a period of increasing introspection and the development of a more universally recognised language. [© Adrian Farmer] Martin Jones has been one of Britain’s most highly regarded solo pianists since first coming to international attention in 1968 when he received the Dame Myra Hess Award. The same year he made his London debut at the Queen Elizabeth Hall and his New York debut at Carnegie Hall, and ever since has been in demand for recitals and concerto performances. He has made over 90 recordings with Nimbus Records exploring music that is not often played including the complete works of 18 composers.
01. Duas Miniatures, Op. 1: No. 1, Andante
02. Duas Miniatures, Op. 1: No. 2, Presto
03. Noturno, Op. 3
04. Arabesca, Op. 5
05. Prelúdios do crepúsculo, Op. 15: No. 1, Evocacão da tarde
06. Prelúdios do crepúsculo, Op. 15: No. 2, Idílio
07. Prelúdios do crepúsculo, Op. 15: No. 3, Ocaso
08. Prelúdios do crepúsculo, Op. 15: No. 4, Angelus
09. Prelúdios do crepúsculo, Op. 15: No. 5, Pirilampos
10. Três Estudos. Em forma de Sonatina: No. 1, Allegro con brio
11. Três Estudos. Em forma de Sonatina: No. 2, Moderato
12. Três Estudos. Em forma de Sonatina: No. 3, Allegro scherzando
13. Valsa Suburbana, Op. 70
14. Suite Brasileira No. 1, Sobre têmas originals: I. Velha Modinha
15. Suite Brasileira No. 1, Sobre têmas originals: II. Suave Acalanto
16. Suite Brasileira No. 1, Sobre têmas originals: III. Saudosa Seresta
17. Suite Brasileira No. 2, Sobre têmas originals: I. Ponteio
18. Suite Brasileira No. 2, Sobre têmas originals: II. Moda
19. Suite Brasileira No. 2, Sobre têmas originals: III. Cateretê
20. Suite Brasileira No. 3, Sobre têmas originals: I. Toada
21. Suite Brasileira No. 3, Sobre têmas originals: II. Serésta
22. Suite Brasileira No. 3, Sobre têmas originals: III. Jongo
23. Rêverie, Op. 20
24. Prelúdio Fantástico
25. Miragem
Fernândez’ work can be divided into three periods, the first (1918-22) is influenced by French Impressionism, the second (1923-38) is marked by the systematic use of folklore, particularly amerindian rhythms and harmonies, rather than ‘popular’ urban melodies. Finally (1939-48) was a period of increasing introspection and the development of a more universally recognised language. [© Adrian Farmer] Martin Jones has been one of Britain’s most highly regarded solo pianists since first coming to international attention in 1968 when he received the Dame Myra Hess Award. The same year he made his London debut at the Queen Elizabeth Hall and his New York debut at Carnegie Hall, and ever since has been in demand for recitals and concerto performances. He has made over 90 recordings with Nimbus Records exploring music that is not often played including the complete works of 18 composers.
Year 2024 | Classical | FLAC / APE | HD & Vinyl
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