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José Cura - Verismo (1999)

José Cura - Verismo (1999)
  • Title: Verismo
  • Year Of Release: 1999
  • Label: Warner Classics
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 1:16:07
  • Total Size: 301 MB
  • WebSite:
Tracklist:

1. José Cura And Philharmonia orchestra – Pagliacci : Prologo "Si puo ?" (08:17)
2. José Cura – Leoncavallo : Pagliacci : Act 1 "Recitar!" [Canio] (04:09)
3. José Cura – Pagliacci : Intermezzo (03:59)
4. José Cura – La Bohème : "Musette !... Testa adorata" (04:29)
5. José Cura And Philharmonia orchestra – Loreley : "Nel verde maggio" (02:10)
6. José Cura – Giordano: Andrea Chénier: "Improvviso" (05:36)
7. José Cura – Giordano : Andrea Chénier : Act 4 "Come un bel dì di maggio" [Andrea Chénier] (03:12)
8. José Cura & Philharmonia Orchestra – Fédora : Act 2 "Amor ti vieta" [Count Loris] (01:58)
9. José Cura – Marcella : "Dolce notte misteriosa" (02:22)
10. José Cura – Cilea : Adriana Lecouvreur : Act 1 "La dolcissima effigie" [Maurizio] (02:49)
11. José Cura & Philharmonia Orchestra – Cilea : Adriana Lecouvreur : Act 2 "L'anima ho stanca" [Maurizio] (01:48)
12. José Cura – L'arlesiana : Lamento de Federico "E la solita storia del pastore" (04:46)
13. José Cura – Germania : "Studenti ! Udite" (02:01)
14. José Cura – Mascagni : Cavalleria rusticana : Prelude & Siciliana "O Lola" [Turiddu] (08:12)
15. José Cura – Mascagni : Cavalleria rusticana : "Mamma, quel vino è generoso" [Turiddu] (04:41)
16. José Cura And Philharmonia orchestra – Lodoletta : "Se Franz dicesse il vero" (05:19)
17. José Cura – Guglielmo Ratcliff : "Non altro che delirio" (10:11)

Jose Cura is a unique talent, composer, arranger, conductor, and, yes, he somehow finds time to sing. In VERISMO the Argentine tenor wields a baton in support of his own rich voice, and focuses on the particular school of opera which has been his specialty. For most people, the word verismo describes a tabloid-style Italian opera in which lusty peasants chase each other around with knives, but this disc shows that there is more to it than 'Cav' and 'Pag,' that in fact verismo is a wide-ranging genre of naturalism but not always brutality, and capable of the tenderest emotions. This range comes easily to Cura, whose voice can have the soft, consoling warmth one associates with a great baritone in addition to the more obvious heroic assets one expects from a great tenor. His skill at characterization is apparent right from the start as he sings Tonio's prologue from 'Pagliacci' before launching into Canio's famous 'Vesti la giubba,' a fresh and thoughtful performance not really reminiscent of any of his celebrated predecessors. The tour continues with Catalani, Franchetti and generous helpings of Giordano, Cilea and, of course, Mascagni, all well served by both Cura the tenor and Cura the conductor.


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