Kölner Akademie, Michael Alexander Willens featuring Hanna Herfurtner, Elvira Bill, Georg Poplutz, Matthias Vieweg, Markus Volpert, Kölner Akademie Choir - Carl Philipp Emanuel Bach: Magnificat Wq. 215 (2023) [Hi-Res]
![Kölner Akademie, Michael Alexander Willens featuring Hanna Herfurtner, Elvira Bill, Georg Poplutz, Matthias Vieweg, Markus Volpert, Kölner Akademie Choir - Carl Philipp Emanuel Bach: Magnificat Wq. 215 (2023) [Hi-Res]](https://www.dibpic.com/uploads/posts/2023-11/1699556038_carl-philipp-emanuel-bach-magnificat-wq_-215-2023.jpg)
BAND/ARTIST: Kölner Akademie, Michael Alexander Willens featuring Hanna Herfurtner, Elvira Bill, Georg Poplutz, Matthias Vieweg, Markus Volpert, Kölner Akademie Choir
- Title: Carl Philipp Emanuel Bach: Magnificat Wq. 215
- Year Of Release: 2023
- Label: CPO
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 48.0kHz +Booklet
- Total Time: 01:09:04
- Total Size: 353 / 714 mb
- WebSite: Album Preview
Tracklist
01. Magnificat, Wq.215: 01 Tutti »Magnificat anima mea Dominum«
02. Magnificat, Wq.215: 02 Aria »Quia respexit humilitatem ancillae suae«
03. Magnificat, Wq.215: 03 Aria »Quia fecit mihi magna«
04. Magnificat, Wq.215: 04 Coro »Et misericordia«
05. Magnificat, Wq.215: 05 Aria »Fecit potentiam«
06. Magnificat, Wq.215: 06 Duetto »Deposuit potentes de sede«
07. Magnificat, Wq.215: 07 Aria »Suscepit Israel puerum suum«
08. Magnificat, Wq.215: 08 Tutti »Gloria patri«
09. Magnificat, Wq.215: 09 Tutti »Sicut erat in principio«
10. Magnificat, Wq.215: 10 Coro »Et misericordia« (Berlin, 1749)
11. Auf, schicke dich, Wq. 249: 11 Choral »Auf, schicke dich«
12. Auf, schicke dich, Wq. 249: 12 Arie »Groß ist der Herr«
13. Auf, schicke dich, Wq. 249: 13 Recitativ »Wohin mein Auge blickt«
14. Auf, schicke dich, Wq. 249: 14 Arie und Chor »Groß ist der Herr«
15. Auf, schicke dich, Wq. 249: 15 Recitativ »Welch ein Gesang«
16. Auf, schicke dich, Wq. 249: 16 Duetto »Also hat Gott die Welt geliebet«
17. Auf, schicke dich, Wq. 249: 17 Accompagnement »Du bist gekommen«
18. Auf, schicke dich, Wq. 249: 18 Arie und Chor »Seid mir gesegnet«
19. Auf, schicke dich, Wq. 249: 19 Choral »Rat, Kraft und Held«
20. Spiega, Ammonia fortunata, Wq. 216: 20 Chorus »Spiega, Ammonia fortunata«
Carl Philipp Emanuel Bach was music director of five of Hamburg's principal churches from 1768 until his death in 1788. It was a strenuous and risky position of great responsibility. He was to make church services as attractive as possible with performances of his own original compositions alongside those of his contemporaries, so the faithful would show up in droves to church. On the other hand, he was to avoid theologically questionable theatrics. The two fascinating main works on these new recordings with Michael Alexander Willens and the Kölner Akademie clearly show that the "Hamburg Bach" knew very well how to fill up church pews. He returned to his Magnificat thirty years after its composition in Berlin in 1749. Bach had it performed twice at his new place of work (1779 and 1786) adding three trumpets, two horns and timpani to yield a certain festive brilliance. His 1775 Christmas cantata Auf, schicke dich, recht feierlich, features similar magnificence. Bach was apparently very pleased with this unusually formatted work, for he programmed it several times. A brilliantly sparkling piece of "ephemera" concludes the programme. Carl Philipp Emanuel Bach had only twelve hours on a certain day in 1770 to compose the festive Spiega, Ammonia, fortunata ("Hail, blessed Hamburg") on the occasion of the visit of the Swedish crown prince and later Gustav III of Vasa ... it would be hard to be believe if Bach himself had not noted it in his autobiography.
01. Magnificat, Wq.215: 01 Tutti »Magnificat anima mea Dominum«
02. Magnificat, Wq.215: 02 Aria »Quia respexit humilitatem ancillae suae«
03. Magnificat, Wq.215: 03 Aria »Quia fecit mihi magna«
04. Magnificat, Wq.215: 04 Coro »Et misericordia«
05. Magnificat, Wq.215: 05 Aria »Fecit potentiam«
06. Magnificat, Wq.215: 06 Duetto »Deposuit potentes de sede«
07. Magnificat, Wq.215: 07 Aria »Suscepit Israel puerum suum«
08. Magnificat, Wq.215: 08 Tutti »Gloria patri«
09. Magnificat, Wq.215: 09 Tutti »Sicut erat in principio«
10. Magnificat, Wq.215: 10 Coro »Et misericordia« (Berlin, 1749)
11. Auf, schicke dich, Wq. 249: 11 Choral »Auf, schicke dich«
12. Auf, schicke dich, Wq. 249: 12 Arie »Groß ist der Herr«
13. Auf, schicke dich, Wq. 249: 13 Recitativ »Wohin mein Auge blickt«
14. Auf, schicke dich, Wq. 249: 14 Arie und Chor »Groß ist der Herr«
15. Auf, schicke dich, Wq. 249: 15 Recitativ »Welch ein Gesang«
16. Auf, schicke dich, Wq. 249: 16 Duetto »Also hat Gott die Welt geliebet«
17. Auf, schicke dich, Wq. 249: 17 Accompagnement »Du bist gekommen«
18. Auf, schicke dich, Wq. 249: 18 Arie und Chor »Seid mir gesegnet«
19. Auf, schicke dich, Wq. 249: 19 Choral »Rat, Kraft und Held«
20. Spiega, Ammonia fortunata, Wq. 216: 20 Chorus »Spiega, Ammonia fortunata«
Carl Philipp Emanuel Bach was music director of five of Hamburg's principal churches from 1768 until his death in 1788. It was a strenuous and risky position of great responsibility. He was to make church services as attractive as possible with performances of his own original compositions alongside those of his contemporaries, so the faithful would show up in droves to church. On the other hand, he was to avoid theologically questionable theatrics. The two fascinating main works on these new recordings with Michael Alexander Willens and the Kölner Akademie clearly show that the "Hamburg Bach" knew very well how to fill up church pews. He returned to his Magnificat thirty years after its composition in Berlin in 1749. Bach had it performed twice at his new place of work (1779 and 1786) adding three trumpets, two horns and timpani to yield a certain festive brilliance. His 1775 Christmas cantata Auf, schicke dich, recht feierlich, features similar magnificence. Bach was apparently very pleased with this unusually formatted work, for he programmed it several times. A brilliantly sparkling piece of "ephemera" concludes the programme. Carl Philipp Emanuel Bach had only twelve hours on a certain day in 1770 to compose the festive Spiega, Ammonia, fortunata ("Hail, blessed Hamburg") on the occasion of the visit of the Swedish crown prince and later Gustav III of Vasa ... it would be hard to be believe if Bach himself had not noted it in his autobiography.
Year 2023 | Classical | FLAC / APE | HD & Vinyl
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