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Marc-André Hamelin - Schumann: Carnaval, Fantasiestücke, Papillons (2005)

Marc-André Hamelin - Schumann: Carnaval, Fantasiestücke, Papillons (2005)

BAND/ARTIST: Marc-André Hamelin

  • Title: Schumann: Carnaval, Fantasiestücke, Papillons
  • Year Of Release: 2005
  • Label: Hyperion
  • Genre: Classical Piano
  • Quality: flac lossless (tracks) +Booklet
  • Total Time: 01:13:29
  • Total Size: 209 mb
  • WebSite:
Tracklist

01. Schumann: Papillons, Op. 2: Introduction in D Major. Moderato
02. Schumann: Papillons, Op. 2: No. 1 in D Major
03. Schumann: Papillons, Op. 2: No. 2 in A-Flat Major. Prestissimo
04. Schumann: Papillons, Op. 2: No. 3 in F-Sharp Minor
05. Schumann: Papillons, Op. 2: No. 4 in A Major. Presto
06. Schumann: Papillons, Op. 2: No. 5 in B-Flat Major
07. Schumann: Papillons, Op. 2: No. 6 in D Minor
08. Schumann: Papillons, Op. 2: No. 7 in F Minor. Semplice
09. Schumann: Papillons, Op. 2: No. 8 in C-Sharp Minor
10. Schumann: Papillons, Op. 2: No. 9 in B-Flat Minor. Prestissimo
11. Schumann: Papillons, Op. 2: No. 10 in C Major. Vivo
12. Schumann: Papillons, Op. 2: No. 11 in D Major
13. Schumann: Papillons, Op. 2: No. 12 in D Major. Finale
14. Schumann: Fantasiestücke, Op. 12: I. Des Abends
15. Schumann: Fantasiestücke, Op. 12: II. Aufschwung
16. Schumann: Fantasiestücke, Op. 12: III. Warum?
17. Schumann: Fantasiestücke, Op. 12: IV. Grillen
18. Schumann: Fantasiestücke, Op. 12: V. In der Nacht
19. Schumann: Fantasiestücke, Op. 12: VI. Fabel
20. Schumann: Fantasiestücke, Op. 12: VII. Traumes Wirren
21. Schumann: Fantasiestücke, Op. 12: VIII. Ende vom Lied
22. Schumann: Carnaval, Op. 9: I. Préambule. Quasi maestoso
23. Schumann: Carnaval, Op. 9: II. Pierrot. Moderato
24. Schumann: Carnaval, Op. 9: III. Arlequin. Vivo
25. Schumann: Carnaval, Op. 9: IV. Valse noble. Un poco maestoso
26. Schumann: Carnaval, Op. 9: V. Eusebius. Adagio
27. Schumann: Carnaval, Op. 9: VI. Florestan. Passionato
28. Schumann: Carnaval, Op. 9: VII. Coquette. Vivo
29. Schumann: Carnaval, Op. 9: VIII. Réplique. L'istesso tempo – Sphinxes
30. Schumann: Carnaval, Op. 9: IX. Papillons. Prestissimo
31. Schumann: Carnaval, Op. 9: X. ASCH–SCHA (Lettres dansantes). Presto
32. Schumann: Carnaval, Op. 9: XI. Chiarina. Passionato
33. Schumann: Carnaval, Op. 9: XII. Chopin. Agitato
34. Schumann: Carnaval, Op. 9: XIII. Estrella. Con affetto
35. Schumann: Carnaval, Op. 9: XIV. Reconnaissance. Animato
36. Schumann: Carnaval, Op. 9: XV. Pantalon et Colombine. Presto
37. Schumann: Carnaval, Op. 9: XVI. Valse allemande. Molto vivace
38. Schumann: Carnaval, Op. 9: XVII. Paganini (Intermezzo). Presto
39. Schumann: Carnaval, Op. 9: XVIII. Aveu. Passionato
40. Schumann: Carnaval, Op. 9: XIX. Promenade. Comodo
41. Schumann: Carnaval, Op. 9: XX. Pause. Vivo
42. Schumann: Carnaval, Op. 9: XXI. Marche des Davidsbündler contre les Philistins. Non allegro

Broadly speaking Schumann wrote two different kinds of piano work: large-scale abstract works in traditional forms such as sonata and variation; and works in a genre he created himself—the suite of small character pieces united by an emotional thread, often taking their inspiration from literature.

The three works on this disc fall into the latter category and the programme opens with Papillons, only his second published work and arguably his first masterpiece. Its inspiration seems to come from the description of a masked ball in the novel Flegeljahre by Jean Paul. Carnaval inhabits the same world as Papillons but on a larger scale (they even share the same tune in their finales); it is probably Schumann’s most popular piano work and has been recorded by all the great pianists from Rachmaninov onwards. Fantasiestücke takes its inspiration from E T A Hofmann and is perhaps a more inward-looking cycle.

All these works are cornerstones of the Romantic piano repertoire but Marc-André Hamelin need fear no comparison with his illustrious predecessors. There is a rare poetry and spontaneity in these performances, particularly that of Carnaval which Marc-André recorded as an afterthought in just a few takes when he finished a booked recording session early. Marc-André’s previous Schumann CD received excellent reviews—this one is even better!

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